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Home>National Gallery of Art Communications Office>2020>National Gallery of Art 2020 Spring Film Program Features Agnes Varda Tribute, Julia Reichert Retrospective, Romanian and Austrian Films, American Premieres, and Discussions with Filmmakers and Performers>Press Images

Press Images

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Still image from Documenteur, by Agnès Varda (1981, 65 minutes), screening at the National Gallery of Art, East Building Auditorium, with Mur Murs (1981, 85 minutes) on April 4, 2020, at 1:30 p.m., as part of the film series Agnès Varda Viewing Art. Image courtesy CineTamaris.

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Still image from Mur Murs, by Agnès Varda (1981, 85 minutes), screening at the National Gallery of Art, East Building Auditorium, on April 4, 2020, at 1:30 p.m. with Documenteur (1981, 65 minutes), as part of the film series Agnès Varda Viewing Art. Image courtesy CineTamaris.

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Still image from Elsa la rose, by Agnès Varda (1966, 20 minutes), screening at the National Gallery of Art, East Building Auditorium, on April 4, 2020, at 4:30 p.m. in the "Varda Shorts: Art and Life" program, as part of the film series Agnès Varda Viewing Art. Image courtesy CineTamaris.

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Still image from The Paris Opera, by Jean-Stéphane Bron (2017, subtitles, 110 minutes), screening at the National Gallery of Art, East Building Auditorium, on April 4 at 11:00 a.m.; April 25, May 23, and May 24 at 2:00 p.m., in conjunction with the exhibition Degas at the Opéra. Image courtesy Film Movement.

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Still image from The Paris Opera, by Jean-Stéphane Bron (2017, subtitles, 110 minutes), screening at the National Gallery of Art, East Building Auditorium, on April 4 at 11:00 a.m.; April 25, May 23, and May 24 at 2:00 p.m., in conjunction with the exhibition Degas at the Opéra. Image courtesy Film Movement.

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Still image from Faces Places, by Agnès Varda (with JR, 2017, subtitles, 90 minutes), screening at the National Gallery of Art, East Building Auditorium, on April 5, 2020, at 4:00 p.m. as part of the film series Agnès Varda Viewing Art. Image courtesy CineTamaris.

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Still image from Daguerreotypes, by Agnès Varda (1976, 80 minutes), screening at the National Gallery of Art, East Building Auditorium, on April 11, 2020, at 2:00 p.m. as part of the film series Agnès Varda Viewing Art. Image courtesy CineTamaris.

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Still image from The Beaches of Agnès (Les Plages d’ Agnès) by Agnès Varda (2008, subtitles, 110 minutes), screening at the National Gallery of Art, East Building Auditorium, on April 12, 2020, at 4:00 p.m. as part of the film series Agnès Varda Viewing Art. Image courtesy CineTamaris.

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Still image from Nijolė, by Sandro Bozzolo (2018, subtitles, 82 minutes) screening with Animus Animalis: On People, Animals, and Things by Aistė Žegulytė (2018, subtitles, 70 minutes), at the National Gallery of Art, East Building Auditorium, on April 18, 2020, at 2:30 p.m. Image courtesy Lithuanian Film Centre.

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Still image from Sparkle by Julia Reichert (and Steven Bognar, 2012,18 minutes), screening with Making Morning Star (2016, 37 minutes), screening at the National Gallery of Art, East Building Auditorium, on April 18, 2020, at 1:00 p.m. as part of the film series Julia Reichert: Fifty Years in Film. Image courtesy Julia Reichert.

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Still image from Gold Is All There Is, by Andrea Caccia (2019, ambient sound only, no dialogue, 100 minutes), the American premiere screening at the National Gallery of Art, East Building Auditorium, on April 25, 2020, at 4:30 p.m., and May 3, 2020, at 4:00 p.m. in association with the exhibition True to Nature: Open-Air Painting in Europe, 1780–1870. Image courtesy Ramonda Ink.

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Still image from Growing Up Female, by Julia Reichert (1971, 52 minutes), screening with Union Maids (Julia Reichert, Jim Klein, and Miles Mogulescu, 1976, 48 minutes), at the National Gallery of Art, East Building Auditorium, on April 25, 2020, at 12:00 p.m. as part of the film series Julia Reichert: Fifty Years in Film. Image courtesy Julia Reichert.

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Still image from Union Maids, by Julia Reichert (with Jim Klein, and Miles Mogulescu, 1976, 48 minutes), screening with Growing Up Female, by Julia Reichert (1971, 52 minutes), at the National Gallery of Art, East Building Auditorium, on April 25, 2020, at 12:00 p.m. as part of the film series Julia Reichert: Fifty Years in Film. Image courtesy Julia Reichert.

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Still image from Children of NAN: Mothership by Alisha Wormsley (2019), screening with Cry of the Third Eye: The Last Resort by Li Harris (2019), total running time approximately 75 minutes, at the National Gallery of Art, East Building Auditorium, on May 2 at 3:30 p.m., followed by discussion with the artists and curator Tsedaye Makonnen. Programmed in collaboration with Washington Project for the Arts. Image courtesy Alisha Wormsley.

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Still image from Seeing Red: Stories of American Communists, by Julia Reichert (and Jim Klein, 1983, 100 minutes), screening at the National Gallery of Art, East Building Auditorium, on May 2, 2020, at 1:00 p.m. as part of the film series Julia Reichert: Fifty Years in Film. Image courtesy Julia Reichert.

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Still image from Isadora’s Children, by Damien Manivel (2019, subtitles, 84 minutes), screening at the National Gallery of Art, East Building Auditorium, on May 10, 2020, at 4:30 p.m. Image courtesy Film Movement.

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Still Image from Distant Journey, by Alfréd Radok (1949, subtitles, 108 minutes), new restoration screening at the National Gallery of Art, East Building Auditorium, on May 17, 2020, at 4:00 p.m. Presented in association with the Washington Jewish Film Festival, introduced by Lukáš Přibyl. Discussion with Gabriel Paletz and Lukáš Přibyl follows the screening. Image courtesy Photofest.

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Still Image from The Memphis Belle, Story of a Flying Fortress, by William Wyler (1943 – 1944, 45 minutes), new restoration screening at the National Gallery of Art, East Building Auditorium, on May 25, 2020, at 2:30 p.m., with Catherine Wyler in person. Image courtesy Vulcan Productions.

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Still image from The Oak, by Lucian Pintilie (1992, subtitles, 105 minutes), Washington DC premiere of the restoration screening at the National Gallery of Art, East Building Auditorium, on June 6, 2020, at 2:00 p.m. as part of the film series Lucain Pintilie Trio. Image courtesy MK2 Productions.

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Still image from An Unforgettable Summer, by Lucian Pintilie (1994, 35mm, subtitles, 81 minutes), screening at the National Gallery of Art, East Building Auditorium, on June 6, 2020, at 4:30 p.m. as part of the film series Lucain Pintilie Trio. Image courtesy MK2 Productions.

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Still image from The Hands of Orlac by Robert Wiene (1924, subtitles, 113 minutes), screening at the National Gallery of Art, East Building Auditorium, with live piano accompaniment by Andrew Simpson, on June 13, 2020, at 2:00 p.m. as part of the film series From Vault to Screen: Austria. Image courtesy Filmarchiv Austria.

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Still image from Maskerade by Willi Forst (1934, 35 mm, subtitles, 90 minutes), screening at the National Gallery of Art, East Building Auditorium, on June 20, 2020, at 12:30 p.m., as part of the film series From Vault to Screen: Austria. Image courtesy Filmarchiv Austria.

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Still image from The City Without Jews by Hans Karl Breslauer (1924, subtitles, 80 minutes), screening at the National Gallery of Art, East Building Auditorium, on June 20, 2020, at 2:30 p.m. as part of the film series From Vault to Screen: Austria. Image courtesy Filmarchiv Austria.

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Still image from Remote…Remote, by VALIE EXPORT (1973, 10 minutes), screening in the program "VALIE EXPORT: New Restorations" at the National Gallery of Art, East Building Auditorium, on June 21, 2020, at 4:00 p.m. as part of the film series From Vault to Screen: Austria. Image courtesy sixpackfilms.

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Still image from Syntagma, by VALIE EXPORT (1983, 18 minutes), screening in the program "VALIE EXPORT: New Restorations" at the National Gallery of Art, East Building Auditorium, on June 21, 2020, at 4:00 p.m. as part of the film series From Vault to Screen: Austria. Image courtesy sixpackfilms.

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Still image from The Seventh Continent by Michael Haneke (1989, 35mm, subtitles, 111 minutes), screening at the National Gallery of Art, East Building Auditorium, on June 21, 2020, at 5:15 p.m. as part of the film series From Vault to Screen: Austria. Image courtesy Janus Films.

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Still image from La Pivellina by Tizza Covi and Rainer Frimmel (2009, subtitles, 100 minutes), screening at the National Gallery of Art, East Building Auditorium, on June 27, 2020, at 4:00 p.m. as part of the film series From Vault to Screen: Austria. Image courtesy First Run Features.

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Still image from Amour Fou by Jessica Hausner (2014, subtitles, 96 minutes), screening at the National Gallery of Art, East Building Auditorium, on June 28, 2020, at 4:00 p.m. as part of the film series From Vault to Screen: Austria. Image courtesy Film Movement.

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2020 Spring Film Program Features Agnes Varda Tribute, Julia Reichert Retrospective, Romanian and Austrian Films, American Premieres, and Discussions with Filmmakers and Performers

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