Inscription
at upper right, inscribed in black ink: Bene scripsisti de me Thoma (You have written well about me, Thomas); at center, on pages of open book, inscribed in black ink: Invocavi et venit in me spiritus sapientie (I called upon God, and the spirit of wisdom came upon me); at bottom, inscribed in black ink: Sanctus Thomas doctor et virgo
[translations from Parshall, Peter, and Rainer Schoch. _Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public._ Washington, DC: National Gallery of Art, 2005, p. 315.]
Provenance
(Dr. Erwin Rosenthal, Berkeley, CA); purchased by Lessing J. Rosenwald [1891-1979], Jenkintown, PA, 1960; gift to the NGA, 1964.
Exhibition History
- 1965
- Fifteenth-Century Woodcuts and Metalcuts from the Collection of the National Gallery of Art, NGA, 1965-1966, no. 246, repro.
- 1965
- Master Prints from the Rosenwald Collection, Virginia Museum of Fine Arts, Richmond, 1965, no. 12.
- 1973
- Prints of the Italian Renaissance, National Gallery of Art, Washington, D.C., and California Palace of the Legion of Honor, San Francisco, 1973-1974, no. 40.
- 2005
- Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public, NGA and Germanisches Nationalmuseum, Nuremberg, 2005-2006, no. 101b, repro.
- 2014
- Sanctity Pictured: The Art of the Dominican and Franciscan Orders in Renaissance Italy, Frist Center for the Visual Arts, Nashville, 2014 - 2015, no. 43b.
Bibliography
- 1926
- Schreiber, Wilhelm Ludwig. Handbuch de Holz- und Metailschnitte des XV Jahrhunderts. 8 vols. Leipzig: Verlag Karl W. Hierseman, 1926-1930.
- 1965
- Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1965.
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