John Taylor Arms, West Forty-Second Street, Night, (New York), 1922, aquatint and etching on yellow laid paper, National Gallery of Art, Washington, Donald and Nancy deLaski Fund, 2010
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Mabel Dwight, The Clinch, 1928, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
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Martin Lewis, Quarter of Nine – Saturday’s Children, (New York), 1929, drypoint, National Gallery of Art, Washington, Gift of Addie Burr Clark, 1946
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Louis Lozowick, Allen Street, (New York), 1929, lithograph, National Gallery of Art, Washington, Gift of Jacob Kainen, 2002
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Martin Lewis, Building a Babylon, Tudor City, N.Y.C., 1929, etching and drypoint, Naitonal Gallery of Art, Washington, Gift of Bob Stana and Tom Judy, 2016
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Thomas Nason, Louisburg Square, (Boston), 1930, wood engraving, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
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Clare Leighton, Breadline, New York, 1931, wood engraving, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
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Reginald Marsh, Tattoo - Shave - Haircut, (New York), 1932, etching and engraving, National Gallery of Art, Washington, Corcoran Collection (Gift of Olga Hirshhorn), 2015
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Gerald Geerlings, Civic Insomnia (New York), 1932, aquatint, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
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Armin Landeck, View of New York, 1932, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
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Asa Cheffetz, Monday (The American Scene), (Holyoke, Massachusetts), c. 1932, wood engraving, National Gallery of Art, Washington, Gift of Bob Stana and Tom Judy, 2016
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Gerald Geerlings, Grand Canal, America, (Chicago), 1933, drypoint, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
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Victoria Hutson Huntley, Lower New York, 1934, lithograph, National Gallery of Art, Washington, Gift of Bob Stana and Tom Judy, 2015
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Isac Friedlander, 3 A.M., (New York), 1934, etching, National Gallery of Art, Washington, Rosenwald Collection, 1943
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Paul Cadmus, Shore Leave, (New York), 1935, etching, National Gallery of Art, Washington, Reba and Dave Williams Collection, Florian Carr Fund and Gift of the Print Research Foundation, 2008
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Millard Sheets, Family Flats, (Los Angeles), 1935, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
16 of 25
Benton Spruance, The People Work - Evening, (Philadelphia), 1937, lithograph, National Gallery of Art, Washington, Rosenwald Collection, 1943
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Howard Cook, Looking up Broadway, (New York), 1937, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
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Lawrence Kupferman, Victorian Mansion, (Boston), 1938, drypoint, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
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Samuel L. Margolies, Men of Steel, (New York), c. 1939, drypoint, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
20 of 25
Edward Arthur Wilson, Untitled (Laying Pipe in New York City), 1941, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008
21 of 25
Reynold Weidenaar, Locomotive Shops, (Grand Rapids, Michigan), 1947, etching and aquatint, National Gallery of Art, Washington, Corcoran Collection (Bequest of Frank B. Bristow), 2015
22 of 25
Martin Lewis, Yorkville Night, (New York), 1947, drypoint, National Gallery of Art, Washington, Corcoran Collection (Bequest of Frank B. Bristow), 2015
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Stow Wengenroth, Quiet Hour, (New York), 1947, lithograph, National Gallery of Art, Washington, Corcoran Collection (Bequest of Frank B. Bristow), 2015
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Robert Riggs, Germantown & Chelten, (Philadelphia), c. 1950, lithograph, National Gallery of Art, Washington, Reba and Dave Williams Collection, Florian Carr Fund and Gift of the Print Research Foundation, 2008