During my stay at CASVA, I finished writing a book about painting techniques in Venice during the sixteenth century. The volume summarizes the many scientific studies that have been conducted in the last decades in museums and collections around the world. It reconsiders ideas about the art of the period, on subjects including the role of drawing, the evolution of preparations and colored grounds, and oil as a binding medium. I integrate these observations with all that the historiographical tradition (treatises, books of recipes,
The documents are few, but some are very important, such as painters’ inventories, of which Palma Vecchio’s is very useful. Recent publications have focused on the pigments trade and the
The book encompasses the main aspects of this topic, starting with the role of drawing. Everyone knows Vasari’s vituperative attacks against the Venetians’ ignorance in that regard, but the use of infrared reflectography has completely upset such received commonplaces by revealing the great variety of the use of
The book reviews everything that we know about the various pigments, their trade, their manufacture, and their alteration, using all available archival material, published and unpublished. Then it explores painters’ techniques, including their brushwork and the many discussions it gave way to in the artistic literature of the time. Venetian painting has also been exalted for its
During my residency in Washington, I explored the resources not only of the National Gallery of Art Library but also of the files of the conservation department. I enjoyed the opportunities to discuss this topic with the Gallery’s curators, scientists, and conservators. In particular, I benefited from many very useful meetings with Barbara Berrie, who is a great specialist in the field of old master painting techniques and who is studying the pigments used in Venetian paintings of the Renaissance.
Members' Research Report Archive
Colorito: Painting Techniques in Venice during the Sixteenth Century
Michel Hochmann, École pratique des
Paul Mellon Visiting Senior Fellow, January 5–February 28, 2014
Giorgione, The Adoration of the Shepherds, 1505/1510, oil on panel, Samuel H. Kress Collection, 1939.1.289