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Provenance

Col. Henry Edward Burney [d. 1929], London; (his sale, Christie, Manson & Woods, London, 29 June 1928, no. 126, as by Titian); purchased by Max Rothschild, owner of the Sackville Gallery, London. (Duveen Brothers, Inc., London, New York, and Paris); purchased February 1930 by Andrew W. Mellon, Pittsburgh;[1] deeded 28 December 1934 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[2] gift 1937 to NGA.

Exhibition History

1988
The Pastoral Landscape: The Legacy of Venice, The National Gallery of Art, Washington, D.C., 1988-1989, no. 39, fig. 44.
1991
Old Master Italian Paintings, Prints and Drawings, Yellowstone Art Center, Billings, Montana, 1991, color repro. in brochure.
1998
A Collector's Cabinet, National Gallery of Art, Washington, D.C., 1998, no. 34.

Bibliography

1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 196, no. 36, as by Titian.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 240, repro. 197, as by Titian.
1949
Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 34, repro., as by Titian.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 129, as by Titian.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 116, repro.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 344, repro.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: 1:249-250; 2:pl. 170.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 199, no. 233, color repro., as by Titian.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 316, repro.

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