Inscription
at top, in halo, in plate: S Jacobus Maior; at top, in banderole, in plate: Qui conseptus est de spirito sancto nati ex maria virgine (Who was conceived by the Holy Ghost, born of the Virgin Mary)
Provenance
Albertina, Vienna (duplicate, Lugt 5d); (sale 178, C.G. Boerner, Leipzig, 3 May 1932, no. 29); (Jacob Hirsch, New York); purchased by Lessing J. Rosenwald [1891-1979], 1938; gift to NGA, 1943.
Exhibition History
- 1941
- The First Century of Printmaking 1400-1500, The Art Institute of Chicago, 1941, no. 55b.
- 1966
- Masters of Etching and Engraving from the Lessing J. Rosenwald Collection, Lakeview Center for the Arts and Sciences, Peoria, IL, 1966, no. 1.
- 1967
- Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C., NGA, 1967-1968, no. 21, repro.
Bibliography
- 1908
- Lehrs, Max. Geschichte und kritischer Katalog des deutschen, niederlandischen und franzosischen Kupferstichs im XV. Jahrhundert. 9 vols. and 1 plate vol. Vienna: Gesellschaft fur vervielfaltigende Kunst, 1908-1934.
- 1925
- E.M. Hajos, "Drei Etats der Apostelfolge des Meisters der Berliner Passion," Belvedere, VIII, (Forum), 1925, pp. 8-12.
- 1967
- Shestack, Alan. Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1967: no. 21.
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