Release Date: April 12, 2019
American Art, 1900–1950: The Evans-Tibbs Collection
Ongoing
East Building, Ground Level, Gallery 106B
![Aaron Douglas, "Into Bondage", 1936, oil on canvas, overall: 153.4 x 153.7 cm (60 3/8 x 60 1/2 in.), framed: 165.1 x 164.47 x 8.26 cm (65 x 64 3/4 x 3 1/4 in.), National Gallery of Art, Washington, Corcoran Collection (Museum Purchase and partial gift from Thurlow Evans Tibbs, Jr., The Evans-Tibbs Collection) Aaron Douglas, "Into Bondage", 1936, oil on canvas, overall: 153.4 x 153.7 cm (60 3/8 x 60 1/2 in.), framed: 165.1 x 164.47 x 8.26 cm (65 x 64 3/4 x 3 1/4 in.), National Gallery of Art, Washington, Corcoran Collection (Museum Purchase and partial gift from Thurlow Evans Tibbs, Jr., The Evans-Tibbs Collection)](/content/ngaweb/press/2019/evans-tibbs/jcr%3acontent/parmain/image.img.jpg/1564676024227.jpg)
Aaron Douglas, "Into Bondage", 1936, oil on canvas, overall: 153.4 x 153.7 cm (60 3/8 x 60 1/2 in.), framed: 165.1 x 164.47 x 8.26 cm (65 x 64 3/4 x 3 1/4 in.), National Gallery of Art, Washington, Corcoran Collection (Museum Purchase and partial gift from Thurlow Evans Tibbs, Jr., The Evans-Tibbs Collection)
The National Gallery of Art has recently installed eight paintings and sculptures from the mid-20th century derived from the Evans-Tibbs Collection. This grouping reveals the variety of subjects, styles, and positions that African American artists staked out, often against the odds, within the history of modernism. The paintings on view are Margaret G. Burroughs's Still Life (1943); Hughie Lee-Smith's Reflection (1957); Hale Woodruff's Landscape (1936); Edward L. Loper's Quarry (c. 1939/1940); Lois Mailou Jones's The Lovers (Somali Friends) (1950), and Aaron Douglas's Into Bondage (1936), a powerful depiction of enslaved Africans bound for the Americas. Also included are two stunning sculptures: Elizabeth Catlett's Reclining Female Nude (1955) and Richmond Barthé's Head of a Boy (c. 1930). The group is supplemented by Douglas's The Judgement Day (1939), acquired by the Gallery in 2014, and Lee-Smith's Slum Song (1944), on loan from the Hakuta Family.
A tireless art dealer, collector, and promoter who lived in Washington, DC, as well as the grandson of the opera star known as Madame Lillian Evanti, Thurlow Evans Tibbs, Jr., (1952–1997) acquired more than 600 works ranging from the 1890s to the 1990s and transformed his family's historic house on Vermont Avenue into a gallery. Tibbs bequeathed a group of 32 paintings, sculptures, and works on paper by African American artists to the Corcoran Gallery of Art in 1996. Following the closing of the Corcoran in 2014, the collection (supplemented by one partial gift from Tibbs and 11 works donated in his memory) entered the Gallery, along with an important archive that Tibbs assembled to document the history of black artists and their work in the United States. The archive was recently displayed in the cases of the East Building Study Center as part of the exhibition In the Library: The Evans-Tibbs Archive of African American Art through April 12, 2019.
The installation is curated by Harry Cooper, senior curator of modern art, National Gallery of Art.
Press Contact:
Laurie Tylec, (202) 842-6355 or [email protected]
General Information
Department of Communications
National Gallery of Art
2000 South Club Drive
Landover, MD 20785
phone: (202) 842-6353
e-mail: [email protected]
NEWSLETTERS:
The Gallery also offers a broad range of newsletters for various interests. Follow this link to view the complete list.
To order publicity images: Click on the link above and designate your desired images using the checkbox below each thumbnail. Please include your name and contact information, press affiliation, deadline for receiving images, the date of publication, and a brief description of the kind of press coverage planned.
Press Release
Laurie Tylec
(202) 842-6355
[email protected]