Provenance
Conte Bombicci-Pontelli, Florence. Count Alessandro Contini Bonacossi [1878-1955], Florence and Rome. Acquired 1948 by the Samuel H. Kress Foundation, New York; gift 1960 to NGA.[1]
Bibliography
- 1956
- Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 226, no. 90, repro., as by Tommaso Fiamberti.
- 1959
- Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 410, repro., as by Tommaso Fiamberti.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 154, as by Fiamberti.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 137, repro., as by Fiamberti.
- 1976
- Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 29.
- 1994
- Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 89, repro.
- 1999
- Norman Herz, Katherine A. Holbrow and Shelley G. Sturman. "Marble Sculture in the National Gallery of Art: a Provenance Study." In Max Schvoerer, ed. Archéomatériaux: marbres et autres roches: ASMOSIA IV, Bordeaux, France 9-13 october 1995: actes de la IVème Conférence international de l’Association pour l’étude des marbres et autres roches utilizes dans le passé. Talence, 1999: 101-110.
- 2010
- Bellandi, Alfredo. Gregorio di Lorenzo: Il Maestro delle Madonne di Marmo. Morbio Inferiore, 2010: 69, 80 fig. 73, 333, 334, no. III.1.47, 354.
Related Content
- Sort by:
- Results layout: