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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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    6th and Constitution Ave NW 
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    Only have an hour to spend?

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  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    3. Luke Vincent Lockwood
    Provenance

    Luke Vincent Lockwood

    American, 1872 - 1951

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    Shown from the knees up, a light-skinned man and woman are seated side-by-side on grassy rise in a landscape in this horizontal portrait painting. To our left, the man leans heavily toward the woman to our right, propped on one elbow near her hip. She sits upright, resting one hand over his forearm and wrist. The clean-shaven man looks at her with blue eyes under gray, arched brows. He has a straight nose, round cheeks, a hint of a double chin, and his pale pink lips are closed in a slight smile. He wears a forest-green coat, a white waistcoat embroidered with golden yellow, a white shirt and ruffled tie, and buff-colored breaches. His right hand, to our left, is propped loosely against his hip. Next to that hand, a green parrot stands with its wings lifted as it turns its head back over its body. The man’s other hand, near the woman, holds a long, wooden telescope. The woman looks off into the distance to our left with gray eyes. She has smooth cheeks, a delicate nose, and her pink lips also curl in a faint smile. A strand of pearls weaves through the brown hair loosely piled on her head and through the thick curls that fall over her shoulders. Her white dress is loosely draped around her body. An ocean-blue sash with gold stripes and fringe wraps around her waist, and a sprig of pink flowers is tucked into a fold at her neckline. She holds at least three peaches and a stem of leaves in her lap, and a spray of purple clover blossoms in her other hand, which rests lightly over the man’s forearm. A swath of white fabric, perhaps from her skirt, wraps up and over the man’s thigh, closer to her. Behind the woman, a tree grows on a low hill along the right edge of the canvas and off the top. The landscape opens into an expansive vista to our left with spindly trees growing in a low meadow that leads back to a body of water in the deep distance. Minuscule in scale, tiny boats and buildings line the water’s edge near the horizon. A few thin, silvery gray and petal-pink clouds skim across the pale blue sky.
    Charles Willson Peale, Benjamin and Eleanor Ridgely Laming, 1788, oil on canvas, Gift of Morris Schapiro, 1966.10.1

    Benjamin and Eleanor Ridgely Laming

    Benjamin and Eleanor Ridgely Laming

    Charles Willson Peale · 1788 · oil on canvas ·  Accession ID  1966.10.1

    Bibliography

    1951

    • The New York Times, 24 January 1951: 27 [obituary]

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