Provenance
Camille Groult [1837-1908], Paris;[1] probably his son and heir, Jean Groult [1868-1951]; (his estate sale, Galerie Charpentier, Paris, 21 March 1952, no. 84, as by Longhi); purchased by (anonymous dealer, France); sold to (David M. Koetser Gallery, New York and London); sold February 1953 to the Samuel H. Kress Foundation, New York;[2] gift 1961 to NGA.
Exhibition History
- 1996
- The Mask of Venice: Masking, Theatre, and Identity in the Art of Tiepolo and His Time, Berkeley Art Museum, University of California, 1996-1997, no. 13, repro.
Bibliography
- 1956
- Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 190, no. 75, repro., as Venetian Master, Third Quarter of the XVIIIth Century, Before the Masked Ball.
- 1959
- Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 253, repro., as Venetian Master, Third Quarter of the XVIIIth Century, Before the Masked Ball.
- 1961
- Eriksen, Svend. "La Live de Jully's Furniture à la Grecque." The Burlington Magazine 103 (August 1961): 340-347.
- 1963
- Eriksen, Svend. "Om salen paa Åkerö og dens kunstner Louis-Joseph Le Lorrain." Konsthistorisk Tidskrift 32, nos. 3-4 (1963): 94-120.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 135, as Venetian School, Before the Masked Ball.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 122, repro., as Venetian School, Before the Masked Ball.
- 1973
- Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XVI-XVIII Century. London, 1973: 175-176, fig. 338.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 362, repro., as Venetian School, Before the Masked Ball.
- 1976
- Pallucchini, Rodolfo. "Per un'attribuzione al Fontebasso." Paragone 317-319 (1976): 172-179.
- 1978
- Rosenberg, Pierre. "Louis-Joseph Le Lorrain (1715-1759)." Revue de l'Art 40-41 (1978): 196-197.
- 1979
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:186-187; 2:pl. 129, as Attributed to Fontebasso.
- 1979
- Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 92, pl. 78.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 420, repro., as Venetian 18th Century
- 1996
- Steward, James Christen, ed. The Mask of Venice: Masking, Theater & Identity in the Art of Tiepolo and His Time. Exh. cat. Berkeley Art Museum, 1996-1997. Berkeley, 1996: no. 13.
- 2002
- Ribeiro, Aileen. Dress in Eighteenth-Century Europe 1715 – 1789. Revised ed. (First ed. London, 1984) New Haven, 2002: 259, color repro.; frontis (detail); 260, color repro. (detail); 261, color repro. (detail); 265, color repro. (detail).
- 2006
- Rosenberg, Pierre. Only in America: One Hundred Paintings in American Museums Unmatched in European Collections. Milan, 2006: 134-135, 232, 238-239, color fig.
- 2009
- Conisbee, Philip, et al. French Paintings of the Fifteenth through the Eighteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2009: no. 69, 312-316, color repro.
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