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Benozzo Gozzoli

The Raising of Lazarus, mid 1490s

Not on View

Medium

oil (?) on canvas

Dimensions

overall: 65.5 x 80.2 cm (25 13/16 x 31 9/16 in.)

Credit Line

Widener Collection

Accession Number

1942.9.24

Artists / Makers

Benozzo Gozzoli (artist) Florentine, c. 1421 - 1497

Image Use

This image is in the public domain.
Read our full Open Access policy for images .

Provenance

Cav. Gualtiero Kennedy Laurie, Florence, by 1859.[1] William Blundell Spence [1814-1900], Florence.[2] (Haskard and Co., Florence) on joint account with (Charles Fairfax Murray, London and Florence), for (Thomas Agnew & Sons, Ltd., London);[3] purchased 15 August 1897 by Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsyvlania;[4] inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA.

[1] According to the "Check list of paintings and sculptures handled by Spence" in John Fleming, "Art Dealing in the Risorgimento. Part 3," The Burlington Magazine 121, no. 918 (September 1979): 579. Laurie lent two paintings to the 1861 exhibition in Florence, NGA 1942.9.24 and a Deposition attributed to Paolo Veronese; nothing else is yet known about him.

[2] The date of the painting's passage to Spence's collection is unknown. On Spence see also Donata Levi, "William Blundell Spence e Firenze," in Studi e ricerche di collezionismo e museografia a Firenze, 1820-1920, Pisa, 1985: 87-178.

[3] According to the Getty Provenance Index; the painting was Agnew's stock number 7907. The 1900 catalogue of the Widener collection indicates the painting was "purchased in Italy by Messrs. Thos. Agnew & Sons."

[4] Widener collection records, in NGA curatorial files.

Associated Names

Agnew & Sons, Ltd., Thomas
Haskard Bank
Laurie, Gualtiero Kennedy, Cav
Murray, Charles Fairfax
Spence, William Blundell
Widener, Joseph E.
Widener, Peter Arrell Brown

Exhibition History

1861: Catalogo della Esposizione di oggetti d'arte del Medio Evo e dell'epoca del Risorgimento dell'arte, fatta in Firenze in Casa Guastalla, Florence, 1861, Room I, no. 18.

Bibliography

1900: Catalogue of Paintings Forming the Private Collection of P. A. B. Widener. Ashbourne, near Philadelphia. II: Early English and Ancient Paintings. Paris, 1900: cat. 200, repro.

1901: Venturi, Adolfo. Storia dell’arte italiana. 11 vols. Milan, 1901-1940: 7(1911):430 n. 1.

1909: Berenson, Bernard. The Florentine Painters of the Renaissance, 3rd ed. London, 1909: 115.

1916: Berenson, Bernard, and William Roberts. Pictures in the Collection of P.A.B. Widener at Lynnewood Hall, Elkins Park, Pennsylvania: Early Italian and Spanish Schools. Philadelphia, 1916: unpaginated, repro.

1919: Collection of Medieval and Renaissance Paintings. Fogg Art Museum. Cambridge, MA, 1919: 65.

1923: Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 11(1929):216 n. 1.

1923: Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1923: unpaginated, repro.

1930: Hoogewerff, Godefridus Johannes. Benozzo Gozzoli. Paris, 1930: 93.

1931: Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1931: 142, repro.

1932: Berenson, Bernard. Italian Pictures of the Renaissance. Oxford, 1932: 264.

1936: Berenson, Bernard. Pitture italiane del rinascimento. Milan, 1936: 226.

1938: Waldmann, E. "Die Sammlung Widener." Pantheon 22 (November 1938): 340.

1942: Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 5.

1948: Paintings and Sculpture from the Widener Collection. National Gallery of Art, Washington, 1948 (reprinted 1959): 8, repro.

1963: Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:97.

1965: Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 61.

1968: National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 54, repro.

1972: Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 25, 646.

1972: Padoa Rizzo, Anna. Benozzo Gozzoli pittore fiorentino. Florence, 1972: 88, 148, pl. 229.

1975: European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 160, repro.

1979: Fleming, John. "Art Dealing in the Risorgimento, 3." The Burlington Magazine 121, no. 918 (1979): 579.

1979: Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:228-229; 2:pl. 155.

1980: Padoa Rizzo, Anna. “Note su un ‘San Gerolamo penitente’ di Benozzo.” Antichità Viva 19, no. 3 (1980): 15, as by Benozzo Gozzoli and Alesso di Benozzo.

1984: Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 90, no. 53, color repro.

1985: European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 186, repro.

1987: Pope-Hennessy, John, and Laurence B. Kanter. The Robert Lehman Collection. Vol. 1: Italian Paintings. New York, 1987: 186, as by Benozzo Gozzoli and the Alunno di Benozzo (i.e. Alesso di Benozzo).

1989: Padoa Rizzo, Anna. Arte e committenza a Pistoia alla fine del XV secolo: Benozzo Gozzoli e i figli Francesco e Alesso. Nuove Ricerche. Pistoia, 1989: 12-13, 25.

1992: Acidini, Cristina. “Le pitture murali.” In Cristina Acidini, ed. I restauri nel Palazzo Medici Riccardi. Rinascimento e Barocco. Cinisello Balsamo (Milan), 1992: 15.

1992: Bernacchioni, Annamaria. “Le botteghe di pittura: Luoghi, strutture e attività.” In Mina Gregori, Antonio Paolucci and Cristina Acidini Luchinat, eds. Maestri e botteghe: pittura a Firenze alla fine del Quattrocento. Exh. cat. Palazzo Strozzi, Florence, 1992: 116-117.

1992: Padoa Rizzo, Anna. Benozzo Gozzoli. Catalogo completo. Florence, 1992: 19, 141, 143, cat. 75, as by Benozzo Gozzoli and Alesso di Benozzo.

1992: Padoa Rizzo, Anna. “Il tironcinio dell’artista: la bottega come luogo di formazione.” In Mina Gregori, Antonio Paolucci and Cristina Acidini Luchinat, eds. Maestri e botteghe: pittura a Firenze alla fine del Quattrocento. Exh. cat. Palazzo Strozzi, Florence, 1992: 94.

1994: Acidini, Cristina. Benozzo Gozzoli. Florence and New York, 1994: 70, 77, fig. 109.

1996: Ahl, Diane Cole. Benozzo Gozzoli. New Haven, 1996: 198, 199, 266, pl. 248, as by Benozzo Gozzoli and Alesso di Benozzo.

1996: Padoa Rizzo, Anna. “Arte a Pistoia nel Quattrocento.” In Chiara d’Afflitto, Franca Falletti, and Andrea Muzzi, eds. L’Età di Savonarola: Fra’ Paolino e la pittura a Pistoia nel primo ‘500. Exh. cat. Palazzo Comunale, Pistoia, 1996: 48.

1997: Padoa Rizzo, Anna, ed. Arte e committenza in Valdelsa e Valdera: con Benozzo, catalogo di un itinerario pittorico. Florence, 1997: 45, 156, 157, repro., as by Benozzo Gozzoli and Alesso di Benozzo.

2001: Bagemihl, Rolf. “Reflections on Nicolas Froment’s Uffizi Altarpiece.” In Andrew Ladis and Shelley E. Zuraw, eds. Visions of Holiness: Art and Devotion in Renaissance Italy. Athens, GA, 2001: 182, fig. 2.

2001: Nessi, Silvestro. Benozzo Gozzoli. La vita - Le opere. Perugia, 2001: 61.

2002: Capitelli, Giovanna, and Graziano Alfredo Vergani. Benozzo Gozzoli: A growing workshop. Milan, 2002: 63.

2002: Padoa Rizzo, Anna. “Una lunga vita operosa.” In Bruno Toscano and Giovanni Capitelli, eds. Benozzo Gozzoli allievo a Roma, maestro in Umbria. Exh. cat. Chiesa – Museo di San Francesco, Montefalco, 2002: 37.

2002: Quodbach, Esmée. "The Last of the American Versailles: The Widener Collection at Lynnewood Hall." Simiolus 29, no. 1/2 (2002): 94.

2003: Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 352-356, color repro.

2003: Mencarelli, Rosaria. “La carriera di Benozzo Gozzoli.” In Matteo Ceriana, Valentina Maderna, and Cristina Quattrini, eds. Brera mai vista. Il colore di Benozzo Gozzoli: Due predelle della Pinacoteca di Brera. Exh. cat. Pinacoteca di Brera, Milan, 2003: 41.

2003: Padoa Rizzo, Anna. Benozzo Gozzoli. Un pittore insigne, “pratico di grandissima invenzione”. Milan, 2003: 253, 257, 262, fig. 5, as by Benozzo Gozzoli and Alesso di Benozzo.

2005: Kanter, Laurence, and Pia Palladino. Fra Angelico. Exh. cat. Metropolitan Museum of Art, New York, 2005: 310.

2021: Bertini, Stefania, and Alice Vignoli. "Benozzo Gozzoli. Vita e opere maggiori." In Serena Nocentini and Valentina Zucchi, eds. Benozzo Gozzoli e la Cappella dei Magi. Exh. cat. Palazzo Medici Riccardi, Florence, 2021: 91.

2022: Acidini, Cristina, et al., eds. Maddalena: il mistero e l’immagine. Exh. cat. Musei San Domenico, Forlì, 2022: 420.

2023: Tartuferi, Angelo. “Piero del Pollaiolo, Sant’Antonino ai piedi del Crocifisso: una nuova leggibilità per un capolavoro d’arte e di devozione.” Quaderni del Museo di San Marco, no. 5 (2023): 37 n. 29.