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Provenance

Granville Edward Harcourt Vernon [1816-1861], Grove Hall, Nottinghamshire; by inheritance to his wife, Lady Selina Vernon [later Lady Hervey], Grove Hall, Nottinghamshire;[1] (sale, Christie, Manson & Woods, London, 17-18 June 1864, 2nd day, no. 270, as Two Monks embracing at the Foot of a Mountain by P. Laurenti); purchased by Anthony;[2] Wentworth Blackett Beaumont, 1st baron Allendale [1829-1907], London; by inheritance to his son, Wentworth Canning Blackett Beaumont, 1st viscount and 2nd baron Allendale [1860-1923], London; by inheritance to his son, Wentworth Henry Canning Beaumont, 2nd viscount and 3rd baron Allendale [1890-1956], London;[3] sold 1937 to (Duveen Brothers, Inc., London, New York, and Paris); sold June 1938 to the Samuel H. Kress Foundation, New York;[4] gift 1939 to NGA.

Exhibition History

1930
Catalogue of a Collection of Pictures, Furniture, and Other Objects of Art, Burlington Fine Arts Club, London, 1930-1931, no. 19.
1988
Painting in Renaissance Siena, 1420-1500, The Metropolitan Museum of Art, New York, 1988-1989, no. 10g, repro., as The Journey and Meeting of Saint Anthony with Saint Paul the Hermit by the Master of the Osservanza.
2010
Da Jacopo della Quercia a Donatello. Le Arti a Siena nel Primo Rinascimento, Complesso Museale Santa Maria della Scala, Siena, 2010, no. C.34g, repro.

Bibliography

1931
Waterhouse, Ellis K. "Sassetta and the Legend of St. Anthony Abbot." The Burlington Magazine 59 (September 1931): 108-113, plate II-C.
1941
Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: nos. 33-35, repros., as by Stefano di Giovanni Sassetta.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 178-179, no. 404, as by Sassetta.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 247, repro. 185, as by Sassetta.
1944
Cairns, Huntington, and John Walker, eds. Masterpieces of Painting from the National Gallery of Art. New York, 1944: 32, color repro., as by Sassetta.
1944
Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 25, repro., as by Sassetta.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 40, repro.
1946
Frankfurter, Alfred M. Supplement to the Kress Collection in the National Gallery. New York, 1946: 26, repro., as by Sassetta
1956
Pope-Hennessy, John. "Rethinking Sassetta." The Burlington Magazine98 (October 1956): 366, 368, fig. 29.
1956
Walker, John. National Gallery of Art, Washington. New York, 1956: 16, repro., as by Sassetta.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 41, repro., as by Sassetta.
1961
Walker, John, Guy Emerson, and Charles Seymour. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 18-23, color repro. pl. 18, fig. 17.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 72, repro., as by Sassetta.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 120, as by Sassetta and Assistant.
1966
Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:12, color repro.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 141, fig. 380-381.
1968
Berenson, Bernard. Italian Pictures of the Renaissance. Central Italian and North Italian Schools. 3 vols. London, 1968: 1:254.
1968
Gandolfo, Giampaolo et al. National Gallery of Art, Washington. Great Museums of the World. New York, 1968: 22-23, color repro.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 107, repro., as by Sassetta and Assistant.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 318, repro., as by Sassetta and Assistant.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:319-323; 2:pl. 230, 230A,B, as Master of the Osservanza Triptych.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 78, no. 26, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 368, repro.
1993
Gagliardi, Jacques. La conquête de la peinture: L’Europe des ateliers du XIIIe au XVe siècle. Paris, 1993: 402.
1997
Pelikan, Jaroslav. The Illustrated Jesus through the Centuries, New Haven & London, 1997, p. 118, repro.
2003
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 481-495, color repro., as by Master of the Osservanza (Sano di Pietro).
2012
Bellosi, Luciano. "Considerazioni introduttive al problema dell'identificazione tra il "Maestro dell'Osservanza" e Sano di Pietro." In Gabriele Fattorini et. al., eds. Sano di Pietro: Qualità, devozione e pratica nella pittura senese del Quattrocento. Giornate di studio nel sesto centenario della nascita. Siena 5 dicembre 2005 – Asciano 6 dicembre 2005. Milan, 2012: 44.
2012
De Marchi, Andrea. "Sano di Pietro prima della Pala dei Gesuati e il "Maestro dell'Osservanza": aporie di una doppia identità." In Gabriele Fattorini et. al., eds. Sano di Pietro: Qualità, devozione e pratica nella pittura senese del Quattrocento. Giornate di studio nel sesto centenario della nascita. Siena 5 dicembre 2005 – Asciano 6 dicembre 2005. Milan, 2012: 62-65, figs. 37-38.

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