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Edgar Degas

Woman Seated in an Armchair, Wiping Her Neck, 1890s/c. 1905

West Building, Ground Floor — Gallery G4

Medium

plastiline, metal armature, wood, cork, on wooden base

Dimensions

overall without base: 32.2 x 24.2 x 30.8 cm (12 11/16 x 9 1/2 x 12 1/8 in.)

Credit Line

Collection of Mr. and Mrs. Paul Mellon

Accession Number

1985.64.58

Artists / Makers

Edgar Degas (sculptor) French, 1834 - 1917

Image Use

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Inscription

on side of chair near right foot: Degas

Provenance

The artist [1834-1917]; his heirs;[1] Adrien-Aurélien Hébrard [1865-1937], Paris;[2] his daughter, Nelly Hébrard [1904-1985], Paris;[3] consigned 1955 to (M. Knoedler & Company, Inc., New York); purchased May 1956 by Paul Mellon, Upperville, Virginia; gift 1985 to NGA.

[1] The artist's heirs were René De Gas, his last surviving brother, who lived in Paris, and the four (of seven) surviving children of his sister Marguerite, who had died in Argentina in 1895. (His other deceased sister Thérèse left no descendants.) Marguerite's children were: Jeanne Fevre, unmarried and acting on both her own behalf and as the representative of her sister, Madeleine Marie Pauline Fevre, a Carmelite nun; Henri Jean Auguste Marie Fevre, an industrialist who lived in Marseille; and Gabriel Edgar Eugène Fevre, an agent in Montevideo, Uruguay. See Anne Pingeot and Frank Horvat, Degas sculptures, Paris, 1991, and Anne Pingeot, "The casting of Degas' sculptures: Completing the story," Apollo (August 1995): 60-63.

[2] On 13 May 1918 a contract was signed between the artist's heirs and the Hébrard foundry authorizing the reproduction of Degas' sculptures in bronze. Of the approximately 150 statuettes found in the artist's studio after his death, 74 figures were ultimately cast in bronze. The contract stipulated that two complete sets were to be cast, one for the heirs and one for the foundry, and authorized a limit of twenty casts of each figure to be offered for sale. The casting process took at least thirteen years, from 1919 to 1932, and according to the contract, the original figures became the property of the foundry. See Sara Campbell, "Degas' bronzes: Introduction," Apollo (August 1995): 6-10.

[3] The article by Anne Pingeot referenced in note 1 provides details of the role of Hébrard's daughter in the history of the foundry, and its work in casting the bronzes.

Associated Names

Degas, Edgar
Hébrard, Adrien-Aurélien
Hébrard, Nelly
Knoedler & Company, M.
Mellon, Paul

Exhibition History

1955: Edgar Degas 1834-1917: Original Wax Sculptures, M. Knoedler & Company, Inc., New York, 1955, no. 66.

1956: Sculpture by Degas, Virginia Museum of Fine Arts, Richmond, 1956.

1965: Wax Sculptures by Degas, Sculptures and Drawings by Rodin, National Gallery of Art, Washington, D.C., 1965-1966, no cat.

Bibliography

1918: Gsell, Paul. "Edgar Degas, statuaire." La Renaissance de l'Art Français et des Industries de Luxe (December 1918): 377.

1921: Thiébault-Sisson, François. "La Vie artistique: Degas sculpteur." Le Temps (May 25, 1921).

1949: Borel, Pierre. Les Sculptures inédites de Degas. Geneva, 1949: n.p., repro.

1956: Rewald, John. Degas Sculpture: The Complete Works. Translated by John Coleman and Noel Moulton. New York, 1956: no. LXX.

1976: Millard, Charles W. The Sculpture of Edgar Degas. Princeton, 1976: 18, 109, fig. 141.

1991: Pingeot, Anne. Degas Sculptures. Paris, 1991: no. 58, repro.

1994: Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 71, repro.

1995: Barbour, Daphne, and Shelley Sturman. "Degas' Women in Washington: Four Case Studies." In From Marble to Chocolate: The Conservation of Modern Sculpture, edited by Jackie Heuman, 31-38. London, 1995: 32-33, figs. 1, 2 (radiograph).

1995: Campbell, Sara. "A Catalogue of Degas' Bronzes." Apollo 142 (August 1995): 10-48, no. 44.

2002: Czestochowski, Joseph S., and Anne Pingeot. Degas--Sculptures. Catalogue Raisonné of the Bronzes. Memphis, 2002: 207, repro.

2010: Lindsay, Suzanne Glover, Daphne S. Barbour, and Shelley G. Sturman. Edgar Degas Sculpture. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2010: no. 51, 295-299, color repro.

2017: Lomax, Suzanne Quillen, Barbara H. Berrie, and Michael Palmer. "Edgar Degas's Wax Sculptures: Characterization and Comparison with Contemporary Practice." In Degas, Daphne Barbour and Suzanne Quillen Lomax, eds. Facture. Conservation, Science, Art History 3 (2017): 50-77, esp. 66, 68.