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An eight-sided, parchment-white cloth is stretched out and pinned to a wall in this square photograph. The sides are different lengths, and the work is hung angled down to our left. The fabric is puckered in some places, so it casts faint shadows across its surface. There is a light brown stain at the corner near the middle left.

Richard Tuttle

White Cotton Octagonal, 1971

Not on View

Medium

cotton cloth

Dimensions

overall: 104.8 x 88.9 cm (41 1/4 x 35 in.)

Credit Line

Dorothy and Herbert Vogel Collection

Accession Number

2001.9.30

Artists / Makers

Richard Tuttle (sculptor) American, born 1941

Image Use

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Exhibition History

1994: From Minimal to Conceptual Art: Works from The Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, 1994, no. 85.

1997: From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), Portland (Oregon) Art Museum, 1997.

1997: From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), The Jack S. Blanton Museum of Art (formerly Archer M. Huntington Art Gallery), University of Texas, Austin, 1997.

1998: From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), Tel Aviv Museum of Art, 1998.

1998: From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), Wäinö Aaltonen Museum of Art, Turku, Finland, 1998.

2014: Make it New: Abstract Paintings from the National Gallery of Art, 1950-1975, Sterling and Francine Clark Art Institute, Williamstown, 2014, no. 34, repro.

Bibliography

1994: From Minimal to Conceptual Art: Works from The Dorothy and Herbert Vogel Collection. Exh. cat. National Gallery of Art, Washington, 1994: no. 85.