Blind Man with a Staff and Water-flask, Led by a Dog [reverse], 1560/1561

West Building, Ground Floor — Gallery G16

Medium

bronze//Later casting

Dimensions

overall (diameter): 5.9 cm (2 5/16 in.)
gross weight: 52.42 gr (0.116 lb.)
axis: 2:00

Credit Line

Samuel H. Kress Collection

Accession Number

1957.14.1022.b

Artists / Makers

Leone Leoni (artist) Milanese, c. 1509 - 1590

Image Use

This image is in the public domain.
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Inscription

around circumference: DOCEBO INIQVOS V[ias] T[uas] ET IMPII AD TECONVER[tentur]

Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.

[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Dreyfus, Gustave
Duveen Brothers, Inc.
Kress Foundation, Samuel H.

Exhibition History

1970: The Age of Vasari, Art Gallery, University of Notre Dame, Indiana; University Art Gallery, State University of New York at Binghamton, 1970, no. M15.

1992: The Genius of the Sculptor in Michelangelo's Work, Montreal Museum of Fine Arts, 1992, no. 77, repro.

2000: The Power of Appearances: Renaissance and Reformation Portrait Prints, Hood Museum of Art, Dartmouth College, Hanover, 2000, no cat.

Bibliography

2007: Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 1:no. 500, repro.