Inscription
lower center on the pedestal: IOANNES BAPTISTA PINXIT
Provenance
Possibly Giovanni Castelli, Venice, until 1712.[1] Baron Carlo Marochetti [1805-1867], Paris and London, or his son, Baron Maurizio Marochetti [d. 1916], Turin; by inheritance to Elena, the daughter of the latter, wife of Carlo Corrigioni d'Orelli.[2] (Jacques Seligmann & Co., Inc., Paris and New York); sold December 1919 to Sir Edgar Vincent, later 1st viscount D'Abernon [1857-1941], Esher and Stoke d'Abernon, Surrey;[3] (Duveen Brothers, Inc., London and New York), after 1925;[4] sold 15 December 1936 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[5] gift 1937 to NGA.
Exhibition History
- 1925
- Gemälde alter Meister aus Berliner Besitz, Akademie der Künste, Berlin, 1925.
Bibliography
- 1923
- Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 17(1935): 426-428, incorrectly identified as the painting of the same subject then in the con Speck-Sternberg collection, now in the Museum der Bildenden Künste, Leipzig.
- 1926
- Venturi, Adolfo. “Opere poco note di Cima da Conegliano.” L’Arte 29 (1926): 182-183.
- 1927
- Venturi, Adolfo. Studi dal vero: Attraverso le racolte artistiche d’Europa. Milan, 1927: 243-244, fig, 149.
- 1941
- Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 40, no. 33.
- 1941
- Richter, George Martin. "The New National Gallery in Washington." The Burlington Magazine for Connoisseurs 78 (June 1941): 178.
- 1942
- Book of Illustrations. National Gallery of Art, Washington, 1942: 239, repro. 84.
- 1949
- Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 35, repro.
- 1951
- Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 82.
- 1953
- Coletti, Luigi. La pittura veneta del Quattrocento. Novara, 1953: LXXV, 175, repro.
- 1957
- Berenson, Bernard. Italian Pictures of the Renaissance. Venetian School. 2 vols. London, 1957: 1:68.
- 1957
- Lasareff, Victor. “Opere nuove o poco note da Cima da Conegliano.” Arte Veneta 11 (1957): 46.
- 1959
- Coletti, Luigi. Cima da Conegliano. Venice, 1959: 72, pl. 13.
- 1961
- Pallucchini, Rodolfo. “Giunte al catalogo di Cima da Conegliano.” In Studi di storia dell’arte: Raccolta di saggi a Roberto Longhi. Arte Antica e Moderna 13-16 (1961): 187.
- 1961
- Puppi, Lionello. “Per Pasqualino Veneto.” Critica d’Arte 8, no. 44 (1961): 39
- 1961
- Seligman, Germain. Merchants of Art: 1880-1960, Eighty Years of Professional Collecting. New York, 1961: 127, pl. 30b.
- 1962
- Pallucchini, Rodolfo. “Appunti alla mostra di Cima da Conegliano.” Arte Veneta 16 (1962): 223.
- 1962
- Pignatti, Terisio. “Rapporti tra il Cima ed il Carpaccio attorno al primo decennio del Cinquecento.” La provincia di Treviso 5 (1962): 11.
- 1963
- Rutteri, Maria Grazia. “Gian Battista da Conegliano.” Acropoli 3 (1963): 40.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 27.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 21, repro.
- 1972
- Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 53, 327, 407, 414, 645.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 70, repro.
- 1979
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: 1:130-131; 2:pl. 90.
- 1981
- Menegazzi, Luigi. Cima da Conegliano. Treviso, 1981: 18, 20, 22, 42, 93-94, pls. 27-28.
- 1983
- Humfrey, Peter. Cima da Conegliano. Cambridge and New York, 1983: 51, 118, 130-131, 166, 184-185, pl. 33.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 89, repro.
- 1989
- Dantraique, Pierre. La peinture venitienne. Neuchâtel, 1989: 67, repro.
- 2003
- Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 202-205, color repro.
- 2010
- Battisti, Eugenio. “Il Cima e il significato storico delle sue immagini.” In Giovanni Carlo Federico Villa, ed. Cima da Conegliano: poeta del paesaggio. Exh. cat. Palazzo Sarcinelli, Conegliano, 2010: 15, repro.
- 2013
- Potočnik, Michele, and Giovanni Carlo Federico Villa, eds. Il paesaggio di Cima: Da Conegliano ai monti di Endimione. Treviso, 2013: 23, 109, cat. 4.
- 2017
- Serres, Karen. "Duveen's Italian framemaker, Ferruccio Vannoni." The Burlington Magazine 159, no. 1370 (May 2017): 373 n. 40.
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