Inscription
inscribed by artist in pen and brown ink: on bag at bottom left, monogram "IL" joined by bar and cross (later altered by another hand to "HR") and dated; on two bags at bottom right "cehim" and "ongavi"
Provenance
Francois II, Duke of Modena [1660-1694] (Lugt 1893); by descent (until 1797?); X.M.C. von Schönberg-Rothschönberg; (sale, E. Arnold Gallery, Dresden, 1858); Ludwig von Biegeleben; (sale, Wawra Vienna, 15 November 1886, no. 2657); by 1916: Moritz von Kuffner, Vienna; by descent; Artemis Fine Arts, Ltd., London, 1982; Robert H. and Clarice Smith, Bethesda (MD); gift to NGA in 1984.
Exhibition History
- 1982
- An Exhibition of Master Prints and Drawings, Artemis Fine Arts, Ltd., London, 1982, no. 13.
- 1985
- Graphics Survey Exhibition, National Gallery of Art, Washington D.C., 1985-1986.
- 1988
- Italian Renaissance Drawings, National Gallery of Art, Washington, DC, 1988, no cat.
- 1992
- From Studio to Studiolo: FLorentine Draftsmanship under the First Medici Grand Dukes, Allen Memorial Art Museum, Oberlin College; Bowdoin College Museum of Art, Brunswick, Maine, 1991-1992, 26, 108-109, no. 21.
- 2002
- "Magnificenza! The Medici, Michelangelo, and the Art of Late Renaissance Florence" (L'ombra del genio: Michelangelo a l'arte a Firenze, 1537-1631), Palazzo Strozzi, Florence, 2002, no. 176.
- 2014
- The Poetry of Light - La poesia della luce: Venetian Drawings from the National Gallery of Art, Museo Correr, Venice, Venice, 2014 - 2015, no. 33.
Bibliography
- 1858
- Nagler, G. K. Die Monogrammisten. Munich and Leipzig, 1863, 3: 546-547, under no. 1398.
- 1916
- Peltzer, Rudolf Arthur. "Hans Rottenhammer." Jahrbuch der Kunsthistorischen Sammlungen es Allerhöchsten Kaiserhauses, 33 (1916): 298, 315, 360, fig. 1 (as Rottenhammer).
- 1920
- Voss, Hermann. Die Malerei der Spätrenaissance in Rom und Florenz. Berlin, 1920, 2: 422, pl. 165.
- 1938
- Thöne, Friedrich. "Jacopo Ligozzi (1542-1627)--Allegories of Envy and Vanity...," Old Master Drawings, 13, no. 50 (September 19380, 26.
- 1955
- exh. cat. De Triomf van het Maniërisme de Europese Stijl van Michelangelo tot El Greco, Rijksmuseum, Amsterdam, 1955, 119, under no. 210.
- 1963
- Bacci, Mina. "Jacopo Ligozzi e la sua posizione nella pittura fiorentina," Proporzioni, Studi di storia dell'Arte, 1963, 452.
- 1982
- Case, David. The Calumny of Apelles, A Study in the Humanist Tradition. New Haven and London, 1981: 149, n. 29.
- 1985
- exh. cat. Around 1610: The Onset of the Baroque, Matthiesen Fine Art Ltd, London, 1985, 27, under no. 5, repr. fig. 1.
- 1987
- Trudzinski, Meinolf. Die italienischen und französischen Handzeichnunben im Kupferstichkabinett der Landesgalerie. Hannover, 1987: 96, under no 53.
- 1988
- Viatte, Françoise. Inventaire général des dessins italiens, III, Dessins Toscans XVIe-XVIIIe siècles, Tome 1, 1560-1640. Paris, 1988, 135, under no. 235.
- 1991
- From Studio to Studiolo: Florentine Draftsmanship under the First Medici Grand Dukes. Exh. cat. Allen Memorial Art Museum, Oberlin, OH, 1991: 108-109.
- 1992
- exh. cat. Jacopo Ligozzi, Le vedute del sacro monte della verna, I dipinti di Poppi e Bibbiena. Castello dei Conti Guidi, Poppi, 1992: 28, 43, n. 106.a
- 1994
- Voss, Hermann. La Pittura del Tardo Rinascimento a Roma e a Firenze. Translated by Rossella Zeni. Rome, 1994: 267, pl. 165.
- 1997
- Voss, Hermann. Painting of the Late Renaissance in Rome and FlorenceII, The Diffusion and transformation of mannerism, 1570-1600. Translated and revised by Suzanne Pelzel. San Francisco, 1997: 110, fig. 165 (mislabeled as by Domenico Passignano).
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