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Provenance

Don Bartola Bremuda, near Brescia, Italy. (Count Alessandro Contini Bonacossi, Florence and Rome);[1] sold 1950 to the Samuel H. Kress Foundation, New York;[2] gift 1961 to NGA.

Exhibition History

1998
Die Nacht [The Night], Haus der Kunst, Munich, 1998-1999, no. 9, repro.
2018
Titian and Sixteenth-Century Painting in Venice and Brescia, Museo di Santa Giulia, Brescia, 2018, no. 51, repro.

Bibliography

1951
Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1945-1951. Introduction by John Walker, text by William E. Suida. National Gallery of Art, Washington, 1951: 275, no. 128, as The Adoration of the Child.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 121, as The Adoration of the Child.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 108, repro., as The Adoration of the Child.
1968
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 90-91, fig. 217.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 322, repro.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:420; 2:pl. 300, as Attributed to Savoldo.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 369, repro.

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