Provenance
Purchased in England by Gustave Dreyfus [1837-1914], Paris;[1] his heirs; purchased 1930 with the entire Dreyfus collection by (Duveen Brothers, Inc., London, New York, and Paris); sold September 1951 to the Samuel H. Kress Foundation, New York;[2] gift 1952 to NGA.
Exhibition History
- 1932
- Exhibition of Italian Renaissance Art, Wadsworth Atheneum and Morgan Memorial, Hartford, 1932, no. 7, as Madonna and Child by Andrea del Verrocchio.
- 1939
- Mostra di Leonardo da Vinci, Palazzo dell'Arte, Milan, 1939, unnumbered catalogue, as Attributed to Leonardo da Vinci or by Lorenzo di Credi.
- 1949
- Leonardo da Vinci Exhibition, Los Angeles County Museum, 1949, no. 15, as Madonna of the Pomegranate by Leonardo da Vinci.
- 2006
- Leonardo da Vinci. Die Madonna mit der Nelke, Alte Pinakothek, Munich, 2006, no. 8, repro.
- 2015
- Leonardo da Vince, 1452-1519: The Design of the World, Palazzo Reale, Milan, 2015, no. I.7, repro., as by Leonardo da Vinci.
- 2019
- Verrocchio: Master of Leonardo, Florence, Palazzo Strozzi and the Museo Nazionale del Bargello, Florence, 2019, no. 8.12, repro., as by Lorenzo di Credi (?).
- 2019
- Verrocchio. Sculptor and Painter of Renaissance Florence, National Gallery of Art, 2019-2020, no. 31, repro.
Bibliography
- 1901
- Venturi, Adolfo. Storia dell’arte italiana. 11 vols. Milan, 1901-1940: 7(1911): 783-784, as Workshop of Andrea del Verrocchio.
- 1903
- Berenson, Bernard. The Drawings of the Florentine Painters. 2 vols. London, 1903: 1:42-43.
- 1903
- Crowe, Joseph Archer, and Giovanni Battista Cavalcaselle. A History of Painting in Italy. 6 vols. Ed. Robert Langton Douglas (vols. 1-4) and Tancred Borenius (vols. 5-6). London, 1903-1914: 6:42 n.
- 1905
- Reinach, Salomon. Répertoire de peintures du moyen âge et de la Renaissance (1280-1580). 6 vols. Paris, 1905-1923: 4:305.
- 1907
- Gronau, Georg. “Credi.” and Dussler, Luitpold. “Verrocchio.” In Ulrich Thieme and Felix Becker, eds. Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. 37 vols. Leipzig, 1907-1950: 8(1913):75, as by Lorenzo di Credi; 34(1940):296, as Workshop of Andrea del Verrocchio.
- 1908
- Guiffrey, Jean. “La collection de M. Gustave Dreyfus. II. La peinture.” Les Artes, no. 73 (January 1908): 10, repro.
- 1909
- Berenson, Bernard. The Florentine Painters of the Renaissance, 3rd ed. London, 1909: 132.
- 1923
- Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 11(1929): 546-547, as by Andrea del Verrocchio; 13(1931):315, 320, as by Lorenzo di Credi under Verrocchio's influence.
- 1925
- Vaudoyer, Jean-Louis. “La Collection Gustave Dreyfus.” L’Amour de l’Art 6 (1925): 259.
- 1928
- Hevesy, André de. “Ein unbekanntes Bild aus Verrochios Werkstatt.” Pantheon 1, no. 1 (1928): 28, repro., as Workshop of Andrea del Verrocchio.
- 1928
- Sirén, Osvald. Léonard de Vinci, l’artiste et l’homme. 2 vols. Paris and Brussels, 1928: 1:21; 2:pl. 21A.
- 1929
- Suida, Wilhelm. Leonardo und sein Kreis. Munich, 1929: 15-17, as by Leonardo da Vinci.
- 1929
- Trombetti, Anna Maria. “Un nuovo disegno di Lorenzo di Credi per la Pala della Cappella Pappagalli nel Duomo di Pistoia.” Rivista d’Arte 11, no. 1 (1929): 210-211, fig. 4.
- 1930
- Valentiner, Wilhelm R. “Leonardo as Verrocchio’s Coworker.” The Art Bulletin 26, no. 1 (1930): 53-54, as "closely related to Leonardo."
- 1931
- Suida, Wilhelm. “Entgegnung.” Belvedere 10, nos. 7-8 (1931): 38.
- 1932
- Degenhart, Bernhard. “Di alcuni problemi di sviluppo della pittura nella bottega di Verrocchio, di Leonardo e di Lorenzo di Credi.” Rassegna d’arte 14, no. 3 (1932): 273-276, 290, fig. 8 (part 1); 14, no. 4 (1932): 404-405, 430-434 (part 2), as by Leonardo da Vinci (?).
- 1933
- Berenson, Bernard. “Verrocchio and Leonardo, Leonardo and Credi-II.” Bollettino d’arte 27, no. 6 (December 1933): 260-263, fig. 23.
- 1933
- Douglas, Robert Langton. Leonardo da Vinci. His “San Donato of Arezzo and the Tax Collector.” London, 1933: 8, 36, as by Leonardo da Vinci.
- 1933
- Venturi, Lionello. Italian Paintings in America. 3 vols. New York and Milan, 1933: 2:pl.239.
- 1935
- Bertini, Aldo. “L’Arte del Verrocchio.” L’Arte 38, no. 6 (November 1935): 470 n. 1.
- 1937
- Möller, Emil. “Leonardos Madonna mit der Nelke in der Älteren Pinakothek.” München Jahrbuch der bildinden Künste 12, nos. 1-2 (1937-1938): 27, fig. 19.
- 1938
- Berenson, Bernard. The Drawings of the Florentine Painters. 3 vols. Chicago, 1938: 1:66-68, 73.
- 1939
- “America as a Collector Nation Dramatized by Rich Da Vinci Loans.” Art Digest 13, no. 15 (1 May 1939): 12, repro.
- 1939
- Frankfurter, Alfred M. “European Postscript 1939.” Art News 38, no. 1 (7 October 1939): 8, repro.
- 1942
- Douglas, Robert Langton. “Leonardo and His Critics-I.” The Burlington Magazine 81, no. 475 (October 1942): 242-247, pl. IIA, as by Leonardo da Vinci.
- 1943
- Douglas, Robert Langton. “‘Leonardo and His Critics.’ To the Editor of the Burlington Magazine.” The Burlington Magazine 82, no. 478 (January 1943): 21, as by Leonardo da Vinci.
- 1943
- Suida, Wilhelm. “Leonardo’s Madonna of the Pomegranate.” The Burlington Magazine 82, no. 483 (June 1943): 155-156, as by Leonardo da Vinci.
- 1944
- Douglas, Robert Langton. Leonardo da Vinci. His Life and His Pictures. Chicago, 1944: 50-56, pls. IX-XII, as by Leonardo da Vinci.
- 1944
- Douglas, Robert Langton. “Leonardo’s Childhood.” The Burlington Magazine 85, no. 500 (1944): 265-266, fig. B, as by Leonardo da Vinci.
- 1949
- Valentiner, Wilhelm R. “Leonardo’s Early Life.” In Leonardo da Vinci. Loan Exhibition. Exh. cat., Los Angeles County Museum, Los Angeles, 1949: 56.
- 1949
- Valentiner, Wilhelm R. “Outlines of the Exhibition.” In Leonardo da Vinci. Loan Exhibition. Exh. cat., Los Angeles County Museum, Los Angeles, 1949: 16-17.
- 1950
- Valentiner, Wilhelm R. “On Leonardo’s Relation to Verrocchio. Part Two.” In Wilhelm R. Valentiner, ed. Studies in Renaissance Sculptures. London, 1950: 146-149, as begun by Leonardo da Vinci and finished by Lorenzo di Credi.
- 1952
- Castelfranco, Giorgio, ed. Mostra didattica leonardesca. Exh. cat., Ministero Pubblica Istruzione, Rome 1952: 157, no. 1, as by Lorenzo di Credi (?).
- 1954
- Heyendreich, Ludwig H. Leonardo da Vinci. 2 vols. New York and Basel, 1954: 1:31, 181; 2:iv, pl. 30, as possibly partly by Leonardo da Vinci.
- 1954
- Ragghianti, Carlo L. “Inizio di Leonardo. 3.” Critica d’arte, no. 4 (July 1954): 312, as by Leonardo da Vinci.
- 1956
- Frankfurter, Alfred. "Crystal Anniversary in the Capital." Art News 55, no. 1 (March 1956): 24, repro.
- 1956
- Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 198-201, no. 79, repro., as Circle of Verrocchio (Possibly Leonardo).
- 1956
- Walker, John. "The Nation's Newest Old Masters." The National Geographic Magazine 110, no. 5 (November 1956): 644, color repro. 649.
- 1957
- Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 14.
- 1959
- Clark, Kenneth. Leonardo da Vinci. An Account of His Development as an Artist. Rev. ed. Baltimore, 1959: 30.
- 1959
- Goldscheider, Ludwig. Leonardo da Vinci, Life and Work, Paintings and Drawings. London, 1959: 185, pl. 1a.
- 1959
- Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 65, repro., as Circle of Verrocchio (Possibly Leonardo).
- 1960
- Martini, Alberto. “Ipotesi leonardesca per la ‘Madonna’ Ruskin.” Arte Figurativa 8 (1960): 37.
- 1961
- Berenson, Bernard. I disegni dei pittori fiorentini, 3 vols. Milan, 1961: 1:112-115.
- 1961
- Walker, John, Guy Emerson, and Charles Seymour. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 40, color repro., as Circle of Verrocchio (Possibly Leonardo).
- 1962
- Cairns, Huntington, and John Walker, eds. Treasures from the National Gallery of Art. New York, 1962: 20, color repro., as Circle of Verrocchio (Possibly Leonardo).
- 1962
- Mack Bongiorno, Laurine. “A Fifteenth-Century Stucco and the Style of Verrocchio.” Allen Memorial Art Museum Bulletin 19, no. 3 (1962): 135.
- 1963
- Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:212. 2:pl.934, as Workshop of Andrea del Verrocchio.
- 1963
- Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 300, repro., as Circle of Verrocchio (Possibly Leonardo)
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 136, as Circle of Andrea del Verrocchio (Possibly Leonardo).
- 1966
- Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:56, color repro.
- 1966
- Dalli Regoli, Gigetta. Lorenzo di Credi. Milan, 1966: 113, 117, 197, as by Leonardo da Vinci.
- 1967
- Ottino della Chiesa, Angela. L’opera completa di Leonardo pittore. Milan, 1967: 90, cat. 8, as by Leonardo da Vinci.
- 1967
- Passavant, Günter. “Die Courtauld Institute Galleries.” Kunstchronik 20, no. 10 (October 1967): 318-319.
- 1967
- Shearman, John. “A Suggestion for the Early Style of Verrocchio.” The Burlington Magazine 109, no. 768 (March 1967): 127, fig. 17, as by Andrea del Verrocchio.
- 1968
- Grossman, Sheldon. “The Madonna and Child with a Pomegranate and Some New Paintings from the Circle of Verrocchio.” Report and Studies in the History of Art 2 (1968): 46-69, fig. 1, as Circle of Verrocchio (possibly Leonardo).
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 123, repro., as Circle of Andrea del Verrocchio (Possibly Leonardo).
- 1968
- Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 113-114, fig. 280.
- 1968
- Stites, Raymond S. “La Madonna del Melograno di Leonardo da Vinci.” Critica d’Arte 15, no. 93 (March 1968): 59-73, figs. 1-3, 5, 8 (part 1); 15, no. 97 (September 1968): 55-74, figs. 17, 34 (part 2), as by Leonardo da Vinci.
- 1969
- Grossman, Sheldon. "The Madonna and Child with a Pomegranate and Some New Paintings from the Circle of Verrocchio." Studies in the History of Art (1968-69):46-69, repro.
- 1969
- Passavant, Günter. Verrocchio. Sculptures, Paintings and Drawings. London, 1969: 210, cat. app. 42, as Workshop of Andrea del Verrocchio.
- 1969
- Zeri, Federico. “The Second Volume of the Kress Catalogue.” The Burlington Magazine 111, no. 796 (July 1969): 455, as "so close to Leonardo [that] only a final hesitation on the brink of such an exalted name prevents us from assigning [it] to him in person."
- 1970
- Stites, Raymond S., with M. Elizabeth Stites and Pierina Castiglione. The Sublimations of Leonardo da Vinci with a Translation of the Codex Trivulzianus. Washington, DC, 1970: 33, 53-55, fig. 26, as by Leonardo da Vinci.
- 1972
- Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 104, 322, 647, as by Leonardo da Vinci.
- 1973
- Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XVI-XVIII Century. London, 1973: 392, as Attributed to Leonardo da Vinci.
- 1974
- Fahy, Everett. “Review. Paintings from the Samuel H. Kress Collection: Italian Schools XII-XV Century by Fern Rusk Shapley; Paintings from the Samuel H. Kress Collection: Italian Schools XV-XVI Century by Fern Rusk Shapley; Early Italian Paintings in the Yale University Art Gallery by Charles Seymour; Italian Primitives: The Case History of a Collection and its Conservation by Charles Seymour.” Art Bulletin, vol. 56, no. 2 (1974): 285.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 366, repro., as Circle of Andrea del Verrocchio (Possibly Leonardo).
- 1975
- Ragghianti, Carlo L., and Gigetta Dalli Regoli. Firenze 1470-1480. Disegni dal modello. Pollaiolo, Leonardo, Botticelli, Filippino. Pisa, 1975: 15, 315, as by Leonardo da Vinci.
- 1975
- Wasserman, Jack. Leonardo. New York, 1975: 162, pl. 43, as Follower of Lorenzo di Credi.
- 1977
- Rosci, Marco. The Hidden Leonardo. Chicago, New York, and San Francisco, 1977: 29, 34, 180, fig. 10.
- 1979
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:531-534; 2:pl. 371.
- 1979
- Sutton, Denys. "Robert Langton Douglas. Part IV." Apollo 110 (July 1979): 45 [237], pl. XV, 46 [238], as School of Leonardo da Vinci.
- 1979
- Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 25, pl. 8.
- 1980
- Shore, Leslie, ed. Small Paintings of the Masters. New York, 1980: cat. 84.
- 1983
- Cadogan, Jean K. “Verrocchio’s Drawings Reconsidered.” Zeitschrfit für Kunstgeschichte 46, Bd., H. 4 (1983): 384-385.
- 1984
- Dalli Regoli, Gigetta. La preveggenza della vergine. Struttura, stile, iconografia nelle Madonna del Cinquecento. Pisa, 1984: 8, fig. 1, as by Leonardo da Vinci.
- 1984
- Scarpellini, Pietro. Perugino. Milan, 1984: 20, 59, 70, 306, fig. 9c.
- 1984
- Suida, Wilhelm. “Leonardo’s Activity as a Painter. A Sketch.” In A. Marazza, ed. Leonardo: Saggi e Ricerche. Rome, 1954: 316.
- 1984
- Vezzosi, Alessandro. Toscana di Leonardo. Florence, 1984: 22, fig. 16a.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 100, no. 66, color repro.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 424, repro.
- 1985
- Marani, Pietro C. ”Altre opere attribuite e derivazioni.” In Leonardo. La pittura. Florence, 1985: 222, as by Leonardo da Vinci.
- 1986
- Frulli, Cristina. "Leonardo da Vinci.” In Federico Zeri, ed. Pittura in Italia. 2 vols. Milan, 1986: 2:662-663, as by Leonardo da Vinci.
- 1988
- Clark, Kenneth. Leonardo da Vinci. An Account of His Development as an Artist. Rev. ed. with Intro. by Martin Kemp. London, 1988: 62.
- 1988
- Kecks, Ronald G. Madonna und Kind. Das häusliche Andachtsbild im Florenz des 15. Jahrhunderts. Berlin, 1988: 123, fig. 71, as Workshop of Andrea del Verrocchio.
- 1989
- Marani, Pietro C. Leonardo. Catalogo completo. Florence, 1989: 28-29, 39-40, as by Leonardo da Vinci.
- 1990
- Joannides, Paul. “Leonardo and Tradition.” In Francis Ames Lewis, ed. Nine Lectures on Leonardo da Vinci. London, 1990: 27, as by Andrea del Verrocchio.
- 1991
- Adorno, Piero. Il Verrocchio. Nuove proposte nella civilità artistica del tempo di Lorenzo il Magnifico. Florence, 1991: 257, as Workshop of Andrea del Verrocchio.
- 1992
- Marani, Pietro C. “Leonardo in Venice and the Veneto. Documents and Evidence.” In Leonardo and Venice. Exh. cat. Palazzo Grassi, Venice, 1992: 29, 34, as by Leonardo da Vinci.
- 1992
- Marani, Pietro C. “Tracce ed elementi verrocchieschi nella tarda produzione grafica e pittorico di Leonardo.” In Stephen Bule, et. al., eds. Verrocchio and Late Quattrocento Italian Sculpture. Florence, 1992: 142, as by Leonardo da Vinci.
- 1992
- Padoa Rizzo, Anna. “Il tironcinio dell’artista: la bottega come luogo di formazione.” In Mina Gregori, Antonio Paolucci and Cristina Acidini Luchinat, eds. Maestri e botteghe: pittura a Firenze alla fine del Quattrocento. Exh. cat. Palazzo Strozzi, Florence, 1992: 56, 71, as by Leonardo da Vinci.
- 1992
- Shell, Janice. Leonardo. London, 1992: 14, 17, fig. 7, as by Leonardo da Vinci.
- 1992
- Venturini, Lisa. “Modelli fortunati e produzioni di serie.” In Mina Gregori, Antonio Paolucci and Cristina Acidini Luchinat, eds. Maestri e botteghe: pittura a Firenze alla fine del Quattrocento. Exh. cat. Palazzo Strozzi, Florence, 1992: 148, as by Leonardo da Vinci.
- 1993
- Gagliardi, Jacques. La conquête de la peinture: L’Europe des ateliers du XIIIe au XVe siècle. Paris, 1993: 625, fig. 787, as by Leonardo da Vinci.
- 1993
- Nuttall, Paula. “‘Fecero al Cardinale di Portogallo una tavola a olio’: Netherlandish influence in Antonio and Piero Pollaiuolo’s San Miniato altarpiece.” Nederlands Kunsthistorisch Jaarboek / Netherlands Yearbook for History of Art 44 (1993): 122, as by Andrea del Verrocchio.
- 1994
- Marani, Pietro C. Leonardo. Milan, 1994: 10, 12-13, 26, 146, cat. 1, as by Leonardo da Vinci.
- 1994
- Venturini, Lisa. Francesco Botticini. Florence, 1994: 42, as by Leonardo da Vinci.
- 1995
- Weber, Gregor J. M. “Ein Gemälde Leonardos für Dresden? Der Ankauf eines Madonnenbildes von Lorenzo di Credi im Jahr 1860.” Dresdener Kunstblätter 39, no. 6 (1995): 170-171, repro., as Workshop of Andrea dei Verrocchio (maybe Leonardo da Vinci)
- 1996
- Vezzosi, Alessandro. Leonardo da Vinci: Arte e scienza dell’universo. Milan, 1996: 27, repro., as by Leonardo da Vinci.
- 1996
- Wiemers, Michael. Bildform und Werkgenese. Studien zur zeichnerischen Bildvorbereitung in der italienischen Malerei zwischen 1450 und 1490. Munich and Berlin, 1996: 152-153, fig. 138.
- 1997
- Arasse, Daniel. Léonard de Vinci. Le rythme du monde. Paris, 1997: 334-336, as by Leonardo da Vinci.
- 1997
- Butterfield, Andrew. The Sculptures of Andrea del Verrocchio. New Haven and London, 1997: 196-197, fig. 269.
- 1998
- Bartoli, Roberta. “La palestra del Verrocchio.” In Antonio Natali, ed. Lo sguardo degli angeli: Verrocchio, Leonardo e il “Battesimo di Cristo”. Florence, 1998: 26.
- 1998
- Brown, David Alan. Leonardo da Vinci: Origins of a Genius. New Haven and London, 1998: 157-160.
- 1998
- Hohenstatt, Peter. Leonardo da Vinci. Germany, 1998: figs. 18, 21, as by Leonardo da Vinci (?).
- 1998
- Vecce, Carlo. Leonardo. Rome, 1998: 49, pl. 9, as by Leonardo da Vinci (?).
- 1999
- Freedman, Luba. “The Madonna’s Brooch as an Allusion to Verrocchio’s Name.” Studies in Art History 4 (1999): 148, fig. 6, as Workshop of Andrea del Verrocchio
- 1999
- Marani, Pietro C. Leonardo: una carriera di pittore. Milan, 1999: 18-22, 88, cat. 1, as by Leonardo da Vinci.
- 2000
- Cadogan, Jean. Domenico Ghirlandaio: Artist and Artisan. New Haven and London, 2000: 60-61, 247, fig. 57.
- 2001
- Fornasari, Liletta. "Andrea del Verrocchio e le botteghe toscane: l'atelier del Rinascimento." In Liletta Fornasari, ed. Leonardo e dintorni: il Maestro, le botteghe, il territorio. Exh. cat. Palazzo del Comune, Arezzo, 2001: 44, as by Leonardo da Vinci.
- 2001
- Starnazzi, Carlo. "Naturalismo e simbolismo nei paesaggi di Leonardo: dai capolavori di bottega alla Gioconda." In Liletta Fornasari, ed. Leonardo e dintorni: il Maestro, le botteghe, il territorio. Exh. cat. Palazzo del Comune, Arezzo, 2001: 121, 122 repro., as by Leonardo da Vinci.
- 2003
- Boskovits, Miklós, David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, 2003: 422-427, color repro.
- 2003
- Dalli Regoli, Gigetta. L’attribuzione dell’opera d’arte. Itinerari di ricerca fra dubbi e certezze. Pisa, 2003: 18, 37 n. 27, as by Leonardo da Vinci.
- 2004
- Nuttall, Paula. From Flanders to Florence: The Impact of Netherlandish Painting, 1400-1500. New Haven and London, 2004: 234, fig. 258, as Workshop of Andrea del Verrocchio (Lorenzo di Credi?).
- 2005
- Tambini, Anna. “Osservazioni sulla ‘Madonna del sangue’ di Portico di Romagna e sul Maestro di Marradi.” Romagna Arte e Storia 25 (2005): 7-9, 12, 14-15, fig. 2, as Workshop of Andrea del Verrocchio (Leonardo or Lorenzo di Credi).
- 2006
- Fahy, Everett. "Early Italian paintings in Washington and Philadelphia." The Burlington Magazine 148, no. 1241 (August 2006): 539-540, as "probably Leonardo's earliest surviving painting."
- 2009
- Schumacher, Andreas, et al. Botticelli: Likeness, Myth, Devotion. Exh. cat. Städel Museum, Frankfurt am Main, 2009: 276, fig. 146.
- 2010
- Dunkerton, Jill, and Luke Syson. “In Search of Verrocchio the Painter: The Cleaning and Examination of ‘The Virgin and Child with Two Angels’.” National Gallery Technical Bulletin 31 (2010): 40 n. 96.
- 2011
- Dunkerton, Jill. “Leonardo in Verrocchio’s Workshop: Re-examining the Technical Evidence.” National Gallery Technical Bulletin 32 (2011): 20.
- 2018
- Schumacher, Andreas, ed. Florence and its Painters: From Giotto to Leonardo da Vinci. Exh. cat. Alte Pinakothek, Munich, 2018: 256.
- 2018
- Valagussa, Giovanni, ed. Accademia Carrara, Bergamo. Dipinti italiani del Trecento e del Quattrocento: Catalogo completo. Milan, 2018: 66, fig. 1.
- 2019
- Dalli Regoli, Gigetta. “Verrocchio, il maestro di Leonardo.” Critica d’Arte 77, no. 1-2 (2019): 133, as by Leonardo da Vinci.
- 2019
- De Marchi, Andrea. "Le geometrie luminose di Verrocchio pittore e le loro diffrazioni a Firenze sul 1470, tra Leonardo, Ghirlandaio e Perugino." In Francesco Caglioti and Andrea De Marchi, eds. Verrocchio, il maestro di Leonardo . Exh. cat. Palazzo Strozzi and Museo Nazionale del Bargello, Florence, 2019: 58.
- 2019
- Vignon, Charlotte. Duveen Brothers and the Market for Decorative Arts, 1880-1940. New York, 2019: 243.
- 2020
- Ito, Takuma. “Ghirlandaio brothers reconsidered: The Master of the Saint Louis Madonna as the young Benedetto Ghirlandaio.” Journal of the Warburg and Courtauld Institutes 83 (2020): 95, fig. 8, as by Lorenzo di Credi (?).
- 2021
- Dalli Regoli, Gigetta. "Codicillo vinciano. A Leonardo quel che è di Leonardo..." Finestre sull'Arte. Rivista online d'arte antica e contemporanea (30 January 2021): fig. 3, as by Leonardo da Vinci.
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