The Urban Scene: 1920–1950

John Taylor Arms, West Forty-Second Street, Night, (New York), 1922, aquatint and etching on yellow laid paper, National Gallery of Art, Washington, Donald and Nancy deLaski Fund, 2010

Mabel Dwight, The Clinch, 1928, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Martin Lewis, Quarter of Nine – Saturday’s Children, (New York), 1929, drypoint, National Gallery of Art, Washington, Gift of Addie Burr Clark, 1946

Louis Lozowick, Allen Street, (New York), 1929, lithograph, National Gallery of Art, Washington, Gift of Jacob Kainen, 2002

Martin Lewis, Building a Babylon, Tudor City, N.Y.C., 1929, etching and drypoint, Naitonal Gallery of Art, Washington, Gift of Bob Stana and Tom Judy, 2016

Thomas Nason, Louisburg Square, (Boston), 1930, wood engraving, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Clare Leighton, Breadline, New York, 1931, wood engraving, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Reginald Marsh, Tattoo - Shave - Haircut, (New York), 1932, etching and engraving, National Gallery of Art, Washington, Corcoran Collection (Gift of Olga Hirshhorn), 2015

Gerald Geerlings, Civic Insomnia (New York), 1932, aquatint, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Armin Landeck, View of New York, 1932, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Asa Cheffetz, Monday (The American Scene), (Holyoke, Massachusetts), c. 1932, wood engraving, National Gallery of Art, Washington, Gift of Bob Stana and Tom Judy, 2016

Gerald Geerlings, Grand Canal, America, (Chicago), 1933, drypoint, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Victoria Hutson Huntley, Lower New York, 1934, lithograph, National Gallery of Art, Washington, Gift of Bob Stana and Tom Judy, 2015

Isac Friedlander, 3 A.M., (New York), 1934, etching, National Gallery of Art, Washington, Rosenwald Collection, 1943

Paul Cadmus, Shore Leave, (New York), 1935, etching, National Gallery of Art, Washington, Reba and Dave Williams Collection, Florian Carr Fund and Gift of the Print Research Foundation, 2008

Millard Sheets, Family Flats, (Los Angeles), 1935, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Benton Spruance, The People Work - Evening, (Philadelphia), 1937, lithograph, National Gallery of Art, Washington, Rosenwald Collection, 1943

Howard Cook, Looking up Broadway, (New York), 1937, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Lawrence Kupferman, Victorian Mansion, (Boston), 1938, drypoint, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Samuel L. Margolies, Men of Steel, (New York), c. 1939, drypoint, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Edward Arthur Wilson, Untitled (Laying Pipe in New York City), 1941, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008

Reynold Weidenaar, Locomotive Shops, (Grand Rapids, Michigan), 1947, etching and aquatint, National Gallery of Art, Washington, Corcoran Collection (Bequest of Frank B. Bristow), 2015

Martin Lewis, Yorkville Night, (New York), 1947, drypoint, National Gallery of Art, Washington, Corcoran Collection (Bequest of Frank B. Bristow), 2015

Stow Wengenroth, Quiet Hour, (New York), 1947, lithograph, National Gallery of Art, Washington, Corcoran Collection (Bequest of Frank B. Bristow), 2015

Robert Riggs, Germantown & Chelten, (Philadelphia), c. 1950, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Florian Carr Fund and Gift of the Print Research Foundation, 2008