Nada (Nothing), 1810/1820

Not on View

Los Desastres de la Guerra (plate 69)

etching, aquatint and lavis with burnishing (proof) on laid paper

sheet: 22.2 × 32.1 cm (8 3/4 × 12 5/8 in.)
plate: 15.3 × 19.5 cm (6 × 7 11/16 in.)

Harris 1964, no. 189, State I(2) (working proof)

1943.3.4718

Francisco Goya (artist) Spanish, 1746 - 1828

recto: along left edge in graphite in later hand: Nada Ello Dira Goya (KK 736) / X; verso: at bottom right in graphite in later hand: D 188 / II

recto: none; verso: Lessing Julius Rosenwald (Lugt 1760b) and National Gallery of Art

1945: Prints from the Lessing J. Rosenwald Collection in the National Gallery of Art, Washington, John Herron Art Institute, Indianapolis, IN, 1945, no. 73.

1960: Fantasy in the Prints of Goya, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY, 1960, no. 39.

1965: Drolleries and Demons: Six Centuries of 'Fantastic' Prints, IBM Gallery, New York, NY, 1965, no. 46.

1982: Lessing J. Rosenwald: Tribute to a Collector, National Gallery of Art, Washington, 1982, no. 43, repro.

1983: Graphic Survey Show, National Gallery of Art, Washington, D.C., May 1983.

2021: Aquatint: From Its Origins to Goya, National Gallery of Art, Washington, 2021 - 2022.

1964: Harris, Tomás. Goya: engravings and lithographs. 2 vols. Oxford: Bruno Cassirer, 1964.

1982: Fine, Ruth E. Lessing J. Rosenwald: Tribute to a Collector. Washington, DC: National Gallery of Art, 1982, pp.131-132, no. 43.

2021: Hoisington, Rena. Aquatint: From Its Origins to Goya. Washington, 2021: 226, fig. 11.