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Follower of Claude Lorrain

Harbor at Sunset, late 17th century

Not on View

Medium

oil on canvas

Dimensions

overall: 49 x 66.5 cm (19 5/16 x 26 3/16 in.)

framed: 70.5 x 88.3 x 7.6 cm (27 3/4 x 34 3/4 x 3 in.)

Credit Line

Gift of R. Horace Gallatin

Accession Number

1949.1.8

Artists / Makers

Anonymous Artist (painter)

Claude Lorrain (related artist) French, 1604/1605 - 1682

Image Use

This image is in the public domain.
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Provenance

Thomas Emmerson [d. 1955], London;[1] sold 1830 through (John Smith [1781-1855], London) to George John Vernon, 5th baron Vernon [1803-1866], Sudbury Hall, Derby; possibly (Vernon sale, Christie & Manson, London, 1831); sold to Norton. Brook Greville; (his sale, Christie & Manson, London, 30 April 1836, no. 73); (William Seguier, London).[1] Mary Louisa Whyte [Mrs. Mark Anthony Whyte, d. 1853], Barrow Hill, Rocester, Staffordshire; by inheritance with the house to her niece, Louisa Jane Finch, probably by 1870; by inheritance with the house to her stepson, Captain Arthur Finch Dawson, by 1879; (Dawson sale, Christie, Manson & Woods, London, 14 December 1928, no. 122); (P. & D. Colnaghi & Co., Ltd., London); on consignment or joint account 1931 with (M. Knoedler & Co., London, New York, and Paris). acquired before 1941 by R. Horace Gallatin [1871-1948], New York;[2] gift 1949 to NGA.

[1] See Charles Sebag-Montefiore, with Julia I. Armstrong-Totten, A Dynasty of Dealers: John Smith and Successors 1801-1824, The Roxburghe Club, London, 2013: 21.

[2] There was no sale of Vernon paintings at Christie's on 26 May 1831 as indicated by Marcel Roethlisberger, Claude Lorrain: The Paintings, 2 vols., New Haven, 1961(reprint 1979), 1:536, no. 281 (citing John Smith, A Catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters..., 9 vols., London, 1829-1842: 8[1837]:446, no. 424). There was a Vernon sale a year later, on 26 May 1832, but the NGA painting was not in it. This painting is probably the View in a Bay, a Boat in Front, sold anonymously in 1831 to Norton, as recorded in George Redford, Art Sales: A History of Sales of Pictures and Other Works of Art, 2 vols., London, 1888: 2:275. Roethlisberger also incorrectly gives the day of the 1836 Greville sale as April 23, and spells Greville's first name with a final "e" that does not appear on the auction catalogue's title page.

[3] The painting was included in Gallatin's initial offer of his collection to the NGA, which was accepted on an "if and when" basis in 1941; see NGA curatorial files.

Associated Names

Christie's
Christie's
Christie's
Colnaghi & Co., Ltd., P. & D.
Dawson, Arthur Finch, Capt.
Finch, Louisa Jane
Gallatin, R. Horace
Greville, Brook
Knoedler & Company, M.
Norton
Private Collection (NGA Former Owner)
Seguier, William
Smith, John
Vernon, George John, 5th baron Vernon
Whyte, Mark Anthony, Mrs.

Exhibition History

1879: Exhibition of works by the old masters. Winter Exhibition, Royal Academy of Arts, London, 1879, no. 96.

1902: Exhibition of works by the old masters: including a special collection of paintings and drawings by Claude. Winter Exhibition, Royal Academy of Arts, London, 1902, no. 60.

1989: Extended loan for use by Secretary Samuel Skinner, U.S. Department of Transportation, Washington, D.C., 1989-1992.

1992: Extended loan for use by Secretary Andrew H. Card, U.S. Department of Transportation, Washington, D.C., 1992-1993.

1993: Extended loan for use by Secretary Federico Pena, U.S. Department of Transportation, Washington, D.C., 1993-1998.

1998: Extended loan for use by Secretary Rodney Slater, U.S. Department of Transportation, Washington, D.C., 1998-2001.

2015: Extended loan for use by Attorney General Loretta E. Lynch, U.S. Department of Justice, Washington, D.C., 2015.

Bibliography

1829: Smith, John. A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters. 9 vols. London, 1829-1842: 8(1837):446, no. 424.

1961: Röthlisberger, Marcel. Claude Lorrain: The Paintings. 2 vols. New Haven, 1961 (reprint New York, 1979): 1:536, no. 281, as Coast Scene, under "the most notable imitations," 2:fig. 420.

1965: Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 28, as School of Claude Lorrain

1968: National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 19, repro., as School of Claude Lorrain

1975: European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 72, repro., as School of Claude Lorrain

1985: European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 91, repro.

2009: Conisbee, Philip, et al. French Paintings of the Fifteenth through the Eighteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2009: no. 21, 107-109, color repro.

2013: Sebag-Montefiore, Charles, with Julia I. Armstrong-Totten. A Dynasty of Dealers: John Smith and Successors 1801-1924: A Study of the Art Market in Nineteenth-Century London. Arundel and London, 2013: 21.