Inscription
lower left: Jackson Pollock '50
Provenance
Purchased 1951 from the artist through (Betty Parsons Gallery, New York) by Edward F. Dragon and Alfonso A. Ossorio [1916-1990], East Hampton, New York; purchased 1976 through (Thomas Gibson Fine Art Ltd., London) by NGA.
Exhibition History
- 1950
- Jackson Pollock Exhibition, Betty Parsons Gallery, New York, 1950.
- 1961
- Jackson Pollock, Kunsthaus, Zurich, 1961, no. 8, repro.
- 1967
- Jackson Pollock, The Museum of Modern Art, New York, 1967, no. 45, repro.
- 1978
- American Art at Mid-Century: The Subjects of the Artist, National Gallery of Art, Washington, 1978.
- 1982
- Jackson Pollock, Centre Georges Pompidou, Paris, 1982, no. 264, repro.
- 1996
- Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline, Solomon R. Guggenheim Museum, New York, 1996, fig. 106.
- 1998
- Jackson Pollock, Museum of Modern Art, New York; Tate Britain, London, 1998-1999, no. 174, repro.
- 2013
- Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet, The Phillips Collection, Washington; Parrish Art Museum, Water Mill, New York, 2013, no. 4, repro. (shown only in Washington).
- 2014
- Make it New: Abstract Paintings from the National Gallery of Art, 1950-1975, Sterling and Francine Clark Art Institute, Williamstown, 2014, no. 4, repro..
Bibliography
- 1959
- O'Hara, Frank. Jackson Pollock. New York, 1959:26, repro. 53
- 1960
- Robertson, Bryan. Jackson Pollock. New York, 1960: 20, repro.
- 1962
- Ashton, Dore. The Unknown Shore: A View of Contemporary Art. Boston, 1962: repro. 125
- 1965
- Sawyer, Kenneth B. "The Artist as Collector: Alfonso Ossorio." Studio International 196, no. 863 (March 1965):109
- 1971
- Plessix, Francine du. "Opulence and Discrimination: Alfonso Ossorio." in Lipman, Jean, ed. The Collector in America. New York, 1971:202, repro.
- 1973
- Johnson, Ellen. "Jackson Pollock and nature." Studio International 185, no. 956: 262, repro.
- 1974
- Blake, Peter. "Ossorio." Architecture Plus. 2, no. 1 (January/February 1974):68, repro.
- 1977
- Richard, Paul. "The Field Painting As a Metaphor For the Mind of Modern Man." The Washington Post. (May 29, 1977): E2, repro.
- 1978
- King, Marian. Adventures in Art: National Gallery of Art, Washington, D.C. New York, 1978: 116, pl. 75., as Lavender Mist.
- 1979
- Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 134, pl. 120.
- 1980
- American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1980: 210, repro.
- 1980
- Rosenzweig, Phyllis. The Fifties: Aspects of Painting in New York. Washington, DC:13, repro.
- 1980
- Wilmerding, John. American Masterpieces from the National Gallery of Art. National Gallery of Art, Washington, D.C., 1980: 18, 19, no. 63, color repro.
- 1981
- Williams, William James. A Heritage of American Paintings from the National Gallery of Art. New York, 1981: color repro. 222, detail 232,
- 1982
- Hughes, Robert. "An American Legend in Paris." Time (1 February 1982): 70-71, repro. [exhibition review]
- 1982
- Wilson, Simon. "Jackson Pollock at the Beaubourg." The Burlington Magazine (May 1982): 316.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 614, no. 949, color repro.
- 1988
- Wilmerding, John. American Masterpieces from the National Gallery of Art. Rev. ed. National Gallery of Art, Washington, D.C., 1988: 192, no. 73, color repro.
- 1991
- Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 263, color repro.
- 1992
- American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1992: 263, repro.
- 1992
- Fiero, Gloria K. The Global Village of the Twentieth Century The Humanistic Tradition 6. 1st ed. [7th ed. 2015] Dubuque, Iowa, 1992: 89, repro.
- 1992
- National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 266, repro.
- 1997
- Hughes, Robert. American Visions: The Epic History of Art in America. New York, 1997: 486-487, color fig. 287.
- 2000
- Torres, Louis and Michelle Marder Kamhi. What Art Is: The Esthetic Theory of Ayn Rand. Peru, Illinois, 2000: 407, nt. 159.
- 2004
- Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 436-439, no. 360, color repros.
- 2009
- Cooper, Harry. The Robert and Jane Meyerhoff Collection: Selected Works. Exh. cat. National Gallery of Art, Washington, D.C., 2009: 7.
- 2009
- Gariff, David, Eric Denker, and Dennis P. Weller. The World's Most Influential Painters and the Artists They Inspired. Hauppauge, NY, 2009: 172-173, color repro.
- 2010
- Monet y la abstracción. Exh. cat. Museo Thyssen-Bornemisza, Madrid, 2010: 33, 34 fig. 16.
- 2022
- Conservation Division's Fiftieth Anniversary Committee. "Innovation and Collaboration: Fifty Years of Conservation at the National Gallery." Art for the Nation no. 66 (Fall 2022): 14-15, fig.16-17.
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