Provenance
Gift probably 1921 from the Musée Rodin to Mrs. John W. Simpson, New York;[1] gift 1942 to NGA.
Exhibition History
- 1946
- Rodin: Sculpture, Drawings, Prints, National Gallery of Art, Washington, D.C., 1946, no. 14, as Study of Hand and Figure.
- 1965
- Wax Sculptures by Degas, Sculptures and Drawings by Rodin, National Gallery of Art, Washington, D.C., 1965-1966, no cat.
- 1981
- Rodin Rediscovered, National Gallery of Art, Washington, D.C., 1981-1982, no. 138.
Bibliography
- 1927
- Grappe, Georges. Catalogue du Musée Rodin. Paris, 1927: 119.
- 1936
- Cladel, Judith. Rodin: Sa vie glorieuse, sa vie inconnue. Paris, 1936: 402.
- 1944
- Grappe, Georges. Catalogue du Musée Rodin. 5th ed. Paris, 1944: 139.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 169.
- 1967
- Descharnes, Robert, and Jean-François Chabrun. Auguste Rodin. Lausanne, 1967: 271.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 147, repro.
- 1969
- Elsen, Albert E. The Partial Figure in Modern Sculpture. Exh. cat. The Baltimore Museum of Art, 1969: 28.
- 1976
- Tancock, John L. The Sculpture of Auguste Rodin : the Collection of the Rodin Museum, Philadelphia. Boston, 1976: 637-638.
- 1983
- Schmoll, J.A. Rodin--Studien: Persönlichkeit--Werke--Wirkung--Bibliographie. Munich, 1983: 83, 120.
- 1987
- Ambrosini, Lynne, and Michelle Facos. Rodin: The Cantor Gift to the Brooklyn Museum. Brooklyn, 1987: 141.
- 1990
- Pingeot, Anne. "Homme qui marche." In Le corps en morceau. Exh. cat. Musée d'Orsay, Paris, 1990: 174.
- 1992
- Barbier, Nicolle. Rodin sculpteur: Oeuvres méconnues. Exh. cat. Musée Rodin, Paris, 1992: 84.
- 1994
- Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 203, repro.
- 1995
- Didi-Huberman, Georges. "Figée à son insu dans un moule magique..." Les Cahiers du Musée Nationale. Paris, 1995: 105-107.
- 2000
- Butler, Ruth, and Suzanne Glover Lindsay, with Alison Luchs, Douglas Lewis, Cynthia J. Mills, and Jeffrey Weidman. European Sculpture of the Nineteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2000: 407-408, color repro.
- 2009
- Parshall, Peter, et al. The Darker Side of Light: Arts of Privacy, 1850-1900. Exh. cat., Hammer Museum, Los Angeles; National Gallery of Art, Washington, D.C.; David and Alfred Smart Museum of Art, University of Chicago. Washington, D.C., 2009: 138-142, 141 fig. 6.
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