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<p>Käthe Kollwitz, Fritz Voigt, Emil Richter Verlag, Self-Portrait (Selbstbildnis von vorn), 1923

Käthe Kollwitz, Fritz Voigt, Emil Richter Verlag, Self-Portrait (Selbstbildnis von vorn), 1923, woodcut on Japanese paper, Rosenwald Collection, 1947.12.67

The Anxious Eye Gallery Talk: LaToya Hobbs and Shelley Langdale 

Focus: Exhibitions

  • Saturday, May 11, 2024
  • 1:00 p.m. – 2:00 p.m.
  • West Building, Ground Floor, West Outer Tier
  • Talks
  • In-person

How does German Expressionism relate to artists today? Join us in The Anxious Eye: German Expressionism and Its Legacy for a talk by artist LaToya Hobbs and exhibition curator Shelley Langdale. Through their bold, inventive art, the exhibition artists sought to interpret the dramatic changes in the world around them during the tumultuous historical period of 1900–1920, marked by world war and revolution. Hobbs, a painter and printmaker, explores complex themes of gender, race, and spirituality in a similar fashion to facilitate dialogue and challenge norms, creating works that are both universal and specific.  

LaToya Hobbs, photograph by Mike Jon.

LaToya Hobbs is an artist, wife, and mother of two from Little Rock, Arkansas, who lives and works in Baltimore, Maryland. She earned a BA in painting from the University of Arkansas at Little Rock and an MFA in printmaking from Purdue University. Her work deals with figurative imagery that addresses the ideas of beauty, cultural identity, and womanhood as they relate to women of the African Diaspora. She has exhibited at many institutions including the Baltimore Museum of Art, Harvard Art Museum, the Frist Art Museum in Nashville, the Virginia Museum of Contemporary Art and the National Gallery of Art in Windhoek, Namibia. Among her many honors are the Janet and Walter Sondheim Artscape Prize (2020), a nomination for the Queen Sonja Print Award (2022), and an IFPDA Artis Grant (2022). Hobbs serves as a professor at the Maryland Institute College of Art and a founding member of Black Women of Print, a collective whose vision is to make visible the narratives and works of Black women printmakers, past, present, and future.