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Audio Stop 210

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A white man in military uniform rides a horse in front of a regiment of five rows of Black troops in this sculpture, which is painted entirely in gold. The artist created a shallow, stage-like space with an arched top so the men are sculpted in three dimensions, though they become more compressed as they move back in space. The men and horse face our right in profile in this view. The man on the horse has a pointed, straight nose and a goatee. He wears a cap with a flat top and narrow brim, a knee-length coat, gloves, and knee-high boots with spurs. He holds a thin sword down by the side of the horse with his right hand and holds the reins of the horse with his left. The horse’s head is pulled upward by the short reins, and its mouth is open around the bit. About twenty soldiers are lined up in rows beyond the horse, and they march in unison. They carry blankets rolled atop knapsacks, canteens, and rifles resting on their right shoulders. However, the details of how their uniforms bunch up around their equipment and the way their caps have been molded and fit is unique to each person. Their ages also vary from young and cleanshaven to bearded, older men. Two men carry furled flags near the back, to our left, and a drummer boy plays at the head of the regiment, to our right. All the men look straight ahead, their lips closed. A woman in a billowing robe floats above them under the arched top of the sculpture with her eyes closed. Her left arm is outstretched, and she holds a laurel branch and poppies close to her body with her right arm. An inscription in the upper right corner is created with raised capital letters: “OMNIA RELINQVIT SERVARE REMPVBLICAM.” A longer inscription is carved into the base along the bottom edge of the memorial, also in all caps: “ROBERT GOVLD SHAW KILLED WHILE LEADING THE ASSVLT ON FORT WAGNER JVLY TWENTY THIRD EIGHTEEN HVNDRED AND SIXTY THREE.” The artist’s signature is inscribed In the lower right corner, in smaller letters: “AVGVTVS SAINT GAVDEN M-D-C-C-C-L X X X X V I I I.”

Augustus Saint-Gaudens

The Shaw 54th Regiment Memorial, 1900

West Building, Main Floor — Gallery 66

Carl Cruz是马萨诸塞州第54志愿步兵团一位中士的后代,他在此讨论Saint-Gaudens对南北战争期间由黑人士兵组成的首批北方军团之一的描绘,该画作的感染力,以及这幅画对当今观众的影响。

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讲解员:
这块纪念碑的创作者是奥古斯塔斯·圣-高登斯。此碑用来纪念一群极具勇气与开创性的男士。马萨诸塞州第54兵团是美国内战期间北方军里首批由黑人士兵组成的军队之一。威廉·H·卡尼中士就是该军团一员。

卡尔·克鲁兹:
我叫卡尔·克鲁兹。我是威廉·H·卡尼中士的曾曾侄孙。

讲解员:
卡尼中士,来自马萨诸塞州新贝德福德的22岁船员,1863年2月加入第54兵团。

卡尔·克鲁兹:
这样他就能致力于让曾经被奴役的有色人种可以享有自由。

讲解员:
纪念碑上描绘出一队行进中的士兵以及骑在马背上的罗伯特·古尔德·肖上校。1863年7月18日的夜晚,第54兵团攻占位于南卡罗来纳州查尔斯顿附近的瓦格纳堡。战斗很激烈。第54兵团伤亡惨重。战斗过程中,旗手负伤,无法继续掌旗。卡尼立刻接过美国国旗。卡尼后来详细描述了自己见证的一切:

卡尔·克鲁兹:
才刚20分钟不到,我就发现自己落单,在防御工事上挣扎着前进,周围都是横七竖八交叠躺倒的死伤者。

讲解员:
卡尼中士虽然身负重伤,最终还是抵达了安全地带。他对战友们说:

卡尔·克鲁兹:
“我只是履行了自己的职责。战友们,我们的老军旗从未倒地。”这段佳话充满号召力,引得更多黑人纷纷加入联邦军,最终帮助联邦军赢得内战。它肯定也影响到了总统亚伯拉罕·林肯。

讲解员:
虽然第54兵团在这场战役中落败,但这些非裔美国人士兵的勇气却赢得了万众喝彩,激励了许多人。



卡尔·克鲁兹:
每当我想到第54兵团的战士,我就真正领悟到“黑人的命也是命”(Black Lives Matter)运动的意义。黑人也要为了这个国家的历史而战,为了这个国家的自由而战——这也是我们时至今日依旧在做的事。卡尼和第54兵团的战友们经历过,参与过,为此献出生命。我认为他们是我们的榜样。但愿我们通过讲述这些故事,终将迎来胜利时刻。
 

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