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Made with mostly square or rectangular pieces of patterned paper in shades of asparagus and moss green, sky blue, tan, and ash brown, a man with brown skin sits in the center of this horizontal composition with a second person over his shoulder, in the upper left corner of this collage. The man’s facial features are a composite of cut-outs, mostly in shades of brown and gray, as if from black-and white photographs, and he smokes a cigarette. He sits with his body angled slightly to our right and he looks off in that direction, elbows resting on thighs and wrists crossed. His button-down shirt and pants, similarly collaged, are mottled with sky blue and white. One foot, on our right, is created with a cartoonish, shoe-shaped, black silhouette. The paper used for the other foot seems to have been scraped and scratched, creating the impression that that foot is bare. A tub, made of the same blue and white paper of the man’s suit, sits on the ground to our left, in the lower corner. The man sits in front of an expanse made up of green and brown pieces of paper patterned with wood grain, which could be a cabin. In a window in the upper left, a woman’s face, her features similarly collaged, looks out at us. One dark hand, large in relation to the people, rests on the sill with the fingers extended down the side of the house. The right third of the composition is filled collaged scraps of paper patterned to resemble leafy trees. Closer inspection reveals the form of a woman, smaller in scale than the other two, standing in that zone, facing our left in profile near a gray picket fence. She has a brown face, her hair wrapped in a patterned covering, and she holds a watermelon-sized, yellow fruit with brown stripes. Several blue birds and a red-winged blackbird fly and stand nearby. Above the woman and near the top of the composition, a train puffs along the top of what we read as the tops of trees. The artist signed the work in black letters in the upper right corner: “romare bearden.”

Romare Bearden

Tomorrow I May Be Far Away, 1967

Not on View

Medium

collage of various papers with charcoal, graphite and paint on paper mounted to canvas

Dimensions

overall: 116.8 x 142.2 cm (46 x 56 in.)

Credit Line

Paul Mellon Fund

Accession Number

2001.72.1

Artists / Makers

Romare Bearden (artist) American, 1911 - 1988

Image Use

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Copyright

Inscription

upper right: Romare Bearden

Provenance

(Cordier & Ekstrom Gallery, New York); (Dintenfass Gallery, New York); Estate of Robert Lang, Rye, New York; James D. Julia, Maine; (Michael Rosenfeld Gallery, New York); purchased 2001 by NGA.

Associated Names

Julia, James D.
Lang, Robert
Rosenfeld Gallery, Michael

Exhibition History

2001: African-American Art: 20th Century Masterworks, VIII, Michael Rosenfeld Gallery, New York, 2001, cat. 24.

2004: The Art of Romare Bearden. National Gallery of Art, Washington; San Francisco Museum of Modern Art; Dallas Museum of Art; Whitney Museum of American Art, New York; High Museum of Art, Atlanta, 2003-2004, no. 50.

2012: "Romare Bearden: Southern Recollections", Tampa Museum of Art, Tampa, FL, 2012.

2021: Afro-Atlantic Histories, The Museum of Fine Arts, Houston; National Gallery of Art, Washington, DC; Los Angeles County Museum of Art, Dallas Museum of Art, 2021-2024 (shown only in Houston and Washington).

Bibliography

2003: The Art of Romare Bearden. Exh. cat. National Gallery of Art, Washington, 2003: 44, no. 50.

2011: Hanzal, Carla M. et al. Romare Bearden: Southern Recollections (Mint Museum Randoph, Charlotte, NC, Tampa Museum of Art, Tampa, FL, The Newark Museum, Newark, NJ 2011-2012) Charlotte and London: 2011.

2016: National Gallery of Art. Highlights from the National Gallery of Art, Washington. Washington, 2016: 334, 335, repro..