Provenance
Carmelite convent of Nuestra Señora de los Remedios, Seville, from 1675 until 1810 or 1835.[1] private collection, Italy, from c. 1960; purchased 17 October 2003 through (Patricia Wengraf Ltd., London) by NGA.
Bibliography
- 2003
- Richard, Paul. "'Saint John,' Renouncing Tradition.' Washington Post (October 19, 2003): N12.
- 2003
- "Statue of John of the Cross Acquired by NGA." Art Daily (Thursday, October 23, 2003).
- 2004
- "Contemporary art leads museum acquisitions in 2003." The Art Newspaper (April 2004).
- 2004
- Culligan, Kevin. "St. John of the Cross." National Catholic Reporter (April 2, 2004): 81, repro.
- 2004
- Luciano, Eleonora. "Gifts and Acquisitions." National Gallery of Art Bulletin 31 (Spring 2004): 7, repro.
- 2005
- Peña, José Roda. "A 'St John of the Cross' attributed to Francisco Antonio Gijón: a recent acquisition at the National Gallery of Art, Washington." The Burlington Magazine (May 2005): 304-309, color repro.
- 2010
- Dávila-Armero del Arenal, Alvaro, José Carlos Pérez Morales, and Carlos Maria López-Fe y Figueroa. Francisco Antonio Ruiz Gijón. Vol. 5, Grandes Maestros Andaluces, ed. Enrique F. Pareja López. Seville, 2010: 160-165, 179, 183, repro.
- 2015
- "Art for the Nation: The Story of the Patrons' Permanent Fund." National Gallery of Art Bulletin, no. 53 (Fall 2015):22, repro.
- 2017
- Dickerson III, C.D. "The Sculpture Collection: Shaping a Vision, Expanding a Legacy." National Gallery of Art Bulletin 56 (Spring 2017): 12-13, repro.
- 2017
- Roldán, Manuel Jesús. "Francisco Antonio Gijón en Washington." Pasión en Sevilla, Noticias, http://sevilla.abc.es/pasionensevilla/actualidad/noticias/francisco-antonio-gijon-washington-117667-1506896592.html, accessed 2 October 2017.
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