Inscription
lower right: Claude Monet '94
Provenance
From the artist to (Durand-Ruel, Paris); on joint account with (Bernheim-Jeune, Paris); sold 10 November 1926 to Chester Dale [1882-1962], New York; bequest 1963 to NGA.[1]
Exhibition History
- 1917
- Exhibition of Paintings by Modern French Masters, Durand-Ruel Galleries, New York, 1917, no. 10, as Rouen Cathedral - Symphony in Gray.
- 1922
- Paintings by Contemporary English and French Painters, The Brooklyn Museum, 1922-1923, no. 176, as Cathédrale de Rouen, symphonie en gris.
- 1923
- French Impressionist Paintings, Minneapolis Institute of Arts, 1923, no cat.
- 1926
- Exhibition of Paintings by The Impressionists, Durand-Ruel Galleries, New York, 1926, no. 11, as La cathédrale de Rouen.
- 1927
- Retrospective Exhibition of Paintings by Claude Monet, Durand-Ruel Galleries, New York, 1927, no. 20, as Cathedrale de Rouen.
- 1933
- Exhibition of Masterpieces by Claude Monet 1840-1926, Durand-Ruel Galleries, New York, 1933, no. 10, as La Cathédrale de Rouen.
- 1965
- The Chester Dale Bequest, National Gallery of Art, Washington, D.C., 1965, unnumbered checklist.
- 2010
- From Impressionism to Modernism: The Chester Dale Collection, National Gallery of Art, Washington, January 2010-January 2012, unnumbered catalogue, repro.
Bibliography
- 1929
- Dale, Maud. Before Manet to Modigliani from the Chester Dale Collection. New York, 1929: no. 47, repro.
- 1930
- Lawrence, Majorie. "Two Periods Meet in a Modern Maisonette." Home & Field 40 (September 1930): 25, repro.
- 1942
- French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1942: 55, repro.
- 1944
- French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1944: 55, repro.
- 1953
- French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1953: 61, repro.
- 1959
- Evans, Grose. French Painting of the 19th Century in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Two in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 28, color repro.
- 1960
- Newton, Eric. The Arts of Man. Greenwich, Connecticut, 1960: 234-236, repro.
- 1963
- Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 326, repro.
- 1965
- Eighteenth and Nineteenth Century Paintings & Sculpture of the French School in the Chester Dale Collection, National Gallery of Art, Washington, 1965: 95, repro.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 92.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 82, repro.
- 1974
- Wildenstein, Daniel. Claude Monet: biographie et catalouge raisonné. 5 vols. Lausanne and Paris, 1974-1991: 3:no. 1324.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 242, repro.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 487, no. 717, color repro.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 278, repro. 277 (repro. for 1963.10.179 incorrectly printed with entry for 1963.10.49 and vice-versa).
- 1992
- "Der grosse Kampf ums Licht." Art: Das Kunstmagazin 7 (June 1992): 36, repro.
- 1992
- National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 203, repro.
- 1993
- Düchting, Hajo. Robert and Sonia Delaunay: Triumph der Farbe. Cologne, 1993: 18, repro.
- 1995
- Taylor, John Russell. Claude Monet: Impressions of France from Le Havre to Giverny. London, 1995:115, repro.
- 2012
- Kennicott, Philip. "French Rooms Reopen, With Different Accents." Washington Post 135, no. 55 (January 29, 2012): E25.
- 2023
- Dombrowski, André. Manet's Minutes: Impressionism and the Industrialization of Time. New Haven, 2023: 156-159, color fig. 92.
Related Content
- Sort by:
- Results layout: