Charles Dempsey, professor of Italian Renaissance and Baroque art, The Johns Hopkins University In this podcast recorded on November 14, 2004, as part of the Sydney J. Freedberg Lecture on Italian Art series, Charles Dempsey argues that Lombard colorism exemplified by Correggio and Garofalo--ought to be considered the third Italian Renaissance. Giorgio Vasari's 16th-century account of Renaissance and High Renaissance art as bipolar opposites--Renaissance art as the perfect union of Florentine disegno with the legacy of classical art in Rome and High Renaissance art prominent in Venice as a naturalistic style deficient in disegno but worthy in its color-led the art of the Lombard Plain to be unsatisfactorily assimilated into the general history of the period. Dempsey explains that paintings by the Carracci demonstrate their recognition of all three Renaissance styles. In combining these styles, the Carracci made a reform of painting that led to baroque art in the 17th century.