Provenance
Stefano Bardini [1836-1922], Florence, by 1899; (Bardini sale, Christie, Manson & Woods, London, 5 June 1899, no. 494, bought in); (Bardini sale, American Art Association, New York, 25 April 1918, no. 468);[1] purchased by H.L. Kaufman; (Pinakos, Inc. [Rudolf Heinemann], New York); on joint account 1942 with (Frederick Mont), (Victor D. Spark, New York) and (M. Knoedler & Co, London, New York and Paris, France);[2] sold 6 August 1943 to the Samuel H. Kress Foundation, New York;[3] gift 1952 to NGA.
Exhibition History
- 1944
- Roosevelt House, Hunter College, New York, 1944.
- 1946
- Recent Additions to the Kress Collection, National Gallery of Art, Washington, D.C., 1946, no. 791.
Bibliography
- 1896
- Berenson, Bernard. The Florentine Painters of the Renaissance: with an index to their works. New York, 1896: 101.
- 1907
- Salvini, Roberto. “Ubertini, Francesco.” In Ulrich Thieme and Felix Becker, eds. Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. 37 vols. Leipzig, 1907-1950: 33 (1939):522.
- 1909
- Berenson, Bernard. The Florentine Painters of the Renaissance, 3rd ed. London, 1909: 102.
- 1923
- Schubring, Paul. Cassoni. 2 vols. Leipzig, 1923: 1:406, no. 826.
- 1925
- Tinti, Mario. Il Bachiacca. Florence, [1925?]: pl. 18.
- 1926
- McComb, Arthur. “Francesco Ubertini (Bacchiacca).” The Art Bulletin 3 (1926): 154.
- 1938
- Berenson, Bernard. The Drawings of the Florentine Painters. 3 vols. Chicago, 1938: 1:297-298.
- 1945
- Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 119, repro.
- 1946
- Douglas, Robert Langton. "Recent Additions to the Kress Collection." The Burlington Magazine for Connoisseurs 88 (1946): 82.
- 1946
- Frankfurter, Alfred M. Supplement to the Kress Collection in the National Gallery. New York, 1946: 46, repro.
- 1947
- Friedmann, Herbert. “Bacchiacca’s Gathering of Manna in the National Gallery.” Gazette des Beaux-Arts 32 (1947): 151-158.
- 1956
- Mühlberger, Richard. The Bible in Art: The Old Testament. London, 1956: 219, pl. 107.
- 1958
- Merritt, Howard S. “Bachiacca Studies: The Uses of Imitation.” Ph.D. diss., Princeton University, 1958: 114.
- 1959
- Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 104, repro.
- 1961
- Merritt, Howard S., ed. Bacchiacca and his Friends: Florentine Paintings and Drawings of the Sixteenth Century. Exh. cat. Baltimore Museum of Art, 1961: 22, 30-33, fig. 19.
- 1961
- Walker, John, Guy Emerson, and Charles Seymour. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 112, repro. pl. 103, color repro. pl. 92.
- 1963
- Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:21. 2:pl.1249
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 9.
- 1966
- Nikolenko, Lada. Francesco Ubertini Called Il Bacchiacca. Locust Valley, NY, 1966: 22, 59, fig. 71.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 3, repro.
- 1972
- Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 13, 646.
- 1973
- Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XVI-XVIII Century. London, 1973: 8-9, fig. 13-14.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 14, repro.
- 1978
- Brigstocke, Hugh. Italian and Spanish Paintings in the National Gallery of Scotland. Edinburgh, 1978: 9, 10.
- 1978
- Colbert, Charles D. “Bacchiacca in the Context of Florentine Art.” Ph.D. diss., Harvard University, Cambridge, MA, 1978: 82.
- 1979
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:21-22; 2:pl. 13.
- 1979
- Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 47, pl. 29.
- 1981
- Rosenthal, Gertude, ed. Italian Paintings XIV-XVIIIth Cenuries from the Collection of the Baltimore Museum of Art. Baltimore, 1981: 94.
- 1983
- Mészáros, László. Italien sieht Dührer: zur Wirkung der deutschen Druckgraphick auf die Italienische Kunst des 16. Jahrhunderts. Erlangen, 1983: 271, no. 248.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 172, no. 192, color repro.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 34, repro.
- 1993
- Brigstocke, Hugh. Italian and Spanish Paintings in the National Gallery of Scotland. 3rd ed. Edinburgh, 1993: 23-24, fig. 1.
- 1993
- Cox-Rearick, Janet. Bronzino’s Chapel of Eleonora in the Palazzo Vecchio. Berkeley and Los Angeles, 1993: 219-221.
- 1995
- Cattaneo Adorno, Carlotta, et al. Il Palazzo Durazzo Pallavicini. Genoa, 1995: 289.
- 2000
- Fahy, Everett. Dipinti, disegni, miniature, stampe: L'Archivio storico fotografico di Stefano Bardini. Florence, 2000: 44, no. 356.
- 2002
- La France, Robert G. “Francesco d’Ubertino Verdi, il Bachiacca, 1494-1557: ‘Diligente Dipintore.’” Ph.D. diss., Institute of Fine Arts, New York University, 2002: cat. 56.
- 2003
- La France, Robert G. “Bachiacca’s Formula for Success.” In Marcello Fantoni, Louis Chevalier Matthew, and Sarah F. Matthews Grieco, eds. The Art Market in Italy, 15th – 17th Cenrueies / Il mercato dell’arte in Italia secc. XV-XVII. Modena, 2003: 237-238.
- 2007
- Fara, Giovanni Maria. Inventario generale delle stampe del Gabinetto Disegni e Stampe degli Uffizi. I. Albrecht Dürer. Originali, copie, derivazioni. Florence, 2007: 233, 237, 241.
- 2008
- La France, Robert G. Bachiacca: Artist of the Medici Court. Florence, 2008: 4-6, 76, 91-92, 101, 104, 106, 112, 202, 208, 215, 216-218, 225, 226, 244, 252, 259, 262, 290, 291, 296, 298, cat. 62, pl. XLIX, figs. 21, 23.
- 2011
- Boskovits, Miklós, ed. The Alana Collection, Newark, Delaware, USA. Vol. II: Italian Paintings and Sculptures from the Fourteenth to Sixteenth Century. Florence, 2011: 27.
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