Provenance
Louis-Charles Timbal [1821-1880], Paris; Gustave Dreyfus [1837-1914], Paris; his estate; puchased 1930 with the entire Dreyfus collection by (Duveen Brothers, Inc., London, New York, and Paris); purchased 1941 by the Samuel H. Kress Foundation, New York;[1] gift 1943 to NGA.
Bibliography
- 1907
- Vitry, Paul. "La collection de M. Gustave Dreyfus: I. - La Sculpture." Les Arts 72 (December 1907):12, repro. 13, 16.
- 1944
- Duveen Brothers, Inc. Duveen Sculpture in Public Collections of America: A Catalog Raisonné with illustrations of Italian Renaissance Sculptures by the Great Masters which have passed through the House of Duveen. New York, 1944: figs. 80-82, as by Antonio Rossellino.
- 1976
- Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 24.
- 1994
- Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 212, repro.
- 2013
- Langhanke, Birgit. Die Madonnenreliefs im Werk von Antonio Rossellino. Ph.D. diss. Ludwig-Maximilians-Universität, Munich, 2013: 130, 362, repro. fig 70.
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