Plate 28: Sea Bream(?) and Other Fish, c.1575/1590s

Not on View

series Title

Vol.III, Animalia Aqvatilia et Cochiliata (Aqva)

Medium

watercolor and gold paint on parchment

Dimensions

page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)

Credit Line

Gift of Mrs. Lessing J. Rosenwald

Accession Number

1987.20.7.29

Artists / Makers

Joris Hoefnagel (artist) Flemish, 1542 - 1600

Image Use

This image is in the public domain.
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Inscription

upper center in red/violet ink: MAGIS MVTVS QVAM PISCIS. (“More mute than a fish.” Erasmus, _Adages_, 1.5.29) (trans. Bass 2019, 194); fish at upper left in image numbered .1. in red ink; center right in brown ink: XXVIII.
Facing page: upper center in black ink: Loquere terr[a]e et respondebit tibi / Et enarrabunt pisces maris. Job 12. (“Speak to the earth and it shall answer you; and the fishes of the sea shall tell.” Job 12:8) (Latin Vulgate Bible); lower center in blue/black ink: Sicut aqua profunda, sic consilium in Corde Viri: / Sed homo sapiens exhauriet illud. pro: 20. (“Counsel in the heart of a man is like deep water; but a wise man will draw it out.” Proverbs 20:5) (Latin Vulgate Bible)

Provenance

Emperor Rudolf II of Austria?[1]; Secretarius Heinrich Hagen, Vienna, 1611.[2] Count Emanuel Maria Joseph von Arco, Munich, 1751.[3] Graf von Seinsheim, canon of Salzburg and Speyer, 1753. Master stonemason Rüpfel, Munich, c. 1830. Joseph Anton Niggl [1792 - 1842], Markt Tölz. Karl August von Brentano [1817 - 1896], Augsburg. (sale, Rudolph Weigel, 28 October 1861, no. 2220-a-d]; (Frederick Startridge Ellis [active 1860 - 1885], London; formerly identified as F. S. Eliot)[3]; Henry Huth [1815 - 1878], London; by descent to his son, Alfred Henry Huth [1850 - 1910], London; (sale, Sotheby's' London, 12 June 1913, no. 3722); (William Wesley & Son, London); Charles Francis George Richard Schwerdt, Old Alresford House, Hampshire (his sale, Sotheby's' London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia); Lessing J. Rosenwald, Jenkintown; given to Edith Goodkind Rosenwald, Jenkintown; gift to NGA, 1987.

[1] Although Van Mander claims the series was commissioned and purchased by Rudolf, this is impossible as dates scattered throughout volumes pre-date Hoefnagel's' contact with Rudolf. The series does not appear in Rudolf's' inventory, though he is likely to have owned it at one time as many copies from the volumes appear in his natural history collections, now in Vienna (see Bass 2020, 12).

[2] Vignau-Wilberg 2017, 98 without documentation.
[3]Wolfgang Wegner, Kurfurst Carl Theodor von der Pfalz als Kunstsammler, Mannheim, 1960: 13.
[4] Ellis was a book dealer who frequently sold to Huth and wrote the catalogue of Huth's' collection. He started his own business just a year before The Four Elements appeared at Weigel. Ellis is correctly identified by M. Bartels, "Ueber abnorme Behaarung beim Menschen," Zeitschrift fu¨r Ethnologie 11 (1879): 155, note 1.

Associated Names

Rosenwald, Lessing J., Mrs.

Exhibition History

1982: Drawings from the Holy Roman Empire, = 1540 - 1680, The Art Museum, Princeton University, National Gallery of Art, Museum of Art, Carnegie Insitute, Pittsburgh (exh. cat. by Thomas DaCosta Kaufmann, no. 56.

1982: Drawings from the Holy Roman Empire, 1540 - 1680, The Art Museum, Princeton University, National Gallery of Art, Museum of Art, Carnegie Insitute, Pittsburgh (exh. cat. by Thomas DaCosta Kaufmann, no. 56.

Bibliography

1984: Hendrix, Lee. Joris Hoefnagel and the Four Elements: a Study in Sixteenth-Century Nature Painting. Ph.D. Hendrix, Lee. Joris Hoefnagel and the Four Elements: a Study in Sixteenth-Century Nature Painting. Ph.D. dissertation, Princeton University, 1984 (series).dissertation, Princeton University, 1984 (series).