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May 16, 2025

Almost two dozen men, women, and children stand in a street market in this horizontal painting. The people all appear to have pale skin, though a few of the women’s faces are tinged with green. The men are bearded and wear coats and the women long skirts or dresses in shades of rust brown, sage green, slate blue, and brick red. Baskets holding green goods along the foreground closest to us are loosely painted so details are indistinct. A screen of two- and three-story buildings on the far side of a town square are painted with golden yellow and honey orange. The outlines of skyscrapers beyond are hazy against a cloud-streaked, blue sky. The artist signed and dated the painting in the lower right corner, “JEROME MYERS 1931.”
Talks & Conversations

The Art of Looking: Jerome Myers, Life on the East Side

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Registration Required

May 17, 2025

The wall-sized, horizontal sculpture consists of black rubber tires and tubing that has been sliced, stripped, woven, looped, twisted and otherwise manipulated into an expressive and abstract high-relief tableau.
Talks & Conversations

Gallery Talk: Chakaia Booker

East Bldg, Central Atrium

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A man and a woman looking into each other's eyes with serious expressions on their faces.
Talks & Conversations

Gallery Talk—Elizabeth Catlett: A Black Revolutionary Artist

East Bldg, Central Atrium

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May 18, 2025

Birds either standing or flying, a monkey, and two trees.
Talks & Conversations

Little Beasts: Art, Wonder, and the Natural World

East Bldg, Auditorium

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Registration Required

June 6, 2025

A very young visitor looking through a children's book in the National Gallery's East Building.
Talks & Conversations

Storytime: Daddy / Papi

East Bldg, Central Atrium

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The wall-sized, horizontal sculpture consists of black rubber tires and tubing that has been sliced, stripped, woven, looped, twisted and otherwise manipulated into an expressive and abstract high-relief tableau.
Talks & Conversations

Gallery Talk: Chakaia Booker

East Bldg, Central Atrium

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We look slightly down into a lime-green and white rowboat carrying a woman holding a baby and a man in this nearly square painting. The man wears midnight-blue shoes, pants, jacket, and soft, floppy cap. He sits with his back to us, bending forward to row the boat, which is cropped by the bottom edge of the canvas. The left side of his ruddy face is visible over his left shoulder. The woman and baby both have pale skin. The woman and baby sit across from the man, facing us to our left in the bow. The woman’s long-sleeved, sky-blue dress is crosshatched with pink lines. The baby leans back in the woman’s arms, and wears a pink dress, blue socks, and brown shoes. The wide-brimmed hats on both the woman and baby are painted pale celery green. They gaze toward or just past the man. The corner of the boat’s sail, also painted pale green, is pulled taunt by the wind to our left. Azure-blue water surrounds the boat up to the high horizon line, which brushes the top edge of the painting. The shoreline in the distance is lined with trees and dotted with white houses with red roofs.
Talks & Conversations

The Art of Looking: Mary Cassatt, The Boating Party

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Registration Required

A sculpture of a woman holding a small child in her lap.
Talks & Conversations

The Sculpture of Elizabeth Catlett

East Bldg, Auditorium

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Registration Required

June 7, 2025

Festivals

First Saturdays

Each month, join us for a fun and relaxed experience featuring art making, films, and a variety of special pop-up activities. All activities are free, and most are first come, first served. Some activities require registration. Learn More about First Saturdays

10:00 a.m. - 11:00 a.m.

A very young visitor looking through a children's book in the National Gallery's East Building.
Talks & Conversations
Storytime: Daddy / Papi

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East Bldg, Central Atrium

June 20, 2025

More than a dozen light-skinned men, women, and children eat, drink, talk, and make music around a dancing couple under an arbor in this horizontal painting. Most of the people are dressed in muted tones of green, gray, and black. The patio-like space is enclosed by a railing along the back and a half wall to our right. Sage-green vines and leaves covering the roof-like trellis hang down. Ten men and women sit or stand closely around a long table along the left, next to the exterior wall of a red brick building. A woman sitting in a wooden chair at the end of the table closest to us wears a flax-yellow gown with a wide white collar and a starched white cap. She smiles up at the child she braces in her lap. The child stands and holds a toy in both hands and looks over one shoulder to our right. The child wears a carrot-orange gown with a white pinafore. Two men lean out of open windows at the far end of the brick building, and the people along the table drink, smile, or look on as a man in the center leads a woman by the hand to an open spot under the arbor. He wears a charcoal-gray suit, and a muted pink cap is pulled low over his eyes. He has a long, hooked nose, and light glints off teeth in his smiling mouth. The woman is pulled behind the man, so she stands flat-footed to our left of him. She faces our right but turns to looks at us from the corners of her dark eyes. Her light brown hair is gathered at the back of her head under a pearl-lined covering. She wears a dusty rose-pink gown with a sheer black shawl around her shoulders and white apron at her waist. Beyond the back rail, a man smiles widely as he balances a covered basket containing a gray chicken with one hand on his head. Nearby, a boy on our side of the rail talks with a little girl across the railing, who smiles back. Two men and a woman wearing a black head covering talk a short distance away. Close to us, a man, woman, and child in the lower right corner sit near two young men perched on the half wall, one playing a violin and the other a flute. A gleaming pewter ewer, a wooden barrel with a square opening, a white pipe, a terracotta bowl, broken eggs, a spoon, and an overturned pail of flowers lie scattered across the foreground of the patio. The artist signed and dated the lower left, “JSteen. 1663,” with the J and S overlapping.
Talks & Conversations

The Art of Looking: Jan Steen, The Dancing Couple

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Registration Required

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