Provenance
Eugene Leopold Garbaty [1885-1966], Berlin and New York, by 1931;[1] (Paul Drey, New York); sold 1948 to the Samuel H. Kress Foundation, New York;[2] gift 1952 to NGA.
Exhibition History
- 1939
- Masterpieces of Art. European Paintings and Sculpture from 1300-1800, New York World's Fair, May-October 1939, no. 236a, repro., as St. Benedict, St. Maurus, and St. Placidus by Simon Marmion.
- 1939
- Masterpieces of Art from Foreign Collections: European Paintings from the New York and San Francisco World's Fairs, The Detroit Institute of Art, November-December 1939, no. 29, repro., as St. Benedict, St. Maurus and St. Placidus by Simon Marmion.
- 1939
- Seven Centuries of Painting: A Loan Exhibition of Old and Modern Masters, Calif. Palace of the Legion of Honor and the M.H. de Young Memorial Museum, San Francisco, 1939-1940, no. L-10, as St. Benedict, St. Maurus and St. Placidus by Simon Marmion.
- 1940
- Masterpieces of Art: European Paintings from the New York World's Fair and the Golden Gate International Exposition, Carnegie Institute, Pittsburgh; City Art Museum, St. Louis, March-May 1940, no. 11, as by Simon Marmion.
- 1940
- Masterpieces of Art from the New York and San Francisco World's Fairs, The Cleveland Museum of Art, February-March 1940, no. 48, as St. Benedict, St. Maurus, and St. Placidus by Simon Marmion.
- 1947
- A Loan Exhibition of Fifty Painters of Architecture, Wadsworth Atheneum, Hartford, 1947, no. 30, pl. IV, as St. Benedict, St. Maurus and St. Placidus by Simon Marmion.
- 1948
- Early Flemish Painting exhibited to accompany the lectures of Erwin Panofsky, Fogg Museum of Art, Cambridge, 1948, no cat.
Bibliography
- 1934
- Winkler, Friedrich. "Simon Marmion." Pantheon (March 1934): 65, 70, repro.
- 1949
- Ring, Grete. A Century of French Painting 1400-1500. London, 1949: 222, no. 193.
- 1951
- Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1945-1951. Introduction by John Walker, text by William E. Suida. National Gallery of Art, Washington, 1951: 176, no. 77, repro.
- 1958
- Hoffman, Edith M. "Simon Marmion." Ph.D. dissertation, University of London, 1958: 199, no. 17.
- 1959
- Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 330, repro.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 83.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 73, repro.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 216, repro.
- 1977
- Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 238-239, fig. 228.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 250, repro.
- 1992
- Ainsworth, Maryan W. "New Observations on the Working Technique in Simon Marmion's Panel Paintings." In Thomas Kren, ed. Margaret of York, Simon Marmion, and the Visions of Tondal. Malibu, 1992: 254.
- 2009
- Conisbee, Philip, et al. French Paintings of the Fifteenth through the Eighteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2009: no. 43, 209-212, color repro.
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