Emily Beeny
Associate Curator, Norton Simon Museum
Sarah Cash
Associate Curator of American and British Paintings, National Gallery of Art
Hollis Clayson
Professor of Art History, Northwestern University
Margaret M. Doyle
Associate Curator, Department of Exhibition Programs, National Gallery of Art
Jennifer Henel
Curatorial Associate, Northern Baroque Paintings, National Gallery of Art
Paul B. Jaskot
Andrew W. Mellon Professor/CASVA
Marni Kessler
Associate Professor, Kress Foundation Department of Art History, University of Kansas
Considering Caillebotte
![rainy-day-banner rainy-day-banner](/content/ngaweb/features/considering-caillebotte/jcr%3acontent/parmain/image.img.jpg/1464904176592.jpg)
Gustave Caillebotte: The Painter’s Eye (on view from June 28, 2015 through October 4, 2015) brings together 55 paintings by the artist, many of them from private collections. As there is no major public repository of Caillebotte’s work, the exhibition offers a rare opportunity to experience the paintings by this lesser known impressionist "in the flesh." Here, art historians share their thoughts on some of the works in the show.
Image: Gustave Caillebotte, Paris Street, Rainy Day (detail), 1877, oil on canvas, The Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection. Photography © The Art Institute of Chicago