Skip to Main Content

Provenance

Cav. Gualtiero Kennedy Laurie, Florence, by 1859.[1] William Blundell Spence [1814-1900], Florence.[2] (Haskard and Co., Florence) on joint account with (Charles Fairfax Murray, London and Florence), for (Thomas Agnew & Sons, Ltd., London);[3] purchased 15 August 1897 by Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsyvlania;[4] inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA.

Exhibition History

1861
Catalogo della Esposizione di oggetti d'arte del Medio Evo e dell'epoca del Risorgimento dell'arte, fatta in Firenze in Casa Guastalla, Florence, 1861, Room I, no. 18.

Bibliography

1900
Catalogue of Paintings Forming the Private Collection of P. A. B. Widener. Ashbourne, near Philadelphia. II: Early English and Ancient Paintings. Paris, 1900: cat. 200, repro.
1901
Venturi, Adolfo. Storia dell’arte italiana. 11 vols. Milan, 1901-1940: 7(1911):430 n. 1.
1909
Berenson, Bernard. The Florentine Painters of the Renaissance, 3rd ed. London, 1909: 115.
1916
Berenson, Bernard, and William Roberts. Pictures in the Collection of P.A.B. Widener at Lynnewood Hall, Elkins Park, Pennsylvania: Early Italian and Spanish Schools. Philadelphia, 1916: unpaginated, repro.
1919
Collection of Medieval and Renaissance Paintings. Fogg Art Museum. Cambridge, MA, 1919: 65.
1923
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 11(1929):216 n. 1.
1923
Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1923: unpaginated, repro.
1930
Hoogewerff, Godefridus Johannes. Benozzo Gozzoli. Paris, 1930: 93.
1931
Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1931: 142, repro.
1932
Berenson, Bernard. Italian Pictures of the Renaissance. Oxford, 1932: 264.
1936
Berenson, Bernard. Pitture italiane del rinascimento. Milan, 1936: 226.
1938
Waldmann, E. "Die Sammlung Widener." Pantheon 22 (November 1938): 340.
1942
Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 5.
1948
Paintings and Sculpture from the Widener Collection. National Gallery of Art, Washington, 1948 (reprinted 1959): 8, repro.
1963
Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:97.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 61.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 54, repro.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 25, 646.
1972
Padoa Rizzo, Anna. Benozzo Gozzoli pittore fiorentino. Florence, 1972: 88, 148, pl. 229.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 160, repro.
1979
Fleming, John. "Art Dealing in the Risorgimento, 3." The Burlington Magazine 121, no. 918 (1979): 579.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:228-229; 2:pl. 155.
1980
Padoa Rizzo, Anna. “Note su un ‘San Gerolamo penitente’ di Benozzo.” Antichità Viva 19, no. 3 (1980): 15, as by Benozzo Gozzoli and Alesso di Benozzo.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 90, no. 53, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 186, repro.
1987
Pope-Hennessy, John, and Laurence B. Kanter. The Robert Lehman Collection. Vol. 1: Italian Paintings. New York, 1987: 186, as by Benozzo Gozzoli and the Alunno di Benozzo (i.e. Alesso di Benozzo).
1989
Padoa Rizzo, Anna. Arte e committenza a Pistoia alla fine del XV secolo: Benozzo Gozzoli e i figli Francesco e Alesso. Nuove Ricerche. Pistoia, 1989: 12-13, 25.
1992
Acidini, Cristina. “Le pitture murali.” In Cristina Acidini, ed. I restauri nel Palazzo Medici Riccardi. Rinascimento e Barocco. Cinisello Balsamo (Milan), 1992: 15.
1992
Bernacchioni, Annamaria. “Le botteghe di pittura: Luoghi, strutture e attività.” In Mina Gregori, Antonio Paolucci and Cristina Acidini Luchinat, eds. Maestri e botteghe: pittura a Firenze alla fine del Quattrocento. Exh. cat. Palazzo Strozzi, Florence, 1992: 116-117.
1992
Padoa Rizzo, Anna. Benozzo Gozzoli. Catalogo completo. Florence, 1992: 19, 141, 143, cat. 75, as by Benozzo Gozzoli and Alesso di Benozzo.
1992
Padoa Rizzo, Anna. “Il tironcinio dell’artista: la bottega come luogo di formazione.” In Mina Gregori, Antonio Paolucci and Cristina Acidini Luchinat, eds. Maestri e botteghe: pittura a Firenze alla fine del Quattrocento. Exh. cat. Palazzo Strozzi, Florence, 1992: 94.
1994
Acidini, Cristina. Benozzo Gozzoli. Florence and New York, 1994: 70, 77, fig. 109.
1996
Ahl, Diane Cole. Benozzo Gozzoli. New Haven, 1996: 198, 199, 266, pl. 248, as by Benozzo Gozzoli and Alesso di Benozzo.
1996
Padoa Rizzo, Anna. “Arte a Pistoia nel Quattrocento.” In Chiara d’Afflitto, Franca Falletti, and Andrea Muzzi, eds. L’Età di Savonarola: Fra’ Paolino e la pittura a Pistoia nel primo ‘500. Exh. cat. Palazzo Comunale, Pistoia, 1996: 48.
1997
Padoa Rizzo, Anna, ed. Arte e committenza in Valdelsa e Valdera: con Benozzo, catalogo di un itinerario pittorico. Florence, 1997: 45, 156, 157, repro., as by Benozzo Gozzoli and Alesso di Benozzo.
2001
Bagemihl, Rolf. “Reflections on Nicolas Froment’s Uffizi Altarpiece.” In Andrew Ladis and Shelley E. Zuraw, eds. Visions of Holiness: Art and Devotion in Renaissance Italy. Athens, GA, 2001: 182, fig. 2.
2001
Nessi, Silvestro. Benozzo Gozzoli. La vita - Le opere. Perugia, 2001: 61.
2002
Capitelli, Giovanna, and Graziano Alfredo Vergani. Benozzo Gozzoli: A growing workshop. Milan, 2002: 63.
2002
Padoa Rizzo, Anna. “Una lunga vita operosa.” In Bruno Toscano and Giovanni Capitelli, eds. Benozzo Gozzoli allievo a Roma, maestro in Umbria. Exh. cat. Chiesa – Museo di San Francesco, Montefalco, 2002: 37.
2002
Quodbach, Esmée. "The Last of the American Versailles: The Widener Collection at Lynnewood Hall." Simiolus 29, no. 1/2 (2002): 94.
2003
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 352-356, color repro.
2003
Mencarelli, Rosaria. “La carriera di Benozzo Gozzoli.” In Matteo Ceriana, Valentina Maderna, and Cristina Quattrini, eds. Brera mai vista. Il colore di Benozzo Gozzoli: Due predelle della Pinacoteca di Brera. Exh. cat. Pinacoteca di Brera, Milan, 2003: 41.
2003
Padoa Rizzo, Anna. Benozzo Gozzoli. Un pittore insigne, “pratico di grandissima invenzione”. Milan, 2003: 253, 257, 262, fig. 5, as by Benozzo Gozzoli and Alesso di Benozzo.
2005
Kanter, Laurence, and Pia Palladino. Fra Angelico. Exh. cat. Metropolitan Museum of Art, New York, 2005: 310.
2021
Bertini, Stefania, and Alice Vignoli. "Benozzo Gozzoli. Vita e opere maggiori." In Serena Nocentini and Valentina Zucchi, eds. Benozzo Gozzoli e la Cappella dei Magi. Exh. cat. Palazzo Medici Riccardi, Florence, 2021: 91.
2022
Acidini, Cristina, et al., eds. Maddalena: il mistero e l’immagine. Exh. cat. Musei San Domenico, Forlì, 2022: 420.
2023
Tartuferi, Angelo. “Piero del Pollaiolo, Sant’Antonino ai piedi del Crocifisso: una nuova leggibilità per un capolavoro d’arte e di devozione.” Quaderni del Museo di San Marco, no. 5 (2023): 37 n. 29.

Related Content

  • Sort by:
  • Results layout:
Show  results per page
The image compare list is empty.