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Press Images

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Raphael
Saint George and the Dragon, c. 1506
brush and brown ink heightened with white over black chalk, incised with stylus
overall (approximate): 24.5 x 20.3 cm (9 5/8 x 8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Raphael
The Madonna and Child with Saint John the Baptist, c. 1507
black chalk with traces of white chalk, outlines pricked for transfer; laid down
overall (approximate): 93.8 x 67 cm (36 15/16 x 26 3/8 in.)
framed: 138.8 x 112.4 x 12.1 cm (54 5/8 x 44 1/4 x 4 3/4 in.)
National Gallery of Art, Washington, Purchased with funds from The Armand Hammer Foundation

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Raphael
The Prophets Hosea and Jonah, c. 1510
pen and brown ink with brown wash over charcoal and blind stylus, heightened with white gouache and squared for transfer with blind stylus and red chalk, on laid paper
overall: 26.2 x 20 cm (10 5/16 x 7 7/8 in.)
National Gallery of Art, Washington, The Armand Hammer Collection

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Raphael
Eight Apostles, c. 1514
red chalk over stylus underdrawing and traces of leadpoint on laid paper, cut in two pieces and rejoined; laid down
sheet: 8.1 x 23.2 cm (3 3/16 x 9 1/8 in.)
support: 9.4 x 24.8 cm (3 11/16 x 9 3/4 in.)
National Gallery of Art, Washington, Woodner Collection

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Giulio Romano
River God, c. 1528
pen and brown ink with brown wash on laid paper
overall (lunette): 17 x 27.5 cm (6 11/16 x 10 13/16 in.)
overall: 86.3 cm (34 in.)
National Gallery of Art, Washington, Richard King Mellon Charitable Trusts

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Giulio Romano
Saint Michael, c. 1527/1528
pen and brown ink
overall: 38.6 x 29 cm (15 3/16 x 11 7/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Giulio Romano
The Four Elements, c. 1530
pen and brown ink with brown wash on laid paper
overall: 24.2 x 33.7 cm (9 1/2 x 13 1/4 in.)
National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund

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Giulio Romano
The Sacrifice of a Goat to Jupiter, c. 1527/1528
pen and brown ink with brown wash over black chalk on laid paper
overall: 28.9 x 20.9 cm (11 3/8 x 8 1/4 in.)
support: 42.5 x 34.5 cm (16 3/4 x 13 9/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Perino del Vaga
Altarpiece of the Madonna and Child with Saints, in Its Architectural Setting, 1528/1537
pen and brown ink on laid paper
overall: 23.6 x 16.1 cm (9 5/16 x 6 5/16 in.)
National Gallery of Art, Washington, Gift of The Circle of the National Gallery of Art

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Perino del Vaga
Alexander Consecrating the Altars for the Twelve Olympian Gods, 1545/1547
pen and brown ink with gray wash over black chalk on laid paper; laid down
overall: 31.7 x 21 cm (12 1/2 x 8 1/4 in.)
National Gallery of Art, Washington, Woodner Collection, Gift of Dian Woodner

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Perino del Vaga
Figure Studies [recto], c. 1530/1540
pen and brown ink on laid paper
overall: 19.2 x 27.4 cm (7 9/16 x 10 13/16 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

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Perino del Vaga
Figure Studies [verso], c. 1530/1540
pen and brown ink on laid paper
overall: 19.2 x 27.4 cm (7 9/16 x 10 13/16 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

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Polidoro da Caravaggio
Fleeing Barbarian, early 1520s
black chalk on laid paper
sheet: 17.8 x 12.1 cm (7 x 4 3/4 in.)
mount: 27.2 x 21.2 cm (10 11/16 x 8 3/8 in.)
National Gallery of Art, Washington, Joseph F. McCrindle Collection

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Polidoro da Caravaggio
A Deathbed Scene [recto], c. 1521/1522
red chalk on laid paper
overall: 21 x 29 cm (8 1/4 x 11 7/16 in.)
National Gallery of Art, Washington, Gift of David E. Rust, in Honor of the 50th Anniversary of the National Gallery of Art

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Polidoro da Caravaggio
woman Seated with a Piece of Cloth [verso], c. 1521/1522
red chalk on laid paper
overall: 21 x 29 cm (8 1/4 x 11 7/16 in.)
National Gallery of Art, Washington, Gift of David E. Rust, in Honor of the 50th Anniversary of the National Gallery of Art

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Marcantonio Raimondi after Raphael
The Lamentation of the Virgin, 1510
engraving
sheet (trimmed to plate mark): 32.1 x 23.3 cm (12 5/8 x 9 3/16 in.)
National Gallery of Art, Washington, Rosenwald Collection

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Marcantonio Raimondi after Raphael
The Massacre of the Innocents, c. 1511
engraving
sheet (trimmed within plate mark): 28.1 x 43.4 cm (11 1/16 x 17 1/16 in.)
National Gallery of Art, Washington, Print Purchase Fund (Rosenwald Collection)

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Marcantonio Raimondi after Raphael
Il Morbetto (The Plague), c. 1512/1513
engraving
sheet (trimmed to plate mark): 19.5 x 25.2 cm (7 11/16 x 9 15/16 in.)
National Gallery of Art, Washington, Gift of W.G. Russell Allen

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Marcantonio Raimondi after Raphael
Apollo on Parnassus, 1515/1520
engraving
plate: 35.8 x 47.6 cm (14 1/8 x 18 3/4 in.)
sheet: 36.8 x 48.4 cm (14 1/2 x 19 1/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Marcantonio Raimondi after Raphael
Saint Cecilia, c. 1515/1516
engraving
plate: 26 x 16.2 cm (10 1/4 x 6 3/8 in.)
National Gallery of Art, Washinngton, Rosenwald Collection

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Marcantonio Raimondi after Raphael
The Holy Family with the Young Saint John the Baptist (The Madonna of the Long Thigh), c. 1518/1519
engraving
sheet (trimmed to plate mark): 41.1 x 27.5 cm (16 3/16 x 10 13/16 in.)
National Gallery of Art, Washinngton, Rosenwald Collection

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Agostino dei Musi, after Giulio Romano
The Battle with the Cutlass, c. 1531
engraving on laid paper
sheet: 33.7 x 46.2 cm (13 1/4 x 18 3/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Marco Dente after Raphael
The Virgin with a Fish, c. 1515/1520
engraving
sheet: 26.4 x 22 cm (10 3/8 x 8 11/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Master of the Die after Raphael
Apollo and Marsyas, 1530s
engraving
sheet (trimmed to plate mark): 18.7 x 28.3 cm (7 3/8 x 11 1/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Ugo da Carpi after Raphael
David Slaying Goliath, c. 1520
chiaroscuro woodcut (3 blocks)
sheet: 27.1 x 38.8 cm (10 11/16 x 15 1/4 in.)
National Gallery of Art, Washington, Gift of David Keppel

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Pietro Perugino
The Adoration of the Shepherds, c. 1517
pen and brown ink over black chalk on laid paper
overall: 13.3 x 21.6 cm (5 1/4 x 8 1/2 in.)
National Gallery of Art, Washington, Anonymous Gift

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Raphael and His Circle
February 16 – November 15, 2020

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