Inscription
lower right: Claude Monet 1903
Provenance
From the artist to (Durand-Ruel, Paris); sold 1904 to Edmond Décap, Paris;[1] by inheritance to Maurice Barret-Décap, Paris and Biarritz; (his sale, Hôtel Drouot, Paris, 12 December 1929, no. 8); purchased by Chester Dale [1882-1962], New York; bequest 1963 to NGA.
Exhibition History
- 1904
- Vues de la Tamise à Londres, Durand-Ruel, Paris, 1904, no. 29
- 1943
- Paintings from the Chester Dale Collection, Philadelphia Museum of Art, 1943-1951, unnumbered cat., repro.
- 1965
- The Chester Dale Bequest, National Gallery of Art, Washington, D.C., 1965, unnumbered checklist.
- 2010
- From Impressionism to Modernism: The Chester Dale Collection, National Gallery of Art, Washington, January 2010-January 2012, unnumbered catalogue, repro.
Bibliography
- 1939
- Venturi, Lionello. Les archives de l'impressionnisme. 2 vols. Paris and New York, 1939:I:393-394
- 1943
- Paintings from the Chester Dale Collection. Philadelphia, 1943:, unpaginated, repro.
- 1953
- French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1953: 63, repro.
- 1965
- Eighteenth and Nineteenth Century Paintings & Sculpture of the French School in the Chester Dale Collection. National Gallery of Art, Washington, 1965: 98, repro.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 92.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 81, repro.
- 1974
- Wildenstein, Daniel. Claude Monet: biographie et catalogue raisonné. 5 vols. Paris, 1974: 4:no. 1598.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 240, repro.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 491, no. 728, color repro.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 277, repro.
- 2012
- Kennicott, Philip. "French Rooms Reopen, With Different Accents." Washington Post 135, no. 55 (January 29, 2012): E25.
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