Inscription
lower right: Bonnard
Provenance
Thaddée Natanson; (his sale, Hôtel Drouot, Paris, 13 June 1908, no. 9); purchased by (Bernheim-Jeune, Paris).[1] Capt. Edward H. Molyneux [1891-1974], Paris, by 1947;[2] sold 15 August 1955 to Ailsa Mellon Bruce [1901-1969], New York;[3] bequest 1970 to NGA.
Exhibition History
- 1947
- Bonnard, Musée de l'Orangerie, Paris, 1947, no 7, as Rue à Eragny.
- 1948
- Pierre Bonnard, Museum of Modern Art, New York, 1948, no. 5, repro.
- 1950
- Exposition Rétrospective Bonnard, Bernheim-Jeune, Paris, 1950, no. 1, repro.
- 1952
- French Paintings from the Molyneux Collection, National Gallery of Art, Washington, D.C.; Museum of Modern Art, New York, 1952, unnumbered checklist.
- 1961
- French Paintings of the Nineteenth Century from the Collection of Mrs. Mellon Bruce, California Palace of the Legion of Honor, San Francisco, 1961, no. 1, repro
- 1966
- French Paintings from the Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce, National Gallery of Art, Washington, 1966, no. 154, repro
- 1978
- Small French Paintings from the Bequest of Ailsa Mellon Bruce, National Gallery of Art, Washington, 1978, unnumbered catalogue, p. 84.
- 1985
- Bonnard 1857-1947, Städtische Galerie im Städelschen Kunstinstitut, Frankfurt am Main, 1985, no. 16, as Rue à Eragny.
- 1990
- Pierre Bonnard: The Graphic Art, Metropolitan Museum of Art, New York; Museum of Fine Arts, Houston; Museum of Fine Arts, Boston, 1990, no. 26, repro.
- 1993
- Nabis 1888-1900, Kunsthaus, Zurich; Grand Palais, Paris; Musée d'Orsay, Paris, 1993-1994, no. 12, repro.
- 1994
- Bonnard, Kunsthalle der Hypo-Kulturstiftung, Munich, 1994, no. 10, repro.
- 1998
- Bonnard, Tate Gallery, London; Museum of Modern Art, New York, 1998, no. 5, repro., as Street in Eragny-sur-Oise (shown only in London).
- 2012
- Pierre Bonnard, Fondation Beyeler, Basel, 2012, unnumbered catalogue, repro.
- 2013
- Intimate Impressionism from the National Gallery of Art, Museo dell'Ara Pacis Augustae, Rome (exhibition title in this venue: Impressionist Gems); California Palace of the Legion of Honor, San Francisco; McNay Art Museum, San Antonio; Mitsubishi Ichigokan Museum, Tokyo, Seattle Art Museum, 2013-2016.
Bibliography
- 1921
- Klingsor, Tristan. "Pierre Bonnard." L'Amour de l'art no 8 (August 1921): 246.
- 1922
- Coquiot, Gustave. Bonnard. Paris, 1922: 21, 23.
- 1947
- Besson, George. Bonnard. Paris, 1947: 16, repro.
- 1951
- Natanson, Thadée. Le Bonnard que je propose. Geneva, 1951: 114, no 9.
- 1952
- Rumpel, Heinrich. Bonnard. Berne, 1952: 21, no II, repro.
- 1966
- Dauberville, Jean, and Henry Dauberville. Bonnard, Catalogue raisonné de l'oeuvre peint. 4 vols. Paris, 1966-1974: no. 63, as Rue à Eragny-sur-Oise ou Les Chiens à Eragny.
- 1966
- Goldwater, Robert. "The Glory that was France." Art News 65 (March 1966): 86.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 32, repro.
- 1978
- Small French Paintings from the Bequest of Ailsa Mellon Bruce. Exh. cat. National Gallery of Art, Washington, D.C., 1978: 84, repro. (continuing exhibition beginning in 1978).
- 1982
- Thomson, Richard. "'Les Quat' Pattes': The Image of the Dog in Late Nineteenth Century French Art." Art History 5, no. 3 (September 1982):330-331.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 578, no. 885, color repro.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 52, repro.
- 2004
- Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 398-399, no. 330, color repro.
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