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Emmi Whitehorse, Fog Bank, 2020, mixed media on paper on canvas, William A. Clark Fund, 2022.41.1
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Richard Ray Whitman, Robert Franklin, Brandywine Workshop and Archives, Do Indian Artists Go to Santa Fe When They Die?, 1988, color offset lithograph on wove Arches paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.53
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A map of the United States has black outlines for the states and is loosely painted, mostly in lemon yellow, but there are also streaks in indigo blue, turquoise, crimson, brick red, pink, pine green, and marigold orange. Some streaks drip down the canvas within the map and onto the azure-blue background surrounding the map. Snippets of black text against a white background, like newspaper or magazine clippings, are arranged to create a loose band from the upper left corner, in Washington state, to the lower right, in Florida. They read,
Jaune Quick-to-See Smith, Adios Map, 2021, mixed media on canvas, Gift of Funds from Glenstone Foundation, 2022.20.1
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Jeffrey Gibson, The Anthropophagic Effect, Garment No. 4, 2019, canvas, satin, cotton, brass grommets, nylon thread, artificial sinew, split reed, glass and plastic beads, nylon ribbon, Lehrman Fund and Millennium Fund, 2023.7.1
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G. Peter Jemison, Sentinels (Large Yellow), 2006, acrylic, oil and collage on canvas, Gift of Funds from Sharon Percy Rockefeller and Senator John Davison Rockefeller IV, 2022.22.1
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Marie Watt, Antipodes, 2020, vintage Italian beads, industrial felt, and thread, Gift of Funds from Sharon Percy Rockefeller and Senator John Davison Rockefeller IV, 2022.32.1
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Duwawisioma (Victor Masayesva Jr.), Night and Day, 1993, gelatin silver print, oil paint, and paper, Corcoran Collection (Gift of Julia J. Norrell in honor of Paul Roth), 2016.22.160
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Cara Romero, Life in the West, 2022, inkjet print, Gift of Funds from Renée Harbers Liddell, 2024.45.1
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George Morrison, Untitled, 1961, oil on canvas, Gift of Funds from David M. Rubenstein, 2022.123.1
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Edgar Heap of Birds, Robert Franklin, Brandywine Workshop and Archives, Telling Many Magpies, Telling Black Wolf, Telling Hachivi, 1989, screenprint on two sheets of wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.20.a-b
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Linda Lomahaftewa, Robert Franklin, Brandywine Workshop and Archives, Parrots Prayer Song, 1989, color offset lithograph on wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.1
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Dakota Mace, Na’neel’Zhíín (Dark-Colored Barrier), 2023, inkjet print with glass beadwork, Gift of the Charina Endowment Fund in memory of Robert B. Menschel, 2024.23.3
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Sky Hopinka, O! Being here right now, not thinking of yesterday or the day before. But a long time ago last night aunty mentioned today and the rain falling and streaking against the upstairs window as Stacey and I looked down at the birch waiting to be climbed. This isn't the outside, and being here then felt more comfortable, in slicks and hoods, in boots and in our youth., 2020, inkjet print with hand-etched text, Gift of Funds from Sharon Percy Rockefeller and Senator John Davison Rockefeller IV, 2023.99.2
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Rick Bartow, Robert Franklin, Brandywine Workshop and Archives, Crow Dance, 1988, color offset lithograph on wove Arches paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.5
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Will Wilson, AIR: 2, 2004, inkjet print, Robert Menschel and the Vital Projects Fund and Gift of Funds from Peter Edwards and Rose Gutfeld, 2024.38.3
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Dakota Mace, Joe Mace-Diné Elder, 2021, inkjet print, Gift of the Charina Endowment Fund in memory of Robert B. Menschel, 2024.23.1
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Kaylynn Sullivan TwoTrees, Robert Franklin, Brandywine Workshop and Archives, Maka Wicasa, 1992, color offset lithograph with collage additions (feather, leather, and wheat) on wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.49
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Two vertically oriented, rectangular canvases are stacked over each other, and a dart board is affixed to the uppermost edge. The canvases are collaged with newspaper articles, headlines, black-and-white pamphlets, cartoons, comic books, illustrations of animals like chipmunks and buffalo, and a triangular pennant celebrating the “Washington Redskins” as “Super Bowl XXVI CHAMPIONS.” Streaks and drips of red paint create horizontal bands across the panels, separated by bands streaked in yellow. Text is visible throughout, including the title of the pamphlet, which repeats across the composition: “Community Service and Interest Courses/Workshop.” Headlines include “The Heist,” “For People Who Inherited Brains Instead of Wealth,” “Defying the Stereotypes,” and “Destroy The Myth.” The comic is titled “Son of Tomahawk,” and fliers are titled “Help Locate Handicapped Indian Children” and “2nd Annual Flathead Reservation Culture Fair.” One piece of blue fabric with white polka dots is along the bottom edge of the top panel and a piece of red fabric with white dots is along the bottom edge of the lower panel. The outer band of the dart board is smeared with red, and darts with red, blue, yellow, or green feathers line the upper perimeter of the board.
Jaune Quick-to-See Smith, Target, 1992, mixed media on canvas, Purchased with funds from Emily and Mitchell Rales, 2020.6.1
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Cara Romero, Oil Boom, 2015, printed 2023, inkjet print, Gift of Funds from Renée Harbers Liddell, 2024.45.2
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Ester Hernandez, Robert Franklin, Brandywine Workshop and Archives, Indigena, 1996, color offset lithograph on wove Somerset paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.21
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Fritz Scholder, Tamarind Institute, Lorillard Company, Bicentennial Indian, 1975, color lithograph on wove paper, Corcoran Collection (Gift of Lorillard Tobacco Company), 2015.19.2595
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Kay WalkingStick, Robert Franklin, Brandywine Workshop and Archives, The Onrush of Time, 1990, color offset lithograph on three sheets of wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.52.a-c
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