Christ on the Cross with Pope Pius II, c. 1475

Inscription

in typographic text on sheet, at left: Dye syben tag zeit vnser frawen... (the seven hours of our lady) [followed by eight six-line stanzas and one stanza from a song to the Virgin Mary by the so-called Monk of Salzburg]

[see Parshall, Peter, and Rainer Schoch. _Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public._ Washington, DC: National Gallery of Art, 2005, pp. 98-101.]

Exhibition History

1965

Fifteenth-Century Woodcuts and Metalcuts from the Collection of the National Gallery of Art, NGA, 1965-1966, no. 51, repro.

2005

Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public, NGA and Germanisches Nationalmuseum, Nuremberg, 2005-2006, no. 16, repro.

2012

Imperial Augsburg: Renaissance Prints and Drawings, 1475-1540, National Gallery of Art, Washington, D.C.; Jack S. Blanton Museum of Art, Austin, TX; Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, NY, 2012-2014, no. 5, repro. fig. 13.

Bibliography

1926

Schreiber, Wilhelm Ludwig. Handbuch de Holz- und Metailschnitte des XV Jahrhunderts. 8 vols. Leipzig: Verlag Karl W. Hierseman, 1926-1930.

1965

Field, Richard S. Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1965: no. 51.

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