Overview
Inscription
vertically along right edge, with terminal stops in the form of eyes, and with an intermediate stop possibly representing a pair of open wings: .L[EO].BAP[TISTA]. (Leon Battista, the artist's names)
Provenance
Vicomte de Janzé, Paris; (his sale, Hôtel Drouot, Paris, 16 April 1866, no. 41); Charles Timbal, Paris; Gustave Dreyfus [1837-1914], Paris; his estate; purchased 1930 by (Duveen Brothers, Inc., London and New York); purchased 1944 by the Samuel H. Kress Foundation, New York; gift 1957 to NGA.
Exhibition History
- 1865
- Musée Rétrospectif, Union Centrale des Beaux-Arts Appliqués à L'Industrie, Palais de l'Industrie, Paris, 1865, no. 1132.
- 1937
- The Art of the Renaissance Craftsman, Fogg Art Museum, Cambridge, Massachusetts, 1937, no. 51.
- 1939
- Five Centuries of Realism, Toledo (Ohio) Museum of Art, 1939, booklet (no list of individual loans).
- 1978
- Antiquity in the Renaissance, Smith College Museum of Art, Northampton, Massachusetts, 1978, no. 81, repro.
- 1980
- Beyond Nobility: Art for the Private Citizen in the Early Renaissance, Allentown Art Museum, Pennsylvania, 1980-1981, no. 47, repro. pl. 1
- 1985
- Italian Renaissance Sculpture in the Time of Donatello, Detroit Institute of Arts; Kimbell Art Museum, Fort Worth, Texas; Forte Belvedere, Florence, Italy, 1985-1986, no. 48 (English catalogue), no. 82 (Italian catalogue), repros. (shown only in Detroit and Fort Worth).
- 1994
- The Currency of Fame: Portrait Medals of the Renaissance, National Gallery of Art, Washington, D.C.; The Frick Collection, New York; National Gallery of Scotland, Edinburgh, 1994-1995, no. 3, repro.
- 1994
- The Renaissance from Brunelleschi to Michelangelo: The Representation of Architecture. Palazzo Grassi, Venice; NGA, Washington, D.C.; Musée des Monuments Français, Paris; Altes Museum, Berlin, 1994-1996, no. 19, repro. (shown only in Berlin).
- 2006
- L'Uomo del Rinascimento: Leon Battista Alberti e le arti a Firenze tra ragione e bellezza", Palazzo Strozzi, Florence, 2006, no. 10, repro.
- 2011
- The Renaissance Portrait: From Donatello to Bellini, Gemäldegalerie, Staatliche Museen zu Berlin; The Metropolitan Museum of Art, New York, 2011-2012, no. 60, repro.
- 2013
- La Primavera del Rinascimento: La Scultura e le Arti a Firenze 1400-1460, Palazzo Strozzi, Florence; Musée du Louvre, Paris, 2013-2014, no. III.9, repro.
Bibliography
- 1883
- Armand, Alfred. Les médailleurs italiens des quinzième et seizième siècles. 2nd ed. 3 vols. Paris, 1883-1887: 1:23, no. 28, as Attributed to Matteo de' Pasti.
- 1883
- Ephrussi, Charles. "Les médailleurs de la Renaissance." L'Arte 34: 243-252, repro. 249.
- 1883
- Hess, Aloïss. Les médailleurs de la Renaissance, 4: Léon-Baptiste Alberti, Matteo de'Pasti et Anonyme de Pandolphe IV Malatesta. Paris, 1883: 14, no. 1, pl. 1, as Attributed to Alberti.
- 1883
- Perkins, Charles. Historical Handbook of Italian Sculpture. London, 1883: 402, no. 10.
- 1888
- Michel, André. "Histoire de l'art pendant la Renaissance" (pre-publication review of vol. 1 of Eugène Müntz, Histoire de l'art pendant la Renaissance, 3 vols., Paris, 1889). Gazette des Beaux-Arts 38 (December 1888): 512, repro., erroneously described as in the Louvre's collection.
- 1889
- Müntz, Eugène. Histoire de l'art pendant la Renaissance. 3 vols. Paris, 1889-1895: 1(1889):461, repro.
- 1896
- Venturi, Adolfo. Gentile da Fabriano e il Pisanello. Florence, 1896: 73, as by Pisanello.
- 1903
- Fabriczy, Cornelius von. Medaillen der italienischen Renaissance/Italian Medals. Leipzig, 1903: 17, as sixteenth century.
- 1904
- Fabriczy, Cornelius von. Italian Medals. Translated by Mrs. Gustavus W. Hamilton. London, 1904: 34, as sixteenth century.
- 1905
- Hill, George Francis. Pisanello. London and New York, 1905: 192-193.
- 1907
- Suida, Wilhelm. "Alberti." In Thieme, Ulrich, and Felix Becker, eds. Allgemeines lexikon der bildenden künstler von der antike bis zur gegenwart. 37 vols. Leipzig, 1907-1950: 1(1907): 202.
- 1908
- Migeon, Gaston. "La collection de M. Gustave Dreyfus, V: Les plaquettes." Les Arts 80 (August 1908): 6, repro. 2, as Attributed to Vittore Pisano (Pisanello).
- 1912
- Hill, George Francis. Portrait Medals of Italian Artists of the Renaissance. London, 1912: 29-31, no. 1, pl. 16.
- 1920
- Hill, George Francis. Medals of the Renaissance. Oxford, 1920: 46, 184, pl. 6, fig. 1.
- 1923
- Habich, Georg. Die Medaillen der italienischen Renaissance. Stuttgart: 44-45, 151, pl. 12, fig. 1, as by Pisanello(?), erroneously described as in the Louvre's collection.
- 1925
- Vaudoyer, Jean-Louis. “La collection Gustave Dreyfus.” L’Amour de l’Art 6, no. 7 (1925): 252, repro.
- 1929
- Migeon, Gaston. "Gustave Dreyfus." Notice lue a l'Assemblée Générale Annuelle de la Sociéte des Amis du Louvre, le 5 Février 1929. Paris, 1929: 6.
- 1930
- Hill, George Francis. A Corpus of Italian Medals of the Renaissance before Cellini. 2 vols. London, 1930: 1:5-6, no. 16; 2:pl. 2.
- 1931
- Ricci, Seymour de. The Gustave Dreyfus Collection: Reliefs and Plaquettes. Oxford, 1931: 2, no. 1, pl. 1.
- 1949
- Seymour, Charles. Masterpieces of Sculpture from the National Gallery of Art. Washington and New York, 1949: 180, no. 38, pl. 121, as Leone Battista Alberti, Attributed to Alberti.
- 1951
- Hartt, Frederick. 'Review: Charles Seymour Jr., Masterpieces of Sculpture from the National Gallery of Art." College Art Journal 10 (Winter 1951): 204.
- 1951
- Renaissance Bronzes: Statuettes, Reliefs and Plaquettes, Medals and Coins from the Kress Collection. Introduction by Perry B. Cott. National Gallery of Art, Washington, 1951: 141, repro. 51.
- 1954
- Grayson, C. "A Portrait of Leon Battista Alberti." The Burlington Magazine. 96, 615: 177, n.1.
- 1957
- Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 56.
- 1958
- Badt, Kurt. "Drei plastiche Arbeiten von Leone Battista Alberti." Mitteilungen des Kunsthistorischen Institutes in Florenz 8, no. 2 (September 1958): 78-87, fig. 1.
- 1958
- Wind, Edgar. Pagan Mysteries in the Renaissance. 1st ed. New Haven, 1958: 187-188.
- 1960
- Watkins, Renée. "L.B. Alberti's Emblem, the Winged Eye, and His Name, Leo." Mitteilungen des Kunsthistorischen Institutes in Florenz 9, nos. 3-4 (November 1960): 256-258, as c. 1438.
- 1961
- Walker, John, Guy Emerson, and Charles Seymour. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 46, 207, pl. 40.
- 1965
- Pope-Hennessy, John W. Renaissance Bronzes from the Samuel H. Kress Collection: Reliefs, Plaquettes, Statuettes, Utensils and Mortars. London, 1965: 7-8, no. 1, fig. 1.
- 1966
- Pope-Hennessy, John. The Portrait in the Renaissance. London and New York, 1966: 66-69, fig. 67.
- 1968
- Wind, Edgar. Pagan Mysteries in the Renaissance. 2nd ed. London, 1968: 231–235.
- 1972
- Grayson, Cecil, editor and translator. On painting and on sculpture. The Latin texts of De pictura and De statua [by] Leon Battista Alberti. London, 1972: 154, no. 1, pl. 6.
- 1974
- Ames-Lewis, Francis. "A Portrait of Leon Battista Alberti by Uccello?." The Burlington Magazine 116, no. 851 (1974): 103-104, fig. 40 (reversed for comparison).
- 1975
- Lewis, Douglas. "Sculpture." In Walker, John. National Gallery of Art, Washington. New York, 1975: 620, 623, fig. 954.
- 1978
- Middeldorf, Ulrich. "On the Dilettante Sculptor." Apollo 107 (1978): 310-322.
- 1981
- Middeldorf, Ulrich. “On the Dilettante Sculptor.” In Raccolta di Scritti: That Is, Collected Writings. 3 vols. Florence, 1981: 3:173–202, esp. 184–186.
- 1983
- Walker, John. Portraits: 5,000 Years. New York, 1983: 98, fig. 107.
- 1983
- Wilson, Carolyn C. Renaissance Small Bronze Sculpture and Associated Decorative Arts at the National Gallery of Art. Washington, 1983: 12, repro. (and on cover).
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 623, no. 961, repro.
- 1989
- Pope-Hennessy, John. "The Study of Italian Plaquettes." In Italian Plaquettes. Studies in the History of Art 22 (1989): 19, fig. 1.
- 1990
- Schneider, Laurie. "Leon Battista Alberti: Some Biographical Implications of the Winged Eye." The Art Bulletin 72, no. 2 (June 1990): 261, 264-266, fig. 2.
- 1991
- Mottola Molfino, Alessandra, and Mauro Natale, eds. Le muse e il principe: Arte di corte nel Rinascimento padano. 2 vols. Exh. cat. Museo Poldi Pezzoli, Milan. Modena, 1991: 1:27 (as perhaps made in or brought to Ferrara in 1438), 166, no. 39 (comparative note on Alberti medal by Matteo de' Pasti).
- 1992
- Fiero, Gloria K. On the Threshold of Modernity: The Renaissance and the Reformation. The Humanistic Tradition 3. 1st ed. [7th ed. 2015] Dubuque, Iowa, 1992: 29 fig. 16.3.
- 1992
- National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 283, repro.
- 1992
- Severin, Ingrid. Baumeister und Architekten: Studien zur Darstellung eines Berufsstandes in Porträt und Bildnis. Berlin, 1992: 26-27, repro.
- 1993
- Adams, Laurie Schneider. Art and Psychoanalysis. New York, 1993: 147-150, fig. 56.
- 1993
- Freedman, Luba. "The Counter-Portrait: The Quest for the Ideal in Italian Renaissance Portraiture." In Il ritratto e la memoria: Materiali 3. Eds. Augusto Gentili, Philippe Morel, and Claudia Cieri Via. Rome, 1993: 67-68, fig.1.
- 1993
- Hamerman, Nora. “Leonardo da Vinci and The Scientific Revolution of Renaissance Visual Arts.” Fidelio 2, 4 (winter 1993): 34 repro.
- 1994
- Syson, Luke. "Alberti e la ritrattistica." In Rykwert, Joseph and Anne Engel, eds. Leon Battista Alberti. Exh. cat. Palazzo del Tè, Mantua, 1994: 46, 48, fig. 2.
- 1995
- Franklin, David. "The Currency of Fame. Portrait Medals of the Renaissance." Renaissance Studies 9, no. 3 (September 1995): 319.
- 1995
- Oursel, Hervé, ed. La médaille en Europe du XVe au XVIIIe siècle. Exh. cat. Musée national de la Renaissance, Écouen, 1995: 12-13, fig. 5.
- 1996
- Gasparotto, Davide. "Pisanello e le origini della medaglia rinascimentale." In Pisanello. Exh. cat. Museo di Castelvecchio, Verona. Milan, 1996: 328, repro.
- 1997
- Canali, Ferruccio. “La Libreria Piccolomini a Siena e la Capella Brancacci a Firenze: Raffaello e un ipotetico ritratto dell’Alberti.” Bollettino della Società di Studi Fiorentini 1 (1997): 139, 142 fig. 1.
- 1998
- Pfisterer, Ulrich. "‘Soweit die Flügel meines Auges tragen’—Leon Battista Albertis Imprese und Selbstbildnis." Mitteilungen des Kunsthistorischen Institutes in Florenz 42 (1998): 205-251.
- 1998
- Tavernor, Robert. On Alberti and The Art of Building. New Haven, 1998: 2 fig. 1, 31-36, fig. 24.
- 1998
- Woods-Marsden, Joanna. Renaissance Self-Portraiture: The Visual Construction of Identity and the Social Status of the Artist. New Haven & London, 1998: 71-77, 88, pl. 51.
- 1999
- Beckett, Wendy. My Favorite Things: 75 Works of Art from Around the World. New York, 1999: 120, repro. 121.
- 2000
- Bek, Lise. “Leon Battista Alberti og hans kunstteori: En renaissance-humanist.” In Alberti, Leon Battista. Om billedkunsten. Translated and edited by Lise Bek. Copenhagen, 2000: 142 fig. [43], 314.
- 2000
- Bell, Julian. Five Hundred Self-Portraits. London, 2000: repro. 19.
- 2000
- Grafton, Anthony. Leon Battista Alberti: Master Builder of the Italian Renaissance. New York, 2000: unpaginated front matter, frontispiece.
- 2000
- National Gallery of Art Special Issue. Connaissance des Arts. Paris, 2000: repro. 58, 59, 61.
- 2000
- Scher, Stephen. "An Introduction to the Renaissance Portrait Medal." In Scher, Stephen, ed. Perspectives on the Renaissance Medal. New York, 2000: 5, 23 fig. 1.11.
- 2001
- Schneider Adams, Laurie. Italian Renaissance Art. Boulder, 2001: 144-46, fig. 7.2.
- 2001
- Syson, Luke, and Dillian Gordon, eds. Pisanello: Painter to the Renaissance Court. Exh. cat. National Gallery, London, 2001: 112 fig. 3.28.
- 2003
- Gregori, Mina, ed. In the Light of Apollo: Italian Renaissance and Greece. 2 vols. Exh. cat. National Gallery and Alexandros Souzos Museum, Athens, 2003-2004: 1:71, 72 fig. 1, 151, 161, 162.
- 2005
- Paoli, Michel. “Les portraits de Leon Battista Alberti des XVe et XVIe siècles." In Cardini, Roberto, Lucia Bertolini, and Mariangela Regoliosi, eds. Leon Battista Alberti: la biblioteca di un umanista. Exh. cat. Biblioteca Medicea Laurenziana, Florence, 2005: 84-87.
- 2006
- Fiore, Francesco Paolo. "Gli inizi." In Bulgarelli, Massimo, Arturo Calzona, Matteo Ceriana, and Francesco Paolo Fiore, eds. Leon Battista Alberti e l'architettura. Exh. cat. Casa del Mantegna, Mantua, 2006: 206 fig. 1.
- 2006
- Hartt, Frederick, and David G. Wilkins. History of Italian Renaissance Art: Painting, Sculpture, Architecture. 6th ed. Upper Saddle River, 2006: 240, fig. 10.2.
- 2006
- Levy, Alison. Re-membering Masculinity in Early Modern Florence: Widowed Bodies, Mourning, and Portraiture. Burlington, VT, 2006: 71, fig. 3.7.
- 2007
- Filippini, Cecilia. “Portrait and Self-Portrait: Some Thoughts on Humanitas in the 15th and 16th Centuries.” In Giusti, Giovanna and Maria Sframeli, eds. Artist’s Self-Portraits from the Uffizi. Exh. cat. Dulwich Picture Gallery, London, 2007: 48-53, repro. 48.
- 2008
- Pfisterer, Ulrich. Lysippus und seine Freunde: Liebesgaben und Gedächtnis im Rom der Renaissance, oder, Das erste Jahrhundert der Medaille. Berlin, 2008: 99, fig. 48.
- 2008
- Woods-Marsden, Joanna. "El autorretrato del Renacimiento." In Falomir, Miguel, ed. El retrato del Renacimiento. Exh. cat. Prado, Madrid, 2008: 94-96, fig. 60.
- 2010
- Bredekamp, Horst. Theorie des Bildakts. Frankfurter-Adorno-Vorlesungen, 2007. Berlin, 2010: 329, 330 fig. 201. New edition, Berlin, 2015: 321-324, fig. 197.
- 2010
- Gennaioli, Riccardo, ed. Pregio e bellezza: cammei e intagli dei Medici. Exh. cat. Palazzo Pitti, Museo degli Argenti, Florence. Livorno, 2010: 120, no. 33.
- 2010
- McLaughlin, Martin. "Leon Battista Alberti and the Redirection of Renaissance Humanism." Proceedings of the British Academy 167 (2010; Lecture read at the Academy 26 March 2009): 25-59, esp. 51-59, repro.
- 2011
- Alberti, Leon Battista. Das Standbild; Die Malkunst; Grundlagen der Malerei. Edited by Oskar Bätschmann, Christoph Schäublin, and Kristine Patz. 2nd ed. Darmstadt, 2011: 19 fig. 1.
- 2011
- Filippi, Elena. Umanesimo e Misura Viva: Dürer tra Cusano e Alberti. Verona, 2011: 160-163, fig. 153.
- 2011
- Glover, Michael. "Great Works: Self-Portrait by Leon Battista Alberti." The Independent (9 September 2011).
- 2012
- Fischer, Günther. Leon Battista Alberti: Sein Leben und seine Architekturtheorie. Darmstadt, 2012: 45-47, fig. 8.
- 2012
- Glass, Robert. "Filarete's Hilaritas: Claiming Authorship and Status on the Doors of St. Peter's." The Art Bulletin 94, 9 (December 2012): 566, fig. 28, note 87.
- 2013
- Richter, Elinor M. "Recasting the Role of the Italian Sculptor: Sculptors, Patrons, Materials, and Principles for the New Early Modern Age." In Bohn, Babette, and James Saslow, eds. A Companion to Renaissance and Baroque Art. Chichester, West Sussex, 2013: 219-220, repro. 220.
- 2014
- Aurenhammer, Hans. "Liberalitas: The Image of a Friendly Virtue as a Hidden Self-Portrait in Leon Battista Alberti's Della pittura." In Renaissance Love: Eros, Passion, and Friendship in Italian Art around 1500. Edited by Jeanette Kohl, Marianna Koos, and Adrian W.B. Randolph. Berlin, 2014: 149-162, esp. 155 fig. 3, 156.
- 2014
- Hall, James. The Self-Portrait: A Cultural History. London, 2014: repro. 45, 48-49.
- 2016
- Madersbacher, Lukas. "'fatto alla spera'? Das Porträt des Leon Battista Alberti aus den Orti Oricellari." Mitteilungen des Kunsthistorischen Institutes in Florenz 58, no. 3 (2016): 320, 321 fig. 2.
- 2016
- Madersbach, Lukas. "'fatto alla spera'? Das Porträt des Leon Battista Alberti aus den Orti Oricellari." Mitteilungen des Kunsthistorischen Institutes in Florenz 58, no. 3 (2016, published February 2017): 319-347, esp. 320-321, 321 fig. 2, 327, 328, 335 fig. 14a (detail).
- 2016
- National Gallery of Art. Highlights from the National Gallery of Art, Washington. Washington, 2016: 45, repro.
- 2017
- Dickerson III, C.D. "The Sculpture Collection: Shaping a Vision, Expanding a Legacy." National Gallery of Art Bulletin 56 (Spring 2017): 6, repro.
- 2020
- Malgouyres, Philippe. De Filarete à Riccio. Bronzes italiens de la Renaissance (1430-1550). La collection du musée du Louvre. Paris, 2020: 36-40, 38 fig. 8, 50.
- 2020
- Tsitrin, Lev. "The Perfect Pose." The MCA Advisory 23, no. 3 (Fall 2020): 20, repro., 21, 22
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