Provenance
(M. Knoedler & Co., Paris), by 1932 until at least 1947.[1] Mrs. Charles Stewart Carstairs [née Elizabeth Stebbins, d. 1949], Lockport and Paris;[2] bequest 1952 to NGA.
Bibliography
- 1932
- Jamot, Paul, and Georges Wildenstein. Manet. 2 vols. Paris, 1932: 1:240, no. 307.
- 1947
- Tabarant, Adolphe. Manet et ses oeuvres. Paris, 1947: 366-367, 542, repro. 336
- 1953
- "Accessions of American and Canadian Museums: January - March 1953." Art Quarterly 16 (Autumn 1953): 252, repro. 256.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 81.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 72, repro.
- 1970
- Orienti, Sandra. The Complete Paintings of Manet. London, 1970:111, no. 288
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 210, repro.
- 1975
- Rouart, Denis and Daniel Wildenstein. Edouard Manet, catalogue raisonné 2 vols. Lausanne and Paris, 1975:I:204, no. 307
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 453, no. 655, color repro.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 242, repro.
- 2016
- Iacono, Margaret. "Charles Stewart Carstairs and Camille Pissaro's 'The Côte des Boeufs a L'Hermitage': model of magnanimity or marketing strategy?." The Burlington Magazine 158 (August 2016): 635, fig. 36, 635 n. 40.
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