Dorothea Lange: Seeing People
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Dorothea Lange, Human Erosion in California (Migrant Mother), March 1936, gelatin silver print, image: 34.1 x 26.8 cm (13 7/16 x 10 9/16 in.), The J. Paul Getty Museum, Los Angeles, 98.XM.162
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![More than a dozen men crowded together fill this vertical black and white photograph. All wear snap-brim hats, fedoras, or caps, and all but two away from us. One man in the crowd looks to our right. The other is closest to us. He rests his forearms on a wooden railing, a metal cup tucked between his elbows. His hands are tightly clasped, and his worn, stained fedora is low over his lined face. His thin lips are set and he has a grizzled white beard. A partially legible sign in the back reads](https://media.nga.gov/iiif/252327e8-a952-4c3d-b37b-5b22f757b348/full/!740,560/0/default.jpg)
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![In this black and white, vertical photograph, a man, woman, and baby, all with pale skin, rest on blankets, or perhaps rugs, spread over a roughly built wooden platform under a leafy tree. Closest to us, the man takes up most of the right half of the composition. He lies on his stomach with his left arm, on our right, stretched out in front. His hand is close to the photographer so is slightly out of focus, and he cups his forehead with his other hand. The wooden platform on which he lies runs close to the bottom edge of the image. His light hair stands straight up from his head, and he is cleanshaven. He wears a long-sleeved, button-down shirt and looks off to our left and a little above us from under raised eyebrows and a creased brow. To our left, a woman sits beyond the man with her body angled to our left. Her chin-length dark hair is tucked behind her ears, and her worn dress has tattered seams and gapes at the waist. She hunches slightly over the child she holds and looks up and to our left, her mouth open and her eyebrows knit. She seems to breastfeed the young, barefoot child who clutches her dress. The baby looks toward us from the corners of wide eyes. The toes and the ball of a person’s foot, mostly cropped from the image, are next to the man, along the right edge of the photograph. A piece of cloth is tied into the branches above and over the woman to create a makeshift tent against the bright glare of the sun.](https://media.nga.gov/iiif/385204d0-6445-41c0-93dc-4888f82ab2a9/full/!740,560/0/default.jpg)
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Dorothea Lange, Untitled (La Estrellita, "Spanish" Dancer), San Francisco, California, 1919, gelatin silver print, Collection of the Oakland Museum of California, Gift of Estrellita Jones.
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Dorothea Lange, Hopi Man, Arizona, 1923, printed 1926, gelatin silver print, The J. Paul Getty Museum, Los Angeles, 84.XP.912.4.
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Dorothea Lange, Portrait of Adele Raas, San Francisco, 1927, gelatin silver print, San Francisco Museum of Modern Art, Gift of the Raas Family.
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Dorothea Lange, Alabama Plow Girl, near Eutaw, Alabama, 1936, gelatin silver print, Lent by The Metropolitan Museum of Art, Purchase, Alfred Stieglitz Society Gifts, 2001 (2001.390).
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Dorothea Lange, Child Living in Oklahoma City Shacktown, August 1936, gelatin silver print, The Museum of Modern Art, New York.
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Dorothea Lange, Grandfather and Grandchildren Awaiting Evacuation Bus, Hayward, California, 1942, gelatin silver print, The Nelson-Atkins Museum of Art, Kansas City, Missouri (Gift of Hallmark Cards, Inc.) 2005.27.4215.
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Dorothea Lange, Street Encounter, Richmond, California, c. 1943, gelatin silver print, The Nelson-Atkins Museum of Art, Kansas City, Missouri (Gift of Hallmark Cards, Inc.) 2005.27.4297.
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Dorothea Lange, Family Portrait, from Death of a Valley, 1956, gelatin silver print, San Francisco Museum of Modern Art, \nGift of an anonymous donor in memory of Merrily Page.
![A uniformed policeman standing in front of a dense crowd of men holding protest signs in English and Japanese nearly fills the height of this vertical black and white photograph. The policeman either has a ruddy complexion or his face might be in shadow. He stands with his body facing us but he turns his head to our left in profile. His hands are crossed over his chest and one thumb is hooked into his jacket between two of the eight brass buttons down the front. A seven-pointed star reflects light on his chest and his flat-topped hat has a short, shiny brim angled down over his eyes. The jacket comes to his knees and his pants are lined with gold or other light material down the side. His feet are widely planted, and he wears dark shoes. The men in the crowd behind appear to be light skinned. Many wear button-down, collared shirts with ties tucked into long coats. Many also wear fedora hats and look off to our left, the same direction as the policeman. One man to our right wearing a floppy cap and glasses looks out at us with his hands in his jacket pockets. Some of the legible English words on the protest signs read “UNION,” “AMERICAN PRESS SLANDER against the,” and “JA.”](https://media.nga.gov/iiif/53722034-b827-4354-b1c8-31d6f4e015e1/full/!740,560/0/default.jpg)
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