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Albert Marquet

Posters at Trouville, 1906

Not on View

Medium

oil on canvas

Dimensions

overall: 65.09 × 81.28 cm (25 5/8 × 32 in.)

framed: 91.12 × 106.68 × 7.62 cm (35 7/8 × 42 × 3 in.)

Credit Line

Collection of Mr. and Mrs. John Hay Whitney

Accession Number

1998.74.1

Artists / Makers

Albert Marquet (painter) French, 1875 - 1947

Image Use

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Inscription

lower right: marquet

Provenance

Charles Auguste Girard, Paris, by 1950.[1] Collection Rottembourg-Roncey, Paris, by 1957 until at least 1967.[2] (Philippe Reichenbach, Geneva); sold 1970 to (Walter Feilchenfeldt, Zurich); sold 26 May 1971 through John Rewald to Mr. and Mrs. John Hay Whitney, New York;[3] gift 1998 to NGA.

[1] The painting was lent by Girard to the 1950 Venice Biennale and possibly to the 1948 exhibition in Zurich.

[2] The painting was published in Bernard Dorival, "Les Affiches à Trouville," La Revue des Arts (September-October 1957): 225, and in Joseph-Emile Muller, Fauvism, New York, 1967: no. 117, as being in the Rottembourg-Roncey collection.

[3] See letter from Walter Feilchenfeldt dated 21 October 2000, in NGA curatorial files.

Associated Names

Feilchenfeldt, Walter M.
Girard, Charles Auguste
Reichenbach, Philippe
Rottembourg-Roncey
Whitney, John Hay
Whitney, John Hay, Mrs.

Exhibition History

1946: Cent Chefs-d'Oeuvre des Peintres de l'Ecole de Paris, Galerie Charpentier, Paris, 1946, no. 50

1948: Albert Marquet 1875-1947, Kunsthaus Zürich, 1948, no. 26

1950: Les Fauves und die Zeitgenossen, Kunsthalle Bern, 1950, no. 84

1950: XXV Biennale di Venezia, 1950, no. 33

1951: Le Fauvisme, Musée National d'Art Moderne, Paris, 1951, no. 85

1957: Depuis Bonnard, Musée Nationale d'Art Moderne, Paris, 1957, no. 120, repro.

1962: Les Fauves, Galerie Charpentier, Paris, 1962, no. 81.

1975: Albert Marquet, Galerie des Beaux-Arts, Bordeaux; Orangerie des Tuileries, Paris, 1975-1976, no. 34, repro.

1978: Aspects of Twentieth-Century Art, National Gallery of Art, Washington, D.C., 1978-1979, no. 38, repro.

1983: The John Hay Whitney Collection, National Gallery of Art, Washington, D.C., 1983, no. 47, repro.

1990: The Fauve Landscape, Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; The Royal Academy of Arts, London, 1990, repro.

1998: Gifts to the Nation from Mr. and Mrs. John Hay Whitney, National Gallery of Art, Washington, D.C., 1998-1999, no catalogue.

2004: Fauve Painting from the Permanent Collection, National Gallery of Art, Washington, D.C., 2004-2005, no catalogue.

2012: The Draw of the Normandy Coast, 1860-1960, Portland Museum of Art, Maine, 2012, unnumbered catalogue, fig. 16.

2013: Matisse and the Fauves, Albertina, Vienna, 2013-2014, no. 62, repro.

2014: Matisse and Friends: Selected Masterworks from the National Gallery of Art, Denver Art Museum, 2014-2015, no catalogue.

2016: Albert Marquet: Peintre du Temps Suspendu, Musée d'Art Moderne de la Ville de Paris, 2016, no. 17, repro.

Bibliography

1949: Duthuit, Georges. Les Fauves. Geneva, 1949:75, repro.

1957: Dorival, Bernard. "Les Affiches à Trouville de Raoul Dufy." La Revue des Arts, Musées de France 7 no. 5 (September-October 1957):225+, repro;

1959: Leymarie, Jean. Fauvism. New York, 1959:100, repro.

1967: Muller, Joseph-Emile. Fauvism. New York, 1967: 118, repro.

1998: "The Whitney Bequest at the National Gallery of Art, Washington, DC: A collection of Fauves for the nation." Apollo (October 1998):repro.