Video

• Edward Hopper Film
• Mel Bochner Installation: Theory of Boundaries (1969-1970)
• Paul Mellon: In His Own Words
• Edward Hopper's New York
• Wyeth Lecture in American Art 2007: Ground Swell: Edward Hopper in 1939
• J.M.W. Turner Film
• Afghanistan: Hidden Treasures from the National Museum, Kabul
• Martin Puryear Installation: Ladder for Booker T. Washington
• Empire of the Eye: The Magic of Illusion-Introduction, Part 1
• Empire of the Eye: The Magic of Illusion-The Trinity—Masaccio, Part 2
• Empire of the Eye: The Magic of Illusion-The Church of Santa Maria presso San Satiro, Part 3
• Empire of the Eye: The Magic of Illusion-Sant'Ignazio's Ceiling, Part 4
• Empire of the Eye: The Magic of Illusion-Palazzo Spada's Corridor, Part 5
• Empire of the Eye: The Magic of Illusion-St. Francis of Paola, Performer of Miracles, Part 6
• Empire of the Eye: The Magic of Illusion-Teatro Olimpico—Andrea Palladio, Part 7
• Pompeii and the Roman Villa: Art and Culture around the Bay of Naples
• "Multiverse," Leo Villareal Installation-Programming, Part 1
• "Multiverse," Leo Villareal Installation-Pattern Recognition, Part 2
• "Multiverse," Leo Villareal Installation-Installation, Part 3
• Vermeer: Master of Light-Woman Holding a Balance, Part 1
• Vermeer: Master of Light-The Music Lesson, Part 2
• Vermeer: Master of Light-Girl with the Red Hat, Part 3
• Vermeer: Master of Light-Camera Obscura, Part 4
• Vermeer: Master of Light-Woman Writing a Letter, Part 5
• Vermeer: Master of Light-compilation
• Talk About Art
• "Multiverse," Leo Villareal Installation-Resolution, Part 4
• "The Art of Power: Royal Armor and Portraits from Imperial Spain," Press Conference Highlights
• Rachel Whiteread: "Ghost"
• LOOK!
• The Art of Power: Royal Armor and Portraits from Imperial Spain, The Iconography of Power
• Arshile Gorky: Ararat (Excerpts)
• The Darker Side of Light: Arts of Privacy, 1850-1900
• The Robert and Jane Meyerhoff Collection: Selected Works, Press Conference Highlights
• The Robert and Jane Meyerhoff Collection: Exhibition Highlights, Gesture, Picture the Frame, Scrape, Concentricity, Line, Part 1
• The Robert and Jane Meyerhoff Collection: Exhibition Highlights, Art on Art, Drip, Stripe to Zip, Monochrome, Figure or Ground, Part 2
• Making a Spanish Polychrome Sculpture
• From Impressionism to Modernism: The Chester Dale Collection
• In the Tower: Mark Rothko
• Brice Marden in the Studio
• New Masters of European Cinema: Everlasting Moments by Jan Troell
• The Lions of Peter Paul Rubens
• Arcimboldo: Nature and Fantasy
• Turner on the Tyne
• Vermeer: In the Light of Delft
• "The Life and Times of Allen Ginsberg" with director Jerry Aronson
• Gauguin: Maker of Myth, Part 1
• Wyeth Lecture in American Art 20009: Minstrelsy "Uncorked": Thomas Eakins' Empathetic Realism
• Gauguin: Maker of Myth, Part 2
• Gauguin: Maker of Myth, Part 3
• Gauguin: Maker of Myth, Part 4
• Verbeeck's Battle: Restoring War in the Conservation Lab
• American Originals Now: Jem Cohen: Curious Visions
• Itō Jakuchū's "Colorful Realm," Press Conference Highlights
• David McCullough, "Morse at the Louvre"
• Joan Miró: The Ladder of Escape
• "Multiverse," Leo Villareal Installation (September 8-December 6, 2008)
• George Bellows, Part 1
• George Bellows, Part 2
• Paris to Fort Lee: French Filmmakers and the American Industry
• The Collecting of African American Art VIII: Elliot Perry and Darrell Walker in Conversation with Michael Harris
• The Art of Boxing—George Bellows at the National Gallery of Art, Washington
• Wyeth Lecture in American Art 2003: Friends and Rivals: Copley, West, Peale, Trumbull, and Stuart
• "Roy Lichtenstein: A Retrospective" at the National Gallery of Art, Washington
• "The Adoration of the Magi," c. 1440/1460, Fra Angelico and Fra Filippo Lippi
• "Saint George and the Dragon," c. 1506, Raphael
• "The Lute Player," c. 1612/1620, Orazio Gentileschi
• "Interior of the Pantheon, Rome," c. 1734, Giovanni Paolo Panini
• "The Square of Saint Mark's, Venice," 1742/1744, Canaletto
• "Soldiers Playing Cards and Dice (The Cheats)," c. 1618/1620, Valentin de Boulogne
• "Mary, Queen of Heaven," c. 1485/1500, Master of the Saint Lucy Legend
• "Portrait of a Merchant," c. 1530, Jan Gossaert
• "Death and the Miser," c. 1485/1490, Hieronymus Bosch
• "Daniel in the Lions' Den," c. 1614/1616, Sir Peter Paul Rubens
• "Queen Henrietta Maria with Sir Jeffrey Hudson," 1633, Sir Anthony van Dyck
• "Andries Stilte as a Standard Bearer," 1640, Johannes Cornelisz Verspronck
• "The Maas at Dordrecht," c. 1650, Aelbert Cuyp
• "Self-Portrait, c. 1630," Judith Leyster
• "The Dancing Couple," 1663, Jan Steen
• "Vase of Flowers," c. 1660, Jan Davidsz de Heem
• "The Mill," 1645/1648, Rembrandt van Rijn
• "Self-Portrait," 1659, Rembrandt van Rijn
• "Banquet Piece with Mince Pie," 1635, Willem Claesz Heda
• "Forest Scene," c. 1655, Jacob van Ruisdael
• "The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien," 1787, Elisabeth-Louise Vigee Le Brun
• "The Marquesa de Pontejos," c. 1786, Francisco de Goya
• "The Emperor Napoleon in His Study at the Tuileries," 1812, Jacques-Louis David
• "The Shipwreck," 1772, Claude-Joseph Vernet
• "Soap Bubbles," probably 1733/1734, Jean Simeon Chardin
• "The Italian Comedians," probably 1720, Antoine Watteau
• "Wivenhoe Park, Essex," 1816, John Constable
• "Keelmen Heaving in Coals by Moonlight," 1835, Joseph Mallord William Turner
• "The Voyage of Life: Childhood," 1842, Thomas Cole
• "Watson and the Shark," 1778, John Singleton Copley
• "The Washington Family," 1789-1796, Edward Savage
• "Lake Lucerne," 1858, Albert Bierstadt
• "Shaw Memorial," 1900, Augustus Saint-Gaudens
• "El Rio de Luz (The River of Light)," 1877, Frederic Edwin Church
• Breezing Up (A Fair Wind), 1873-1876
• The Old Violin, 1886, William Michael Harnett
• "Allies Day," May 1917, 1917, Childe Hassam
• "Four Dancers," c. 1899, Edgar Degas
• "The Boating Party", 1893/1894, Mary Cassatt
• "The Old Musician," 1862, Edouard Manet
• "The Railway," 1873, Edouard Manet
• "The Japanese Footbridge," 1899, Claude Monet
• "The Artist's Garden at Vétheuil," 1880, Claude Monet
• "Pont Neuf, Paris," 1872, Auguste Renoir
• "The Lighthouse at Honfleur," 1886, Georges Seurat
• "Marcelle Lender Dancing the Bolero in "Chilpéric"," 1895-1896, Henri de Toulouse-Lautrec
• "Self-Portrait," 1889, Vincent van Gogh
• "Farmhouse in Provence," 1888, Vincent van Gogh
• "Still Life with Apples and Peaches," c. 1905, Paul Cezanne
• Joel Shapiro, "Inside Out"
• Teacher Institute
• Art Around the Corner
• "Ginevra de' Benci," 1474/1478, Leonardo da Vinci
• Art for the Nation
• Ames-Haskell Azalea Collection
• Jazz in the Garden
• Glenn Ligon | nga
• Elson Lecture 2013: A Conversation with Glenn Ligon
• National Gallery Builds
• In the Conservation Lab: El Greco’s Saint Martin and the Beggar
• The Sixtieth A. W. Mellon Lectures in the Fine Arts: Twelve Caesars: Images of Power from Ancient Rome to Salvador Dalí, Part 1: Julius Caesar: Inventing an Image
• The Sixtieth A. W. Mellon Lectures in the Fine Arts: Twelve Caesars: Images of Power from Ancient Rome to Salvador Dalí, Part 2: Heroes and Villains: In Miniatures, Marble, and Movies
• The Sixtieth A. W. Mellon Lectures in the Fine Arts: Twelve Caesars: Images of Power from Ancient Rome to Salvador Dalí, Part 3: Warts and All? Emperors Come Down to Earth
• The Sixtieth A. W. Mellon Lectures in the Fine Arts: Twelve Caesars: Images of Power from Ancient Rome to Salvador Dalí, Part 4: Caesar’s Wife: Above Suspicion?
• The Sixtieth A. W. Mellon Lectures in the Fine Arts: Twelve Caesars: Images of Power from Ancient Rome to Salvador Dalí, Part 5: Dynasty: Collecting, Classifying, and Connoisseurship
• The Sixtieth A. W. Mellon Lectures in the Fine Arts: Twelve Caesars: Images of Power from Ancient Rome to Salvador Dalí, Part 6: Rough Work? Emperors Defaced and Destroyed
• Five Byzantine Churches
• Steve Antosca: HABITAT
• Printing John Cage’s Eninka 29, 1986
• Trace the Evolution of a Painting
• Reconstructing the Camerino
• Learn more about Titian’s use of oil glazes
• Kerry James Marshall | nga
• Getting to Know the Dutch Paintings Collection
• A Painting’s History: Cuyp’s River Landscape with Cows
• Rembrandt’s The Mill
• Rembrandt
• North Meets South: Goltzius and Rubens
• The Dutch and Flemish Cabinet Galleries
• Conversations with Artists: Kerry James Marshall
• A Contemporary Artist Discusses Matisse
• Garry Winogrand at Rice University
• The Collecting of African American Art IX: Collecting Black: An Anachronism
• Martin Scorsese Presents: Masterpieces of Polish Cinema
• Degas/Cassatt, Now on View
• The Mount Maker
• The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 1: How Jesus Celebrated Passover: The Jewish Origins of Christianity
• The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 2: Bearers of Memory and Makers of History: The Many Paths to Christian Antiquity
• The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 3: Christian Origins and the Work of Time: Imagining the First Christians
• The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 4: Relics and Ruins: Material Survivals and Early Modern Interpretations
• The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 6: Constantine and Conversion: The Roles of the First Christian Emperor
• The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 5: Martyrdom and Persecution: The Uses of Early Christian Suffering
• Degas/Cassatt at the National Gallery o f Art
• Forward 54th
• Wyeth Lectures in American Art 2011: Between the Lines: Philip Guston and “Bad Painting”
• Little Dancer Aged Fourteen
• Wyeth Lecture in American Art 2005: Thomas Eakins and the “Grand Manner” Portrait
• El Greco: An Artist's Odyssey
• Ice Skating
• Saving the Baldwin Film
• The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 1: Moscow Burns / The Pope Comes Home, 1812‒1814: David, Gros, and Ingres Test Empire’s Facade
• The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 2: At the Service of Kings, Madrid and Paris, 1814: Aging Goya and Upstart Géricault Face Their Restorations
• The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 3: Cut Loose, 1815–1817: Napoleon Returns, David Crosses Borders, and Géricault Wanders Outcast Rome
• The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 4: The Religion of Ancient Art from London to Paris to Rome, 1815–1819: Canova and Lawrence Replenish Papal Splendor
• Drawing in Silver and Gold: Leonardo to Jasper Johns
• American Journeys: Visions of Place
• Wyeth Lecture in American Art 2013: Reversing American Art
• The Life of an Image: “Molotov Man,” 1979 – 2009
• The Life of an Image: “Molotov Man,” 1979 – 2009
• The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 5: The Laboratory of Brussels, 1816–1819: The Apprentice Navez and the Master David Redraw the Language of Art Thomas Crow, Rosalie Solow Professor of Modern Art, Institute of Fine Arts, New York University
• Gauguin: Maker of Myth
• Vasari's Lives of Piero di Cosimo and the Limits of a Teleological System
• The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 6: Redemption in Rome and Paris, 1818–1820: Ingres Revives the Chivalric while Géricault Recovers the Dispossessed
• George Bellows
• Gustave Caillebotte: The Painter's Eye
• Conversations with Artists: Vera Lutter
• Conversations with Artists: Mark Ruwedel
• High School Seminar
• Reading from “Hold Still: A Memoir with Photographs” by Sally Mann
• In the Conservation Lab: Michael Heizer’s Scrap Metal Drypoint #6
• Jennifer Reeves | nga
• Archive of Lamentations
• Don Perry | nga
• Talking Shop with Sidney Felsen: Fifty Years of Artists at Gemini G.E.L
• Introduction to the Exhibition — The Serial Impulse at Gemini G.E.L.
• The Serial Impulse: Artists working at Gemini G.E.L.
• Wyeth Lecture in American Art 2015: The Art of the Name: Soldiers, Graves, and Monuments in the Aftermath of the Civil War
• Julie Mehretu | NGA
• The Sydney J. Freedberg Lecture on Italian Art: Canova and Color
• Artists and Mentorship: David C. Driskell in Conversation with Ellington Robinson
• Mark Ruwedel | nga
• Power and Pathos: Bronze Sculpture of the Hellenistic World
• Lost-Wax Bronzecasting
• The Memory of Time: Contemporary Photographs at the National Gallery of Art, Acquired with the Alfred H. Moses and Fern M. Schad Fund
• Bronzes from the Aegean: The Lost Cargos and the Circumstances of Their Recovery
• Unabridged and Incomplete: Series and Sequences in Contemporary Art
• What Makes a Statue?
• Procession: The Art of Norman Lewis
• Science and Paper: Conserving a Drypoint by Michael Heizer
• Elson Lecture 2016: Cecily Brown
• Alexandre Arrechea: Space Defeated
• The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 1: Gods on Parade: Sacred Forms of Copper
• The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 1: Gods on Parade: Sacred Forms of Copper
• The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 3: Portrait of a Queen: Patronage of Dancing Shiva, c. 941‒1002
• Allan McCollum | nga
• The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 5: Chola Obsession with Sri Lanka and the Silk Route of the Sea in the Eleventh and Twelfth Centuries
• The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 4: An Eleventh-Century Master Sculptor: Ten Thousand Pearls Adorn a Bronze
• "Molotov Man" in Context
• From Private Setting to Public Garden
• FAPE 2016: Frank Gehry and Paul Goldberger in Conversation
• Photographing Little Dancer
• The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 6: Worship in Uncertain Times: The Secret Burial of Bronzes in 1310
• Elsa Mora: Timeline
• Unflattening: Revolutionizing Thought in Comics
• Renovation of the Mellon Memorial Fountain at the National Gallery of Art
• Technicolor at 100: The Road to Color Film Production
• Vera Lutter | nga
• Susan Meiselas | nga
• The Collecting of African American Art XII: Pamela J. Joyner in Conversation with Leonardo Drew and Jennie C. Jones
• Carlos Garaicoa
• Arnold Newman Lecture Series on Photography: Lorna Simpson
• The Light of the World
• Portrait of Virginia, Jean Tinguely
• Virginia Dwan, Journey to Southern Mexico
• Barbara Kruger: in her own words
• Los Angeles to New York: Dwan Gallery
• Odessa, Jean Tinguely
• Hubert Robert at the Flower-Strewn Abyss
• Conversation with Collectors: Virginia Dwan and James Meyer
• The Lost Museum: The Berlin Painting and Sculpture Collections 70 Years after World War II
• Stuart Davis: In Full Swing
• Discoveries from the Dwan Gallery and Virginia Dwan Archives
• Platinum and Palladium Photography: Making a Print
• The Sydney J. Freedberg Lecture on Italian Art: The Aesthetics of Water: Wellheads, Cisterns, and Fountains in the Venetian Dominion
• Street, Nares
• Flow: Theory and Practice
• Douglas Crimp and Lynne Cooke on "Before Pictures"
• David Maisel | nga
• Sculpting with Color in Renaissance Florence: An Introduction to the Della Robbia Exhibition
• Monet’s Water Lily Garden and Japanese Footbridge
• Monet’s Palette and Technique
• Cézanne’s Still Lifes at His Studio
• Sights and Sounds of the Channel Coast
• Freedom Sound/Do You Hear Me?
• Jason + Joan: Reanimation: Jason Moran and Joan Jonas in Conversation with Lynne Cooke
• Conversations with Artists: Theaster Gates
• East of the Mississippi: Nineteenth-Century American Landscape Photography
• The Landmarks of New York
• Introduction to the Exhibition: Frédéric Bazille and the Birth of Impressionism
• FAPE 2017: Roy Lichtenstein—Mexico–The Mural Tradition
• Railroad Photographs
• Conservationspace
• Introduction to the Exhibition—America Collects Eighteenth-Century French Painting
• Wyeth Foundation for American Art Symposium 2017: Artists Panel: The African American Art World in Twentieth-Century Washington, DC
• Flights of Angels: The Heavenly Orders in the Renaissance
• Platinum Photography: The Glycerine Process
• A Centennial Celebration I. M. Pei at the National Gallery of Art
• The Geography of Culture: Photographic Narratives in the Landscape of the American East
• Picturing Landscape through Nineteenth-Century Photographic Processes
• Rackstraw Downes: a painter
• Creating Artful Thinkers: See/Think/Wonder-Shaw Memorial
• Spot: Vermeer and the Masters of Genre Painting: Inspiration and Rivalry
• Jean Desmet’s Dream Factory, 1906 – 1916
• Johannes Vermeer and the Masters of Genre Painting: Inspiration and Rivalry
• The Vermeer Phenomenon, Part I
• The Vermeer Phenomenon, Part II
• Introduction to the Exhibition—Vermeer and the Masters of Genre Painting: Inspiration and Rivalry
• Harry Bertoia, Tonal Sculpture, (1977)
• Steps toward Reality: Matthias Mansen in Conversation with John Tyson
• Introduction to the Exhibition—Fragonard: The Fantasy Figures
• Kevin Beasley
• Frederick Douglass and the Visual Arts in Washington, DC
• "Fray: Art and Textile Politics": A Conversation with Julia Bryan-Wilson and Lynne Cooke
• Leonardo da Vinci
• Amy Sherald
• Anne Truitt in Washington: A Conversation with James Meyer and Alexandra Truitt
• Fashion à la Figaro: Spanish Style on the French Stage
• Calder: The Conquest of Time: A Conversation with Jed Perl and Alexander S. C. Rower
• Lonnie Holley
• Michelangelo Pistoletto
• Vermeer and the Masters of Genre Painting: New Insights and Discoveries
• The Sydney J. Freedberg Lecture on Italian Art: Sugar and Spice and All Things Nice? Titian’s Portrait of Clarice Strozzi
• More than Mimicry: The Parrot in Dutch Genre Painting
• Virtuous Rivalry in the Age of Vermeer
• Time and Temporality in Seventeenth-Century Genre Painting
• Pictures in Paintings
• Striking the Right Chord: Seeing Music in Dutch Genre Painting
• Dutch burghers and their wine: Nary a sour grape
• Innovation, Competition, and Fine Painting Technique: Marketing High-Life Style in the Dutch 17th Century
• Issue, 1966/2016
• Introduction to the Exhibition-Outliers and American Vanguard Art
• Interview with Janssen Evelyn
• Sally Mann: Collodion and the Angel of Uncertainty
• Sally Mann and Bill T. Jones
• Saul Steinberg: Outsider Extraordinaire
• Carrie Mae Weems: Kitchen Table Series
• Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film
• Rajiv Vaidya Memorial Lecture 2017: Agnès Varda and the Art of the Documentary
• Suffering, Struggle, Survival: The Activism, Artistry, and Authorship of Frederick Douglass
• Introduction to the Exhibition-Sally Mann: A Thousand Crossings
• Carrie Mae Weems | nga
• Introduction to the Exhibition—Cézanne Portraits
• Introduction to the Exhibition-Michel Sittow: Estonian Painter at the Courts of Renaissance Europe
• FAPE 2018: Why Is Art Necessary?
• The Art of the Harpsichord: Music and Painting
• Cézanne's Portraits: Doubt, Certainty, and Painting in Series
• Draping Michelangelo: Francesco Mochi, Gianlorenzo Bernini, and the Birth of Baroque Sculpture
• Making a Contemporary Chiaroscuro Woodcut
• The Evidence of Things Seen and Unseen
• Crossing Paths
• Avant-Garde to Underground: Outliers and Film, Part 2
• Preview: Sense of Humor
• Collecting for the Nation: The 75th Anniversary of the Lessing J. Rosenwald Gift of Prints and Drawings to the National Gallery of Art
• Abstraction in Reverse: A Conversation with Alexander Alberro and James Meyer
• German Expressionism and Degenerate Art
• Water, Wind, and Waves: Marine Paintings from the Dutch Golden Age
• Elson Lecture Series 2018: Janine Antoni
• The East Building at Forty: Reflections from Curators Past and Present
• Making a contemporary chiaroscuro woodcut with Stephen Chambers RA
• Preview: Cézanne Portraits
• Binh Danh | nga
• The Description of the Sacred Mountain of La Verna: Jacopo Ligozzi’s Innovative Guide to a Franciscan Sanctuary in Context
• Forty Years of Exhibitions: A Baker’s Dozen Memorable Shows
• Ingmar Bergman and the Visual Arts
• Interview with Dawoud Bey
• Picturing Alexander Hamilton
• Reflecting on Collecting: Recent Acquisitions of Modern Art
• The Longest Running Show: Small French Paintings from the Ailsa Mellon Bruce Collection
• Monet at Vétheuil
• Introduction to the Exhibition—Corot: Women
• Introduction to the Exhibition—Rachel Whiteread
• Deborah Luster | nga
• Ben Gates
• Stanley Kubrick: The Irony of Feeling
• Equal Quantities: Placed or Dropped In, Out, and On in Relation to Specific Boundaries
• Caitlin Teal Price
• Art of Joelvincii
• Introduction to the Exhibition—Gordon Parks: The New Tide, Early Work 1940–1950
• Painting and Representation
• John Edmonds
• The Sydney J. Freedberg Lecture on Italian Art 2018: Against Titian
• Tintoretto: Artist of Renaissance Venice
• Tintoretto: Legends of Saint Mark, Scuola Grande di San Marco
• Parables (the conversation)
• Arnold Newman Lecture Series on Photography: Dawoud Bey
• The Christmas Story in Art
• linn meyers: work
• Pop without Pretense: Mass Media and the Art of James Castle
• Syncopated Ladies
• The Art of Light: A Conversation with Charles Ross and James Meyer
• Chartres: Light Reborn
• Oliver Lee Jackson: There Is No Story
• Affinities or the Weight of Cinema
• Rajiv Vaidya Memorial Lecture 2018: Noisy Archives and the Future of Memory
• Investigating Rothko's Technique
• Watching Thinking: Self-Reflection and the Study of Process in Drawing
• The Undefeated
• USCO: A Conversation with 1960s Multimedia Pioneers
• USCO: Films and Performance with 1960s Multimedia Pioneers
• Hip-Hop’s Great Day: Gordon Parks and a Legacy of Photographic Inspiration
• Black Dreams at Sea: The Sardine Fisherman’s Funeral and An Opera of the World
• Introduction to the Exhibition—Tintoretto: Artist of Renaissance Venice
• Tradition: An Artist Awakening through Practicing the Past
• The Art and Literature of the Great War
• Jarob Ortiz | nga
• Tintoretto: Artist of Renaissance Venice Promo
• The Life of Animals in Japanese Art Promo
• Introduction to the Exhibition—The American Pre-Raphaelites: Radical Realists
• The American Pre-Raphaelites: Radical Realists Promo
• Tintoretto Lecture Series, Part 1—Tintoretto in Context: Framing Tintoretto: Sixteenth-Century Venetian Painting
• Tintoretto Lecture Series, Part 2—Tintoretto: The Early Work
• Tintoretto Lecture Series, Part 3—Tintoretto Central: The Scuola Grande di San Rocco
• Tintoretto Lecture Series, Part 4—In Situ: Tintoretto in Venice
• Frederick Douglass: Prophet of Freedom
• Introduction to the Exhibition—The Life of Animals in Japanese Art
• If I Survive: Frederick Douglass and Family in the Walter O. Evans Collection
• By the Light of the Silvery Moon: The Apollo 11 Mission
• Signed JV, but not by Vermeer: Jacobus Vrel’s “Young Woman in an Interior”
• The Sculpture of David Smith (1906–1965), Part 1
• The Sculpture of David Smith (1906–1965), Part 2
• Augusta Savage: A Woman of Her Word
• Space Was the Place: An Abbreviated History of Washington, DC Arts Venues
• Verrocchio: Sculptor and Painter of Renaissance Florence (short)
• Shared Exploration: Music and the Visual Arts
• FAPE 2019: Ken Burns and the American Story
• Janie Geiser: Artist’s Talk
• Alonso Berruguete: First Sculptor of Renaissance Spain
• The End of the Sixties: Kerry James Marshall’s “Mementos”
• Conversations with Artists: Oliver Lee Jackson
• 2019 Summer Sunday Lecture Series: Celebrating the Old Master Collections of the National Gallery of Art: British Painting, 1700–1850
• 2019 Summer Sunday Lecture Series: Celebrating the Old Master Collections of the National Gallery of Art: French Art of the 18th Century
• 2019 Summer Lecture Series: Celebrating the Old Master Collections of the National Gallery of Art: American Painting, 1700–1900
• 2019 Summer Sunday Lecture Series I. M. Pei: A Celebration of His Life and Work
• 2019 Summer Sunday Lecture Series: Celebrating the Old Master Collections of the National Gallery of Art: Central Italian Painting, 1300–1520
• 2019 Summer Sunday Lecture Series: Celebrating the Old Master Collections of the National Gallery of Art: Dutch Art of the Golden Age, 1600–1675
• 2019 Summer Sunday Lecture Series: Celebrating the Old Master Collections of the National Gallery of Art: Venetian Painting, 1350–1800
• 2019 Summer Sunday Lecture Series: Celebrating the Old Master Collections of the National Gallery of Art: Masterpieces of American Furniture from the Kaufman Collection, 1700–1830
• Interview with Richard Mosse, 2017, produced by Michael Kurcfeld, 10 minutes, Courtesy Michael Kurcfeld and Paris Photo
• The Role of Libraries in our Cultural Landscape
• Berruguete Curator's Quick Tour
• Verrocchio Curator's Quick Tour
• Summer in the National Gallery of Art Sculpture Garden
• Introduction to the Exhibition—The Touch of Color: Pastels at the National Gallery of Art
• The Living Legacy National Speaking Tour: David C. Driskell and Curlee R. Holton in Conversation
• Andrea del Verrocchio: Sculptor and Painter of Renaissance Florence (long)
• True to Nature: Curator’s Quick Tour
• USCO | nga
• The Artist's Sketchbook: A Personal View
• The Sydney J. Freedberg Lecture on Italian Art: Andrea Mantegna’s Stones, Caves, and Clouds
• Verrocchio and the Interplay between the Arts
• Before the Kodak Girl: Women in Nineteenth-Century Photography
• Introduction to the Exhibition—Alonso Berruguete: First Sculptor of Renaissance Spain
• Drones in Castile: Filming Berruguete’s Masterpieces
• Photographing the Moon: An Evening with Smithsonian National Air and Space Museum Curators, Part 1
• Space Still the Place―d.c. space Part II and Its Contemporaries: 1974–1991
• Introduction to the Exhibition—Verrocchio: Sculptor and Painter of Renaissance Florence
• Collecting European Landscape Sketches: An Introduction to Open-Air Painting in Europe, 1780–1870
• A Conversation with Richard Mosse
• Painting in the Open Air: A Conversation with Ann Lofquist
• The Moon in the Age of Photography
• Weather in Art: From Symbol to Science
• Introduction to the Exhibition—Raphael and His Circle
• Introduction to the Exhibition—Degas at the Opéra
• Raphael and His Circle: Introductory Slide Overview
• Degas at the Opéra: Introductory Slide Overview
• Coding Our Collection: The National Gallery of Art Datathon
• The Easter Story in Art
• Art and Photography in the Heroic Age of Antarctic Exploration, Part I
• Fall in the National Gallery of Art Sculpture Garden
• Cats in the National Gallery of Art's Permanent Collection
• goldsworthy
• Philip Guston Now Exhibition Catalog Trailer
• Local to Global: Teaching Critical Thinking through Art—the Gallery’s first MOOC
• Black Opera as Architecture: A Conversation with Kimberly Drew, Alicia Hall Moran, and Imani Uzuri
• Peace, Hope and Renewal
• “the artifice of justice”: A Conversation with Reginald Dwayne Betts, Candice C. Jones, and Richard Ross
• Arnold Newman Lecture Series on Photography: Teju Cole and Fazal Sheikh
• East Building Atrium Mobile Temporary Removal
• Kay Rosen: Sorry
• Avish Khebrezadeh’s Seven Silent Songs
• The New Woman Behind the Camera (Short)
• Sarah Cain’s Favorite Season
• Alma Thomas: Your New Favorite Artist
• Introduction to the Show: Clouds, Ice and Bounty
• Introduction to the Show: Aquatint: From Its Origins to Goya
• Introduction to the Show: The New Woman Behind the Camera
• Aquatint: Two Minute Tour
• Introduction to the Show: James Van Der Zee’s Photographs: A Portrait of Harlem
• Clouds, Ice and Bounty: Two-Minute Tour
• Global Perspectives: The New Woman Behind the Camera
• National Gallery of Art Channel Trailer
• Introduction to the Show: Afro-Atlantic Histories
• Exhibition Overview: Afro-Atlantic Histories
• Dalton Paula | Portraits for the Future
• Afro-Atlantic Histories: Two-Minute Tour
• Introduction to the Show: American Silence
• American Silence Exhibition Trailer
• Daniel Lind-Ramos's Symbols of Power
• María Magdalena Campos-Pons’s "When We Gather"
• Introduction to the Show: The Renaissance in the North: New Prints and Perspectives
• Introduction to the Show: The Woman in White: Joanna Hiffernan and James McNeill Whistler
• Teresita Fernández’s "Stacked Landscapes"
• Mario García Torres’s “Today (News from Kabul)”
• Jorge Macchi on “Parallel Lives”
• Have you ever cooked a peacock? with Carla Hall and Chris Curtis
• The Double: Two-Minute Tour